The Music of Liszt
~ Catalogue
Annotation
Music of Franz Liszt as cataloged Humphrey Searle.
The catalog compiled here is incomplete.
A copy of the complete catalog can be borrowed from archive.org.
IMSLP has a comprehensive list too.
Annotation last modified on 2023-11-07 14:37 UTC.
Works
# | Work | Writers | Artists | ISWC | Type | Lyrics languages | Attributes | Rating |
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S. 268 | 2 Vortragsstücke, S. 268 |
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S. 269/1 | Angiolin dal biondo crin, S. 269/1 (for voice and piano, first version) |
| Song |
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S. 269/1 | Englein hold im Lockengold, S. 269/1 (first version) |
| Song |
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S. 269/2 | Angiolin dal biondo crin, S. 269/2 (for voice and piano, second version) |
| Song |
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S. 269/2 | Englein hold im Lockengold, S. 269/2 (second version) |
| Song |
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S. 269/3 | Angiolin dal biondo crin, S. 269/3 (for voice and piano, third version) |
| Song |
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S. 271 | Il m'aimait tant, S. 271 (for voice and piano) |
| Song |
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S. 272/1 | Im Rhein, im schönen Strome, S. 272/1 (for voice and piano, first version) |
| Song |
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S. 272/2 | Im Rhein, im schönen Strome, S. 272/2 (for voice and piano, second version) |
| Song |
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S. 273/1 | Die Loreley, S. 273/1 (for voice and piano, first version) |
| Song |
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S. 273/2 | Die Loreley, S. 273/2 (for voice and piano, second version) |
| Song |
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S. 274/1 | Die Zelle in Nonnenwerth, S. 274/1 (for voice and piano, first version) |
| Song |
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S. 274/2 | Die Zelle in Nonnenwerth, S. 274/2 (for baritone and piano, final revision) |
| Song |
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S. 276/1 | Comment, disaient-ils, S. 276/1 (for voice and piano, first version) |
| Song |
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S. 276/2 | Comment, disaient-ils, S. 276/2 (for voice and piano, second version) |
| Song |
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S. 277/1 | Bist du, S. 277/1 (first version) |
| Song |
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S. 277/2 | Bist du, S. 277/2 (second version) |
| Song |
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S. 278/1 | Es war ein König in Thule, S. 278/1 (for voice and piano, first version) |
| Song |
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S. 278/2 | Es war ein König in Thule, S. 278/2 (for voice and piano, second version) |
| Song |
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S. 279/1 | Der du von dem Himmel bist, S. 279/1 (for voice and piano, first version) |
| Song |
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S. 279/2 | Der du von dem Himmel bist, S. 279/2 (for voice and piano, second version) |
| Song |
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S. 279/3 | Der du von dem Himmel bist, S. 279/3 (for voice and piano, third version) |
| Song |
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S. 279/4 | Der du von dem Himmel bist, S. 279/4 (for voice and piano, fourth version) |
| Song |
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S. 280 bis | Freudvoll und leidvoll, S. 280 bis (second setting) |
| Song |
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S. 280/1 | Freudvoll und leidvoll, S. 280/1 (first setting, first version) |
| Song |
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S. 280/2 | Freudvoll und leidvoll, S. 280/2 (first setting, second version) |
| Song |
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S. 281 | Die Vätergruft, S. 281 (for voice and piano) |
| Song |
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S. 283/1 | Enfant, si j’étais roi, S. 283/1 (for voice and piano, first version) |
| Song |
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S. 283/2 | Enfant, si j’étais roi, S. 283/2 (for voice and piano, second version) |
| Song |
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S. 285 | Das Grab und die Rose, S. 285 |
| Song |
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S. 285 | La tombe et la rose, S. 285 (for voice and piano) |
| Song |
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S. 286 | Gastibelza, S. 286 (for voice and piano, French version) |
| Song |
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S. 287/1 | Du bist wie eine Blume, S. 287/1 |
| Song |
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S. 287/2 | Du bist wie eine Blume, S. 287/2 |
| Song |
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S. 288/1 | Was Liebe sei, S. 288/1 (1st version) |
| Song |
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S. 288/2 | Was Liebe sei, S. 288/2 (2nd version) |
| Song |
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S. 288/3 | Was Liebe sei, S. 288/3 (3rd version) |
| Song |
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S. 289/2 | Vergiftet sind mein Lieder, S. 289/2 (second version) |
| Song |
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S. 291/1 | Die tote Nachtigall, S. 291/1 (1st version) |
| Song |
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S. 291/2 | Die tote Nachtigall, S. 291/2 (2nd version) |
| Song |
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S. 292a | Lieder aus Schillers Wilhelm Tell, S. 292a (first version) |
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S. 292b | Lieder aus Schillers Wilhelm Tell, S. 292b (second version) |
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S. 293/1 | Jeanne d'Arc au bûcher, S. 293/1 (for voice and piano, first version) |
| Song |
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S. 293/2 | Jeanne d'Arc au bûcher, S. 293/2 (for voice and piano, second version) |
| Song |
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S. 293/3 | Jeanne d'Arc au bûcher, S. 293/3 (for voice and piano, third version) |
| Song |
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S. 294/1 | Es rauschen die Winde, S. 294/1 |
| Song |
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S. 294/2 | Es rauschen die Winde, S. 294/2 |
| Song |
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S. 295 | Wo weilt er?, S. 295 (second version) |
| Song |
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S. 296 | Ich möchte hingehn, S. 296 |
| Song |
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S. 297/1 | Wer nie sein Brot mit Tränen aß, S. 297/1 (1st version) |
| Song |
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S. 297/2 | Wer nie sein Brot mit Tränen aß, S. 297/2 (2nd version) |
| Song |
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S. 299/1 | Isten veled, S. 299/1 |
| Song |
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S. 299/2 | Isten veled, S. 299/2 |
| Song |
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S. 300 | Le Juif errant, S. 300 |
| Song | |||||
S. 301/1 | Kling leise, mein Lied, S. 301/1 (first version) |
| Song |
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S. 301/2 | Kling leise, mein Lied, S. 301/2 (second version) |
| Song |
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S. 301b/1 | En ces lieux tout me parle d'elle, S. 301b/1 (first version) |
| Song |
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S. 301b/2 | Élégie, S. 301b/2 (final revision) |
| Song |
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S. 302 | Die Macht der Musik, S. 302 (second version) |
| Song |
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S. 303 | Weimars Toten, S. 303 |
| Song |
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S. 304 | Le Vieux Vagabond, S. 304 |
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S. 306/2 | Über allen Gipfeln ist Ruh, S. 306/2 (second version) |
| Song |
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S. 306a | Quand tu chantes, bercée, S. 306a |
| Song |
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S. 307 | Hohe Liebe, S. 307 |
| Song |
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S. 308 | Gestorben war ich, S. 308 |
| Song |
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S. 309 | Ein Fichtenbaum steht einsam, S. 309 (first setting) |
| Song |
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S. 309 bis | Ein Fichtenbaum steht einsam, S. 309 bis (second setting) |
| Song |
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S. 310/1 | Ihr Auge, S. 310/1 (first version) |
| Song |
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S. 310/2 | Ihr Auge, S. 310/2 (second version) |
| Song |
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S. 311 | Anfangs wollt' ich fast verzagen, S. 311 |
| Song | |||||
S. 314 | Es muss ein Wunderbares sein, S. 314 |
| Song |
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S. 315 | Ich liebe dich, S. 315 |
| Song |
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S. 317 | Lasst mich ruhen, S. 317 |
| Song |
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S. 318 | In Liebeslust, S. 318 |
| Song |
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S. 319 | Ich scheide, S. 319 |
| Song |
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S. 320 | Die drei Zigeuner, S. 320 (for voice and piano) |
| Song |
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S. 321 | Die stille Wasserrose, S. 321 |
| Song |
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S. 322 | Wieder möcht ich dir begegnen, S. 322 |
| Song |
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S. 323 | Jugendglück, S. 323 |
| Song |
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S. 324 | Blume und Duft, S. 324 |
| Song |
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S. 325 | Die Fischerstochter, S. 325 |
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S. 326/1 | La perla, S. 326/1 (first version) |
| Song |
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S. 326/2 | La perla, S. 326/2 (second version) |
| Song |
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S. 327 | J'ai perdu ma force et ma vie, S. 327 |
| Song |
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S. 328 | Ihr Glocken von Marling, S. 328 |
| Song |
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S. 330 | Sei still, S. 330 |
| Song |
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S. 331 | Gebet, S. 331 |
| Song |
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S. 332 | Einst, S. 332 |
| Song |
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S. 334 | Der Glückliche, S. 334 |
| Song |
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S. 335 | Go Not, Happy Day, S. 335 |
| Song |
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S. 336 | Verlassen, S. 336 |
| Song |
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S. 337 | Des Tages laute Stimmen schweigen, S. 337 |
| Song |
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S. 338 | Und wir dachten der Toten, S. 338 |
| Song |
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S. 339 | A magyarok Istene, S. 339 (for voice and piano) |
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S. 340 | Magyar király-dal, S. 340 (for baritone and piano) |
| Song |
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S. 341 | Ave Maria IV, S. 341 (for voice and organ or harmonium) |
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S. 342/1 | Le Crucifix, S. 342/1 (first version) |
| Song |
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S. 343 | Sancta Caecilia, S. 343 |
| Song |
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S. 345 | Wartburg-Lieder, S. 345 |
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S. 345a | A magyarok Istene, S. 345a (for baritone, male chorus and military band) |
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Relationships
catalogues work of: | Franz Liszt (Hungarian composer, pianist and conductor) |
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cataloguer: | Leslie Howard (pianist) (additional) Humphrey Searle Sharon Winklhofer (additional) |
Wikidata: | Q105682079 [info] |
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