The Music of Liszt
~ Catalogue
Annotation
Music of Franz Liszt as cataloged Humphrey Searle.
The catalog compiled here is incomplete.
A copy of the complete catalog can be borrowed from archive.org.
IMSLP has a comprehensive list too.
Annotation last modified on 2023-11-07 14:37 UTC.
Works
| # | Work | Writers | Artists | ISWC | Type | Lyrics languages | Attributes | Rating |
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| S. 2 | Die Legende von der heiligen Elisabeth, S. 2 |
| Oratorio |
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| S. 3 | Christus, S. 3 |
| Oratorio | |||||
| S. 4/1 | Cantico del Sol di San Francesco d'Assisi, S. 4/1 (for baritone, organ or harmonium, piano, and male chorus ad lib) |
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| S. 4/2 | Cantico del Sol di San Francesco d'Assisi, S. 4/2 (for baritone, male chorus, organ and orchestra) |
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| S. 6 | Die Glocken des Strassburger Münsters, S. 6 |
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| S. 7 | Cantantibus organis, S. 7 |
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| S. 9 | Missa solennis zur Einweihung der Basilika in Gran, S. 9 "Graner Messe" |
| Mass | |||||
| S. 10 | Missa choralis, S. 10 |
| Mass |
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| S. 11 | Hungarian Coronation Mass, S. 11 |
| Mass |
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| S. 13/1 | Der 13. Psalm, S. 13 (for soprano, mezzo, tenor, choir and orchestra) |
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| S. 13/2 | Der 13. Psalm, S. 13 (for tenor, choir and orchestra) |
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| S. 18 | Cinq chœurs, S. 18 |
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| S. 20 | Ave Maria I, S.20 |
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| S. 29 | Pater noster II, S.29 |
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| S. 32/1 | Christus ist geboren II, S. 32/1 (for mixed choir and organ) |
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| S. 32/2 | Christus ist geboren II, S. 32/2 (for male choir and organ ad lib) |
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| S. 32/3 | Christus ist geboren II, S. 32/3 (for women choir) |
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| S. 34/1 | Ave maris stella, S. 34/1 (for mixed choir and organ) |
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| S. 34/2 | Ave maris stella, S. 34/2 (for male choir and organ) |
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| S. 36 | Dall'alma Roma, S. 36 (for 2 voices and organ ad lib) |
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| S. 38 | Ave Maria II, S. 38 (for mixed choir and organ) |
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| S. 41/2 | Pater noster III, S. 41/2 (second version, for male chorus and organ/harmonium/piano) |
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| S. 42/2 | Tantum ergo, S. 42/2 (second version, for male chorus and organ) |
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| S. 44 | Ave verum corpus, S. 44 (for mixed chorus and organ) |
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| S. 45 | Libera me, S. 45 |
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| S. 46/2 | Anima Christi sanctifica me, S. 46/2 (second version) |
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| S. 49 | Weihnachtslied (O heilige Nacht), S. 49 |
| Song |
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| S. 50 | Alte deutsche geistliche Weisen, S. 50 |
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| S. 52 | Septem Sacramenta, S. 52 |
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| S. 53 | Via Crucis, S. 53 |
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| S. 57 | In domum Domini ibimus, S. 57 (for mixed chorus, organ, brass and timpani) |
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| S. 60 | Ave Maria III, S. 60 |
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| S. 61 | Nun danket alle Gott, S. 61 |
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| S. 63 | Qui seminant in lacrimis, S. 63 (for mixed chorus and organ) |
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| S. 66 | Salve Regina, S. 66 |
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| S. 67 | Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn, S. 67 |
| Cantata | |||||
| S. 69 | Chöre zu Herders Entfesseltem Prometheus, S. 69 |
| Cantata |
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| S. 71a | Gaudeamus igitur, S. 71a (for orchestra) |
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| S. 71b | Gaudeamus igitur, S. 71b (for male chorus and orchestra) |
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| S. 71c | Gaudeamus igitur, S. 71c (for choir and orchestra) |
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| S. 93/1 | Magyar király-dal, S. 93 no. 1 (for male chorus) |
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| S. 93/2 | Magyar király-dal, S. 93 no. 2 (for mixed chorus) |
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| S. 93/3 | Magyar király-dal, S. 93 no. 3 (for male chorus and piano) |
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| S. 93/4 | Magyar király-dal, S. 93 no. 4 (for mixed chorus and piano) |
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| S. 93/5 | Magyar király-dal, S. 93 no. 5 (for male chorus and orchestra) |
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| S. 93/6 | Magyar király-dal, S. 93 no. 6 (for male chorus and orchestra) |
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| S. 93/7 | Magyar király-dal, S. 93 no. 7 (for children chorus) |
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| S. 95 | Ce qu’on entend sur la montagne, S. 95 |
| Symphonic poem |
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| S. 96 | Tasso: Lamento e Trionfo, S. 96 |
| Symphonic poem |
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| S. 97 | Les Préludes, S. 97 |
| Symphonic poem |
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| S. 98 | Orpheus, S. 98 |
| Symphonic poem |
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| S. 99 | Prometheus, S. 99 |
| Symphonic poem |
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| S. 100 | Mazeppa, S. 100 |
| Symphonic poem |
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| S. 101 | Festklänge, S. 101 |
| Symphonic poem |
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| S. 102 | Héroïde funèbre, S. 102 |
| Symphonic poem |
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| S. 103 | Hungaria, S. 103 |
| Symphonic poem |
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| S. 104 | Hamlet, S. 104 |
| Symphonic poem |
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| S. 105 | Hunnenschlacht, S. 105 |
| Symphonic poem |
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| S. 106 | Die Ideale, S. 106 |
| Symphonic poem |
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| S. 107 | Von der Wiege bis zum Grabe, S. 107 (for orchestra) |
| Symphonic poem |
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| S. 108 | Eine Faust-Symphonie, S. 108 |
| Symphony |
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| S. 109 | Eine Symphonie zu Dantes Divina Commedia, S. 109 |
| Symphony |
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| S. 110 | Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra) |
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| S. 112 | Odes funèbres, S. 112 |
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| S. 113a | Deux légendes, S. 113a (for orchestra) |
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| S. 114 | Künstlerfestzug zur Schillerfeier 1859, S. 114 (for orchestra) |
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| S. 115 | Festmarsch zur Goethe-Jubiläumfeier, S. 115 (for orchestra) |
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| S. 120 | Grande Fantaisie Symphonique on themes from Berlioz's "Lélio" for Piano and Orchestra, S. 120 |
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| S. 121 | Malédiction, S. 121 |
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| S. 121a | De Profundis, S. 121a |
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| S. 122 | Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122 (for piano and orchestra) |
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| S. 123 | Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 |
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| S. 124 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124 |
| Concerto |
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| S. 125 | Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) |
| Concerto |
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| S. 125a | Piano Concerto in E-flat major, S. 125a |
| Concerto |
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| S. 126b | Zwei Walzer, S. 126b |
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| S. 127 | Duo-Sonata, S. 127 |
| Sonata |
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| S. 128 | Grand duo concertant sur "Le Marin", S. 128 |
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| S. 129 | Epithalam, S. 129 (for violin and piano) |
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| S. 130a | Elegy no. 1, S. 130a (for cello, harp, piano and harmonium) |
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| S. 130b | Elegy no. 1, S. 130b (for cello and piano) |
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| S. 130c | Elegy no. 1, S. 130c (for violin and piano with harmonium ad lib) |
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| S. 131 | Elegy no. 2, S. 131 (for cello and piano) |
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| S. 131b | Elegy no. 2, S. 131b (for violin and piano) |
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| S. 132b | Romance oubliée, S. 132b (for violin and piano) |
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| S. 134 | Die Trauergondel (La lugubre gondola), S. 134 (for cello and piano) |
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| S. 134b | Die Trauergondel (La lugubre gondola), S. 134b (for violin and piano) |
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| S. 135 | Am Grabe Richard Wagners, S. 135 (for string quartet and harp ad lib) |
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| S. 136 | Étude en douze exercices, S. 136 |
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| S. 137 | Douze grandes études, S. 137 |
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| S. 139 | Études d’exécution transcendante, S. 139, R. 2b |
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| S. 140 | Études d’exécution transcendante d’après Paganini, S. 140 |
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| S. 141 | Grandes études de Paganini, S. 141 |
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| S. 141/6bis | Album-Leaf: Introduction to the Grande Étude de Paganini no. 6, S. 141/6bis |
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| S. 143 | Ab irato, grande étude de perfectionnement, S. 143 |
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| S. 144 | Trois études de concert, S. 144 |
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| S. 145 | Zwei Konzertetüden, S. 145 |
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| S. 148 | Huit variations, op. 1, S. 148 |
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| S. 150 | Impromptu brillant sur des thèmes de Rossini et Spontini, op. 3, S. 150 |
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| S. 151 | Allegro di bravura, op. 4 no. 1, S. 151 |
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Relationships
| catalogues work of: | Franz Liszt (Hungarian composer, pianist and conductor) |
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| cataloguer: | Leslie Howard (pianist) (additional) Humphrey Searle Sharon Winklhofer (additional) |
| Wikidata: | Q105682079 [info] |
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