# | Title | Artist | Rating | Length |
---|
1 | Gimme Your Love- recording engineer and mixer:
- David Frazer
- additional assistant engineer:
- Mike Iacopelli
- additional engineer:
- Lincoln Clapp (lead vocals)
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- bass synthesizer and keyboard:
- Walter Afanasieff
- drum machine:
- Bongo Bob Smith
- electronic drum set:
- Narada Michael Walden
- guitar:
- Corrado Rustici
- sampler:
- Ren Klyce
- solo saxophone:
- Marc Russo
- background vocals:
- Liz Jackson and Skyler Jett
- vocals:
- James Brown and Aretha Franklin
- arranger:
- Narada Michael Walden
- engineered at:
- Sunset Sound Studios in Hollywood, Los Angeles, California, United States, Tarpan Studios in San Rafael, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- recording of:
- Gimme Your Love
- writer:
- Jeffrey Cohen and Narada Michael Walden
- publisher:
- Gratitude Sky Music, Inc. and When Words Collide Music
| Aretha Franklin duet with James Brown | | 5:19 |
2 | Mercy- recording engineer and mixer:
- David Frazer
- bass programming and drums (drum set) programming:
- Walter Afanasieff
- additional assistant engineer:
- Mike Iacopelli
- additional engineer:
- Lincoln Clapp (lead vocals)
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- additional drums (drum set) and additional synthesizer:
- Narada Michael Walden
- cymbal:
- Greg “Gigi” Gonaway
- keyboard:
- Walter Afanasieff and Ren Klyce
- solo saxophone:
- Marc Russo
- synthesizer:
- Walter Afanasieff
- background vocals:
- Kitty Beethoven and Siedah Garrett
- instruments arranger and arranger:
- Narada Michael Walden
- engineered at:
- Sunset Sound Studios in Hollywood, Los Angeles, California, United States, Tarpan Studios in San Rafael, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- recording of:
- Mercy
- writer:
- Glen Ballard and Siedah Garrett
- publisher:
- Aerostation Corporation, MCA Music Publishing and Yellowbrick Road Music
| Aretha Franklin | | 4:08 |
3 | He’s the Boy- recording engineer:
- Mike Iacopelli
- producer:
- Aretha Franklin
- mixer:
- David Frazer
- bass:
- Louis Johnson
- drums (drum set):
- Yogi Horton
- guitar:
- Steve Khan and William Powell
- percussion:
- Steve Kroon
- piano:
- Aretha Franklin
- synthesizer:
- Robbie Kondor
- recorded at:
- The Power Station in Hell's Kitchen, New York, New York, United States (horn, strings) and United Sound Systems, Inc. in Detroit, Michigan, United States
- mixed at:
- Tarpan Studios in San Rafael, California, United States
- recording of:
- He’s the Boy
- writer:
- Aretha Franklin
- publisher:
- Springtime Music, Inc.
| Aretha Franklin | | 4:08 |
4 | It Isn’t, It Wasn’t, It Ain’t Never Gonna Be- recording engineer and mixer:
- David Frazer
- additional assistant engineer:
- Mike Iacopelli
- additional engineer:
- Lincoln Clapp (lead vocals)
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- keyboard:
- Walter Afanasieff
- synthesizer:
- Walter Afanasieff and Ren Klyce
- background vocals:
- Kitty Beethoven and Melisa Kary
- performer:
- Whitney Houston
- bass arranger and drums (drum set) arranger:
- Walter Afanasieff
- arranger:
- Narada Michael Walden
- engineered at:
- Sunset Sound Studios in Hollywood, Los Angeles, California, United States, Tarpan Studios in San Rafael, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- recording of:
- It Isn’t, It Wasn’t, It Ain’t Never Gonna Be
- lyricist and composer:
- Albert Hammond and Diane Warren
- publisher:
- Albert Hammond Music, Music of Windswept and Realsongs
| Aretha Franklin duet with Whitney Houston | | 5:39 |
5 | Through the Storm- recording engineer and mixer:
- David Frazer
- additional assistant engineer:
- Mike Iacopelli
- additional engineer:
- Lincoln Clapp (lead vocals)
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- guitar:
- Corrado Rustici
- keyboard:
- Walter Afanasieff
- synthesizer:
- Walter Afanasieff and Ren Klyce
- background vocals:
- Kitty Beethoven, Skyler Jett, Melisa Kary and Claytoven Richardson
- bass arranger and drums (drum set) arranger:
- Walter Afanasieff
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1989) and Arista Records, LLC (in 1989)
- engineered at:
- Sunset Sound Studios in Hollywood, Los Angeles, California, United States, Tarpan Studios in San Rafael, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- recording of:
- Through the Storm
- writer:
- Albert Hammond and Diane Warren
- publisher:
- Albert Hammond Music, EMI Music Publishing Ltd. , Empire Music Ltd., Music of Windswept and Realsongs
| Aretha Franklin duet with Elton John | | 4:25 |
6 | Think (1989)- recording engineer:
- Rod Hui, Mike Iacopelli and Joe Mardin
- programming:
- Joe Mardin
- assistant engineer:
- James McGee, Chris Shaw and Matt Tritto
- producer:
- Arif Mardin and Joe Mardin
- mixer:
- Rod Hui and Joe Mardin
- additional piano and additional synthesizer:
- Robbie Kondor
- additional sampler:
- Sammy Merendino
- baritone saxophone:
- Kenneth Hitchcock
- guitar:
- Reggie Griffin
- tenor saxophone:
- Andy Snitzer
- trombone:
- Michael Davis
- trumpet:
- Chris Botti and Kent Smith
- background vocals:
- Margaret Branch, Brenda Corbett and Aretha Franklin
- conductor:
- Joe Mardin
- performer:
- The New West Horns
- horn arranger:
- Joe Mardin
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1989)
- recorded at:
- Greene St. Recording in SoHo, New York, New York, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- mixed at:
- Greene St. Recording in SoHo, New York, New York, United States
- recording of:
- Think
- writer:
- Aretha Franklin and Ted White
- publisher:
- 14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Aretha Franklin | | 3:38 |
7 | Come to Me- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Lew Hahn and Jeremy Smith
- assistant engineer:
- Michael O’Reilly and Stewart Whitmore
- producer:
- Arif Mardin
- bass:
- Louis Johnson
- drums (drum set):
- Jeff Porcaro
- electric piano and synthesizer:
- David Foster
- percussion:
- George Devens
- piano:
- David Paich
- background vocals:
- Edie Lehmann, Myrna Matthews and Marti McCall
- remixer:
- Lew Hahn, Arif Mardin and Gene Paul
- arranger:
- Arif Mardin
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- additionally mixed at and additionally edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Come to Me
- lyricist and composer:
- Gene Price
- publisher:
- Reservoir 416, Reservoir One America, Sony/ATV Tree Publishing, Tree Publishing Co., Inc., ソニー・ミュージックパブリッシング A事業部, Acoustic Music, Inc. (from 1977 to ????), Buttercreek Music (from 1977 to present) and Dobbins Music (from 1977 to present)
| Aretha Franklin | | 3:43 |
8 | If Ever a Love There Was- engineer and mixer:
- Daren Klein
- producer:
- Jerry Knight and Aaron Zigman
- bass:
- Jerry Knight
- drums (drum set):
- John “JR” Robinson
- keyboard:
- Aaron Zigman
- solo saxophone:
- Kenny G
- baritone vocals and bass vocals:
- Renaldo "Obie" Benson
- lead vocals:
- Lawrence Payton and Levi Stubbs
- tenor vocals:
- Abdul "Duke" Fakir and Lawrence Payton
- recorded at:
- Lion Share Recording Studios in Los Angeles, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- If Ever a Love There Was
- writer:
- Todd Cerney and Pamela Phillips‐Oland
- publisher:
- Chappell & Co., Inc. , Irving Music, Inc., Le Mango Music and Pamalybo Music
| Aretha Franklin featuring The Four Tops and Kenny G | | 4:46 |