To Be Free: The Nina Simone Story

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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CD 1: 1957–1968
#TitleRatingLength
1Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
54:03
2I Loves You, Porgy
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
44:11
3My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
43:38
4Nobody Knows You When You’re Down and Out
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3.52:40
5You Can Have Him (live)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1959-09-15)
recorded at:
The Town Hall (Town Hall, New York City) in New York, New York, United States (on 1959-09-12)
live cover recording of:
You Can Have Him (on 1959-09-12)
lyricist and composer:
Irving Berlin (in 1949)
5:56
6Wild Is the Wind (live)
live cover recording of:
Wild Is the Wind (Theme song from the Paramount movie "Wild Is the Wind")
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
3:34
7Trouble in Mind (live)
recorded in:
Newport, Rhode Island, United States (on 1960-06-30)
bass:
Chris White (jazz bassist) (on 1960-06-30)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1960-06-30)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Trouble in Mind (on 1960-06-30)
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
5:35
8When Malindy Sings / Swing Low Sweet Chariot (live)
5:40
9See‐Line Woman
recorded in:
New York, New York, United States (on 1964-03-21)
producer:
Hal Mooney
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals and conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See‐Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
2.652:37
10Pirate Jenny (live)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) and Weill-Brecht-Harms Co., Inc.
translated version of:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
6:40
11Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
42:46
12I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:36
13Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:37
14Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:56
15Four Women
recording of:
Four Women
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
4:26
16My Man’s Gone Now4:18
17I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
conductor:
Sammy Lowe
arranger:
Sammy Lowe
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.353:09
18To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
To Love Somebody (in 1967)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
part of:
50/50
42:40
19Sunday in Savannah (live)
live cover recording of:
Sunday in Savannah
lyricist and composer:
Hugh M. MacKay
3:18
20Backlash Blues (live)
live recording of:
Backlash Blues
lyricist:
Langston Hughes
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
3:32
CD 2: 1968–1969
#TitleRatingLength
1Mississippi Goddam (live)
live recording of:
Mississippi Goddam
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
6:56
2In the Morning
cover recording of:
In the Morning (aka “Morning of My Life”)
lyricist and composer:
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Careers‐BMG Music Publishing, Inc., Connelly Musikverlag and Gibb Brothers Music
2:44
3Ain’t Got No, I Got Life
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
2:58
4Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (on 1968-05-13)
artist & repertoire support:
Tom Berman
producer:
Joe René
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1968-05-13)
conductor:
Horace Ott (on 1968-05-13)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
cover recording of:
Do What You Gotta Do (on 1968-05-13)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing, LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3.53:01
5Seems I’m Never Tired Loving You
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
43:03
6Just Like Tom Thumb’s Blues
cover recording of:
Just Like Tom Thumb’s Blues
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner/Chappell (from 1965 until 1993) and Special Rider Music (from 1993 to present)
4:51
7The Times They Are A‐Changin’
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
The Times They Are A‐Changin’
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
35:57
8Turn! Turn! Turn! (To Everything There Is a Season)
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
33:42
9The Other Woman (live)
live cover recording of:
The Other Woman
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
6:02
10I Think It’s Going to Rain Today (live)
live cover recording of:
I Think It’s Going to Rain Today
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Unichappell Music, Inc.
4:45
11Save Me (live)
live cover recording of:
Save Me (Aretha Franklin song)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music
3:33
12Revolution (live)
live recording of:
Revolution (Nina Simone song)
writer:
Weldon Irvine and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Revolution (Beatles song)
6:24
13To Be Young, Gifted and Black
phonographic copyright (℗) by:
BMG Music (in 1969)
recording of:
To Be Young, Gifted and Black (in 1969-08)
lyricist:
Weldon Irvine
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
42:51
14Black Is the Color of My True Love’s Hair (live)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3:25
15Westwind (live)
8:48
16Who Knows Where the Time Goes (live)
live cover recording of:
Who Knows Where the Time Goes?
lyricist and composer:
Sandy Denny
publisher:
Irving Music (BMI), Strawberry Music (Strawbs) and Winckler Musikforlag
4:59
17Suzanne (live)
live cover recording of:
Suzanne (English original song by Leonard Cohen)
lyricist:
Leonard Cohen (Canadian singer-songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer-songwriter and poet)
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
5:03
CD 3: 1969–1993
#TitleRatingLength
1No Opportunity Necessary, No Experience Needed (live)
live cover recording of:
No Opportunity Necessary, No Experience Needed
lyricist and composer:
Richie Havens
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Nicklewhistle Music
4:52
2Just Like a Woman
producer:
Nat Shapiro and Harold Wheeler
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) and Harold Wheeler
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
54:52
3Here Comes the Sun
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
4.43:35
4Tanywey
3:28
5Funkier Than a Mosquito’s Tweeter (live)
live cover recording of:
Funkier Than a Mosquito's Tweeter
lyricist and composer:
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
5:18
6My Sweet Lord / Today Is a Killer (live)
18:20
7Let It Be Me (live)
live cover recording of:
Let It Be Me
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Je t’appartiens
5:02
8Poppies
4:47
9Mr. Bojangles (live)
live cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:52
10I Want a Little Sugar in My Bowl (live)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
5:48
11Nina (live)
4:14
12Zungo (live)
live recording of:
Zungo (Olatunji)
publisher:
Thandewye Music (publisher; do NOT use as release label)
4:20
13Baltimore
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter)
membranophone:
Jimmy Madison
piano:
Al Schackman
cover recording of:
Baltimore
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
34:40
14A Single Woman
cover recording of:
A Single Woman
lyricist and composer:
Rod McKuen
43:33
DVD-Video 4: Nina: A Historical Perspective
#TitleRatingLength
1Ain’t Got No, I Got Life
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
2.5?:??
2Pirate Jenny
cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) and Weill-Brecht-Harms Co., Inc.
translated version of:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
?:??
3Don’t You Pay Them No Mind
cover recording of:
Don’t You Pay Them No Mind
writer:
Richard Ahlert and Bobby Scott (vocals, piano, US musician & producer)
?:??
4Milestones (instrumental)
?:??
5Go To Hell
recording of:
Go to Hell
writer:
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
?:??
6Backlash Blues
recording of:
Backlash Blues
lyricist:
Langston Hughes
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
?:??
7Percussion / Drums / Clapping / Dancing
?:??
8I Wish I Knew How It Would Feel to Be Free
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
9Precious Lord
?:??

Credits