Tracklist

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CD 1
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1L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:02
2L'Arlésienne Suite no. 1: II. Minuet, Allegro giocoso
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:15
3L'Arlésienne Suite no. 1: III. Adagietto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:48
4L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:29
5L'Arlésienne Suite no. 2: I. Pastorale
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:21
6L'Arlésienne Suite no. 2: II. Intermezzo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:58
7L'Arlésienne Suite no. 2: III. Menuet
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:56
8L'Arlésienne Suite no. 2: IV. Farandole
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1980-01, in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-01, in 1980-09)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1981) and Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-01) and Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1980-09)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1980-01)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:32
9Carmen Suite no. 1: Prelude
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet3:29
10Carmen Suite no. 1: Entr'acte II
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:48
11Carmen Suite no. 1: Entr'acte III
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet3:01
12Carmen Suite no. 1: Entr'acte IV
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1977-09)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:16
13Carmen Suite no. 2: Chorus of Street Urchins
orchestra:
Residentie Orkest
conductor:
Willem van Otterloo (conductor)
Georges Bizet3:42
14Carmen Suite no. 2: Gypsy SongGeorges Bizet4:33
CD 2
#TitleArtistRatingLength
1L'Apprenti sorcier
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
L’Apprenti sorcier
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas10:58
2Capriccio Espagnol, op. 34: I. Alborada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Николай Андреевич Римский‐Корсаков1:13
3Capriccio Espagnol, op. 34: II. Variazioni
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Николай Андреевич Римский‐Корсаков4:47
4Capriccio Espagnol, op. 34: III. Alborada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Николай Андреевич Римский‐Корсаков1:11
5Capriccio Espagnol, op. 34: IV. Scena e canto gitano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Николай Андреевич Римский‐Корсаков4:27
6Capriccio Espagnol, op. 34: V. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Николай Андреевич Римский‐Корсаков3:09
7España
orchestra:
Orkiestra Symfoniczna Filharmonii Narodowej
conductor:
Jerzy Semkow (conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:33
8El sombrero de tres picos: Parte I. Danza de la molinera (Fandango)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (in 1965-06)
composer:
Manuel de Falla (Spanish composer) (in 1919)
part of:
El sombrero de tres picos, suite no. 1
recording of:
El sombrero de tres picos: Parte I. Danza de la molinera (Fandango)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla7:58
9El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: I. Danza de los vecinos (seguidillas) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza de los vecinos (Seguidillas)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla3:33
10El sombrero de tres picos: Parte II. Danza del molinero (Farruca)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:32
11El sombrero de tres picos: Parte II. Danza final (Jota)
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 2: III. Danza final (jota) (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos, suite no. 2
recording of:
El sombrero de tres picos: Parte II. Danza final (Jota)
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla6:05

Credits

Release

part of:Compact Classics (Deutsche Grammophon) (order: 11)
ASIN:DE: B0034B2ZGY [info]
other databases:https://d-nb.info/1001689623 [info]