Tracklist

CD 1
# Title Rating Length
1 Cannonball
4:17
2 Willows
4:59
3 Everglade
3:44
4 Cynthia's in Love
3:07
5 The Song Is You
4:16
6 Hurricane Connie
4:18
7 Purple Shades
3:34
8 Rose Room
5:49
9 Fallen Feathers
3:48
10 You'd Be So Nice to Come Home To
3:36

Credits

CD 1

recorded in:
New York, New York, United States (1955-07-21) (tracks 4–7)
New York, New York, United States (1955-07-29) (tracks 1, 3, 10)
New York, New York, United States (1955-08-05) (tracks 2, 8–9)
drums (drum set):
Kenny Clarke (1955-07-21) (tracks 4–7)
Kenny Clarke (1955-07-29) (tracks 1, 3, 10)
Max Roach (20th century US jazz drummer & composer) (1955-08-05) (tracks 2, 8–9)
cornet:
Nat Adderley (1955-07-21) (tracks 4–7)
Nat Adderley (1955-07-29) (tracks 1, 3, 10)
Nat Adderley (1955-08-05) (tracks 2, 8–9)
flute:
Jerome Richardson (1955-07-21) (track 5)
flute and tenor saxophone:
Jerome Richardson (1955-07-21) (tracks 4, 6–7)
Jerome Richardson (1955-07-29) (tracks 1, 3, 10)
Jerome Richardson (1955-08-05) (tracks 2, 8–9)
double bass:
Paul Chambers (US jazz bassist) (1955-07-21) (tracks 4–7)
Paul Chambers (US jazz bassist) (1955-07-29) (tracks 1, 3, 10)
Paul Chambers (US jazz bassist) (1955-08-05) (tracks 2, 8–9)
alto saxophone:
Julian “Cannonball” Adderley (1955-07-21) (tracks 4–7)
Julian “Cannonball” Adderley (1955-07-29) (tracks 1, 3, 10)
Julian “Cannonball” Adderley (1955-08-05) (tracks 2, 8–9)
piano:
John Williams (American jazz pianist) (1955-07-21) (tracks 4–7)
John Williams (American jazz pianist) (1955-07-29) (tracks 1, 3, 10)
John Williams (American jazz pianist) (1955-08-05) (tracks 2, 8–9)
baritone saxophone:
Cecil Payne (1955-07-21) (tracks 4–7)
Cecil Payne (1955-07-29) (tracks 1, 3, 10)
Cecil Payne (1955-08-05) (tracks 2, 8–9)
tenor saxophone:
Jerome Richardson (1955-07-21) (track 5)
trombone:
James Cleveland (1955-07-21) (tracks 4–7)
J. Johnson (Jazz/bop trombonist/session leader) (1955-07-29) (tracks 1, 3, 10)
J. Johnson (Jazz/bop trombonist/session leader) (1955-08-05) (tracks 2, 8–9)
arranger:
Quincy Jones (tracks 1–10)
composer:
Jerome Kern (track 5)
Quincy Jones (tracks 2–3, 6, 9)
Art Hickman (1917) (track 8)
Cole Porter (composer) (1943) (track 10)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (1917) (track 8)
Cole Porter (composer) (1943) (track 10)
writer:
Phil Dooley (track 7)
Lew Douglas (track 7)
Billy Gish (track 4)
Frank LaVere (track 7)
Jack Owens (singer/songwriter "The Cruising Crooner") (track 4)
Earl White (track 4)
phonographic copyright by:
UMG Recordings, Inc. (Universal Music Group's legal name in the US) (1955) (tracks 1–10)
Verve Music Group (now known as Verve Label Group; not for release label use!) (2001) (tracks 6, 9)
HHO Licensing (2005) (track 8)
HHO Licensing (2008) (track 8)
Xelon Productions (2010) (track 8)
publisher:
Chappell & Co. (track 10)
EMI Music Publishing (do not use as a release label!) (track 8)
PolyGram International Publishing, Inc. (renamed as Universal PolyGram International Publishing, Inc. since ca. 1998 or thereafter) (track 5)
Warner Chappell Music Ltd. (no slash; used 1988–1996) (track 10)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) (track 10)
cover recording of:
Cynthia’s in Love (1955-07-21) (track 4)
instrumental cover recording of:
The Song Is You (1955) (track 5)
You’d Be So Nice to Come Home To (1955-07-29) (track 10)
Rose Room (1955-08-05) (track 8)
later translated versions:
Lui, toi et moi (track 5)
recording of:
Hurricane Connie (1955-07-21) (track 6)
Purple Shades (1955-07-21) (track 7)
Cannonball (1955-07-29) (track 1)
Everglade (1955-07-29) (track 3)
Fallen Feathers (1955-08-05) (track 9)
Willows (1955-08-05) (track 2)