The World's Absolute Best Ever Beer Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1We Are the Champions
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
assistant producer and co-producer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
electric guitar and guitar:
Brian May (Queen guitarist)
piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
recording of:
We Are the Champions
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.13:01
2I'm Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Proclaimers43:38
3Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Men at Work4.053:38
4Let Me Entertain You
programming:
Kerry Hopwood and Steve Power
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
David Catlin-Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Chris Sharrock
guitar:
Fil Eisler (Czech score composer) and Chester Kamen
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer)
percussion:
Andy Duncan (UK drummer and producer)
solo trumpet:
Steve Sidwell (English composer & wind instrumentalist) and Derek Watkins (trumpeter)
background vocals:
Claudia Fontaine (vocals, background vocals), Beverley Skeete, Carroll Thompson and Robbie Williams
vocals:
Robbie Williams
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Steve Sidwell (English composer & wind instrumentalist)
phonographic copyright (℗) by:
Chrysalis Records Ltd (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
Let Me Entertain You
lyricist and writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and BMG VM Music Ltd. (from 2013-05 to present)
Robbie Williams44:24
5S.M.D.U. (feat. Blur 'Song 2')
producer:
Brock Landars, David Conway (producer) and Larry Lush
editor:
Anthony De Rothschild
vocals:
Nesto
arranger:
Brock Landars, David Conway (producer) and Larry Lush
samples:
Smack My Bitch Up by The Prodigy (UK electronic group, main member Liam Howlett) and Song 2 by Blur (UK alternative rock band)
recording of:
S.M.D.U.
writer:
Damon Albarn, Cedric Miller, Graham Coxon, Liam Howlett, Alex James (UK bassist for Blur/Fat Les), Maurice Smith, Trevor Randolph, Dave Rowntree and Keith Matthew Thornton
Brock Landars44:17
6The Boys Light Up
engineer:
Ross Cockle
producer:
David Briggs (producer, guitarist of Little River Band)
drums (drum set):
Bill McDonough
guitar and slide guitar:
Simon Binks
harmonica:
James Reyne
keyboard:
Peter Jones (Australian pianist/composer), Mal Logan, Keith McKay and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Bill McDonough and Derek Pellicci
saxophone:
Bill Harrower
vocals:
Bill McDonough, James Reyne, Brad Robinson, Mal Stainton and Paul Williams (bassist in 'Australian Crawl')
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
Australian Crawl34:40
7Prisoner of Society
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
recorded at:
Sing Sing Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
music videos:
Prisoner of Society (US version) (film clip) by The Living End (Australian punk band)
recording of:
Prisoner of Society
writer:
Chris Cheney (The Living End frontman)
The Living End3.653:53
8Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs)
electric guitar:
Chris Britton (The Troggs)
ocarina and lead vocals:
Reg Presley
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and April Music (publisher) (in 1981)
The Troggs4.62:37
9We're Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.453:38
10La GrangeZZ Top43:52
11Mony Mony
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1987)
music videos:
Mony, Mony (live) by Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Planetary Nom (London) Ltd.
Billy Idol35:02
12My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.14:00
13Real Wild Child
drum machine [Linn drum] programming:
David Richards (Swiss-based producer and engineer) (from 1986-04 until 1986-05)
engineer:
David Richards (Swiss-based producer and engineer)
producer and mixer:
David Bowie (English singer‐songwriter) and David Richards (Swiss-based producer and engineer)
bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
Erdal Kızılçay (from 1986-04 until 1986-05)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05) and Steve Jones (Sex Pistols member) (from 1986-04 until 1986-05)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05), David Bowie (English singer‐songwriter) (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
lead vocals:
Iggy Pop (from 1986-04 until 1986-05)
recorded at:
Mountain Recording Studios (original Montreux location, 1975-2002) in Montreux, Vaud, Switzerland (from 1986-04 until 1986-05)
cover recording of:
Wild One (Real Wild Child) (from 1986-04 until 1986-05)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Peermusic (UK) Limited
Iggy Pop4.53:38
14Wild Wild Life
assistant recording engineer:
Kathy Botich, Nick Del Re and Melanie West (engineer)
recording engineer:
Eric “E.T.” Thorngren
producer:
Talking Heads
assistant mixer:
Charles Brocco, Robin Laine and Tom Nist (engineer)
mixer:
Mick Guzauski
bass guitar [bass]:
Tina Weymouth
drums (drum set) [drums]:
Chris Frantz
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads)
keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
lead vocals:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1986)
additionally recorded at:
O’Henry Studios in Burbank, California, United States
recorded at:
Sigma Sound (New York) in New York, New York, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Wild Wild Life
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads3.653:41
15Scooby Snacks
assistant recording engineer:
Edward Douglas (engineer) (from 1995-04-25 until 1995-05-20) and Juan Garcia (assistant at Magic Shop) (from 1995-04-25 until 1995-05-20)
recording engineer:
Tim Latham (from 1995-04-25 until 1995-05-20)
producer:
Fun Lovin’ Criminals
assistant mixer:
Sean “Puffy” Coffey (US recording engineer) (from 1995-06-03 until 1995-07-19)
mixer:
Tim Latham (from 1995-06-03 until 1995-07-19)
performer:
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
recorded at:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
samples:
Movement of Fear by Tones on Tail
recording of:
Scooby Snacks
additional lyricist:
Quentin Tarantino
writer:
Stephen Borgovini, Brian Leiser and Huey Morgan (DJ for the BBC)
publisher:
DiFontaine Carting & Asbestos Removal, Co.
Fun Lovin’ Criminals3.653:05
16Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.24:07
172-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:19
18One Bourbon, One Scotch, One Beer (live)
live cover recording of:
One Bourbon, One Scotch, One Beer
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist)
composer:
Rudolph Toombs
publisher:
Tristan Music Ltd.
is based on:
House Rent Boogie
George Thorogood & the Destroyers5:49
19Dirty Old Town
engineer:
Nick Robbins (engineer) and Paul Scully
producer:
Elvis Costello
recorded at:
Elephant Studios in Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Dirty Old Town
lyricist and composer:
Ewan MacColl (in 1949)
publisher:
Cooking Vinyl Ltd. (use “Cooking Vinyl” for release label)
The Pogues4.83:46
20Khe Sahn
engineer:
Alan Wright (engineer)
acoustic guitar:
Peter Walker (Australian producer & engineer)
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
harmonica:
Dave Blight
organ and piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
recording of:
Khe Sanh
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Cold Chisel4:07
CD 2
#TitleArtistRatingLength
1Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Lynyrd Skynyrd4.34:40
2Bad Case of Loving You (Doctor, Doctor)
producer:
Robert Palmer (English singer‐songwriter)
cover recording of:
Bad Case of Lovin’ You
lyricist and composer:
Moon Martin
Robert Palmer4.653:13
3Bad Boy for Love
producer:
Harry Vanda and George Young (Australian musician and producer)
recording of:
Bad Boy for Love
lyricist and composer:
Ian Rilen
Rose Tattoo3:03
4Born to Be WildSteppenwolf4.153:29
5Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:26
6Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.43:34
7Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-02 until 1994-08)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
keyboard:
Rob Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.553:02
8Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.154:06
9Centerfold
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band3:09
10Steal My Kisses
Ben Harper & The Innocent Criminals4:07
11No Rain
assistant engineer:
Mr. Jon Plum
engineer:
Rick Parashar
producer and mixer:
Blind Melon and Rick Parashar
recorded at:
London Bridge Studios in Seattle, Washington, United States
music videos:
No Rain by Blind Melon
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 414)
recording of:
No Rain
writer:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens and Christopher Thorn
publisher:
EMI April Music Inc. and Heavy Melon Music
Blind Melon4.43:37
12Copperhead Road
recording engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tony Brown (US producer, pianist and keyboardist) and Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
anthem of:
Tennessee, United States
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:31
13Cocaine
recording of:
Cocaine
lyricist and composer:
J.J. Cale
publisher:
Audigram Songs, Inc., BMG Platinum Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:49
14Gimme Head
The Radiators2:39
15Mustang SallyThe Commitments54:02
16You Ain't Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:38
17Smoke on the Water
recorded in:
Montreux, Vaud, Switzerland (in 1971-12)
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
remixer:
Roger Glover
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 10) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 34)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Deep Purple4.155:38
18We've Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Animals3.753:14
19Part of the Union
Strawbs2:57
20Always Look on the Bright Side of Life
assistant engineer:
James Saunders (United Kingdom experimental composer/musician)
engineer and mixer:
André Jacquemin
producer:
Eric Idle and André Jacquemin
lead vocals:
Eric Idle
arranger:
John Altman
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
recorded at and mixed at:
Redwood Studios in Westminster, London (Greater London), England, United Kingdom
recording of:
Always Look on the Bright Side of Life
lyricist and composer:
Eric Idle
publisher:
Oops Publishing Ltd.
version of:
Look on the Bright Side of Life (All Things Dull and Ugly)
part of:
Part Five: Miserere Loves Company
Monty Python4.53:32