Annotation

99361/* are the individual disc cat#s.
Barcodes for each fatbox (containing 2 discs):
Disc 1 & 2 - 5028421936116
Disc 3 & 4 - 5028421936123
Disc 5 & 6 - 5028421936130
Disc 7 & 8 - 5028421936147

Annotation last modified on 2014-03-16 12:54 UTC.

Tracklist

CD 1: Mass in B Minor (BWV 232) - Part 1
# Title Rating Length
1 Mass in B Minor, BWV 232: Kyrie: Chorus - Kyrie eleison 9:00
2 Mass in B Minor, BWV 232: Kyrie: Duet (soprano I & II) - Christe eleison 4:48
3 Mass in B Minor, BWV 232: Kyrie: Chorus - Kyrie Eleison 3:34
4 Mass in B Minor, BWV 232: Gloria: Chorus - Gloria in excelsis Deo 1:52
5 Mass in B Minor, BWV 232: Gloria: Chorus - Et in terra pax hominibus 4:07
6 Mass in B Minor, BWV 232: Gloria: Aria (soprano II) - Laudamus te 4:23
7 Mass in B Minor, BWV 232: Gloria: Chorus - Gratias agimus 2:22
8 Mass in B Minor, BWV 232: Gloria: Duet (soprano I, tenor) - Domine Deus 5:28
9 Mass in B Minor, BWV 232: Gloria: Chorus - Qui tollis 3:12
10 Mass in B Minor, BWV 232: Gloria: Aria (alto) - Qui sedes ad dexteram Patris 4:17
11 Mass in B Minor, BWV 232: Gloria: Aria (bass) - Quoniam tu solus Sanctus 4:30
12 Mass in B Minor, BWV 232: Gloria: Chorus - Cum Sancto Spiritu 3:51
CD 2: Mass in B Minor (BWV 232) - Part 2
# Title Rating Length
1 Mass in B Minor, BWV 232: Credo: Chorus: Credo in unum Deum 1:58
2 Mass in B Minor, BWV 232: Credo: Chorus: Patrem omnipotentem 2:01
3 Mass in B Minor, BWV 232: Credo: Duet (soprano I, alto): Et in unum Dominum 4:22
4 Mass in B Minor, BWV 232: Credo: Chorus: Et incarnatus est 3:20
5 Mass in B Minor, BWV 232: Credo: Chorus: Crucifixus 3:12
6 Mass in B Minor, BWV 232: Credo: Chorus: Et resurrexit 4:01
7 Mass in B Minor, BWV 232: Credo: Aria (bass): Et in Spiritum Sanctum 5:18
8 Mass in B Minor, BWV 232: Credo: Chorus: Confiteor unum baptisma 4:54
9 Mass in B Minor, BWV 232: Credo: Chorus: Et expecto 2:05
10 Mass in B Minor, BWV 232: Sanctus: Chorus: Sanctus 4:50
11 Mass in B Minor, BWV 232: Chorus: Osanna 3:03
12 Mass in B Minor, BWV 232: Aria (tenor): Benedictus 4:25
13 Mass in B Minor, BWV 232: Chorus: Osanna 3:03
14 Mass in B Minor, BWV 232: Aria (alto): Agnus Dei 5:37
15 Mass in B Minor, BWV 232: Chorus: Dona nobis pacem 2:43
CD 3: Masses BWV 233 - 234
# Title Rating Length
1 Mass in F major, BWV 233: I. Kyrie 5:03
2 Mass in F major, BWV 233: II. Gloria 6:37
3 Mass in F major, BWV 233: III. Domine Deus 3:30
4 Mass in F major, BWV 233: IV. Qui tollis 4:57
5 Mass in F major, BWV 233: V. Quoniam 4:42
6 Mass in F major, BWV 233: VI. Cum Sancto Spirito 3:13
7 Mass in A major, BWV 234: I. Kyrie 7:03
8 Mass in A major, BWV 234: II. Gloria 5:38
9 Mass in A major, BWV 234: III. Domine Deus 6:13
10 Mass in A major, BWV 234: IV. Qui tollis 6:52
11 Mass in A major, BWV 234: V. Quoniam 3:37
12 Mass in A major, BWV 234: VI. Cum Sancto Spirito 3:25
CD 4: Masses BWV 235 - 236
# Title Rating Length
1 Mass in G minor, BWV 235: I. Kyrie 7:19
2 Mass in G minor, BWV 235: II. Gloria 4:07
3 Mass in G minor, BWV 235: III. Gratias 3:35
4 Mass in G minor, BWV 235: IV. Domine Fili 5:41
5 Mass in G minor, BWV 235: V. Qui tollis 4:07
6 Mass in G minor, BWV 235: VI. Cum Sancto Spiritu 5:49
7 Mass in G major, BWV 236: I. Kyrie 4:09
8 Mass in G major, BWV 236: II. Gloria 5:00
9 Mass in G major, BWV 236: III. Gratias 5:13
10 Mass in G major, BWV 236: IV. Domine Deus 4:16
11 Mass in G major, BWV 236: V. Quoniam 4:52
12 Mass in G major, BWV 236: VI. Cum Sancto Spiritu 4:36
CD 5: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 1
# Title Rating Length
1 Morning songs: Kommt, Sellen, dieser Tag / Die güldne Sonne, voll Freud und Wonne 3:10
2 About the earthly pain and the succession of Christ: Vergiß mein nicht, mein allerliebster Gott / Erwürgtes Lamm, das die verwahrten Siegel 2:28
3 About the resurrection: Auf, auf mein Herz mit Freuden / Jesus, unser Trost und leben / Kommt wieder aus der finstern Gruft 2:25
4 From the mission of the Holy Spirit: Brunnquell aller Güter / Gott, wie groß ist deine Güte 3:30
5 From praying and from true christianity: I. Presto / II. Andante 3:12
6 From love for Jesus: Jesu, meines Herzens Freud / Bschränkt, ihr Weisen dieser Welt 5:34
7 Evening songs: Er lieben Sonne Licht und Pracht / Der Tag ist hin, die Sonne gehet nieder / Der Tag mit seinem Lichte 4:11
8 From the suffering and death of Jesus Christ: Jesus, deine Liebeswunden / Lasset uns mit Jesu ziehen / Die bittre Leidenszeit / Sei gegrüßet, Jesu gütig / O du Liebe meiner Liebe / Mein Jesu, was für Seelenweh / So gehst du nun, mein Jesu, hin / Selig, wer an Jesum denkt 9:51
9 On Good Friday: So gibst do nun, mein Jesu / Bricht entzwei, mein armes Herze / Es ist vollbracht! Vergiß ja nicht 4:45
10 From repentance and the grace of God: Wo ist mein Schäflein, das ich liebe / Herr, nicht schicke deine Rache / Steh'ich bein meinem Gott 3:05
CD 6: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 2
# Title Rating Length
1 From the Song of Praise: Dir, dir, Jehova, will ich singen 1:36
2 From the denial of the world and of himself: Nicht so traurig, nicht so sehr / O liebe Seele, zieh die Sinnen / Beglückter Stand getreuer Seelen / Es glänzet der Christen inwendiges Leben 3:53
3 From the Justification: Jesu, meines Glaubens Zier / Eins ist not! / Mein Jesu, dem die Seraphinen 3:02
4 From the Love of God: Jesus ist das schönste Licht / Vergiß mein nicht / Seelenbräutigam, Jesu, Gotteslamm / Liebes Herz, bedenke doch 4:32
5 From the Birth of Jesus Christ: Ich freue mich in dir / Ermuntre dich, mein schwacher Geist / Ihr Gestirn, ihr hohen Lüfte / O Jesulein süß / Ich steh an deiner Krippe hier 6:00
6 Comforting Jesus-Songs: Was bist du doch, o Seele, so betrübet / Auf, auf! Die rechte Zeit ist hier / Ich lass dich nicht / Liebster Immanuel, Herzog der Frommen / Jesu, Jesu, du bist mein / Ich liebe Jesum alle Stund 6:28
7 Songs about dying and hope in God: Liebster Gott, wann werd'ich sterben? / O finstre Nacht, wann wirst du doch vergehen? / Komm süßer Tod, komm sel'ge Ruh! / Ich bin ja, Herr, in deiner Macht / Es ist nun aus mit meinem Leben / Meines Lebens letzte Zeit / Liebster Herr Jesu, wo bleibst du so lange? / Ach, daß nicht die letzte Stunde / O wie selig seid ihr doch, ihr Frommen / Kein Stündlein geht dahin / So wünsch ich mir zu guter letzt 12:00
8 From patience and calm: Ich halte treulich still / Gib dich zufrieden und seit stille 2:46
CD 7: Motets
# Title Rating Length
1 Lobet den Herrn, alle Heiden, BWV 230 6:21
2 Komm, Jesu, Komm, BWV 229 8:12
3 Singet den Herrn ein neues Lied, BWV 225 13:11
4 Jesu, meine Freude, BWV 227 20:35
5 Der Geist hilft unser Schwachheit auf, BWV 226 7:35
6 Fürchte dich nicht, ich bin bei dir, BWV 228 9:43
CD 8: Easter Oratorio
# Title Rating Length
1 Easter Oratorio, BWV 249: I. Sinfonia 4:14
2 Easter Oratorio, BWV 249: II. Adagio 4:12
3 Easter Oratorio, BWV 249: III. Duet & Chorus "Kommt, eilet und laufet" 5:01
4 Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!" 0:59
5 Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien" 11:12
6 Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft" 0:44
7 Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer" 6:35
8 Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir" 0:56
9 Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde" 7:01
10 Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut" 0:39
11 Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank" 2:34
12 Easter Oratorio, BWV 249: XII. Chorale "Es hat mit uns nun keine Not" 0:44

Credits

CD 1: Mass in B Minor (BWV 232) - Part 1

composed in:
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 1–12)
horn:
Roger Montgomery (horn player) (track 11)
alto vocals:
James Bowman (UK countertenor) (track 10)
bass vocals:
Michael George (operatic bass) (track 11)
choir vocals:
The Sixteen (UK choir) (tracks 1, 3–5, 7, 9, 12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–12)
conductor:
Harry Christophers (conductor) (tracks 1–12)
engineer:
Mike Hatch (engineer/editor) (tracks 1–12)
orchestra:
Orchestra of The Sixteen (tracks 1–12)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (tracks 1–12)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (tracks 2, 6)
Catherine Dubosc (soprano) (tracks 2, 8)
tenor vocals:
John Mark Ainsley (tenor) (track 8)
recorded at:
St. Augustine’s Church (Kilburn, London) in London, England, United Kingdom (tracks 1–12)
arrangements:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (catch all for arrangements) (track 9)
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (catch all for arrangements) (track 11)
is based on:
is the basis for:
part of:
h-Moll-Messe, BWV 232 (tracks 1–12)
recording of:

CD 2: Mass in B Minor (BWV 232) - Part 2

composed in:
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 1–15)
alto vocals:
James Bowman (UK countertenor) (tracks 3, 14)
bass vocals:
Michael George (operatic bass) (track 7)
choir vocals:
The Sixteen (UK choir) (tracks 1–2, 4–6, 8–11, 13, 15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–15)
conductor:
Harry Christophers (conductor) (tracks 1–15)
countertenor vocals:
James Bowman (UK countertenor) (track 3)
engineer:
Mike Hatch (engineer/editor) (tracks 1–15)
orchestra:
Orchestra of The Sixteen (tracks 1–15)
performer:
The Sixteen (UK choir) (track 4)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (tracks 1–15)
soprano vocals:
Catherine Dubosc (soprano) (track 3)
tenor vocals:
John Mark Ainsley (tenor) (track 12)
recorded at:
St. Augustine’s Church (Kilburn, London) in London, England, United Kingdom (tracks 1–15)
arrangements:
Agnus Dei from Mass in B minor, BWV 232 (arr. Henry Wood) (track 14)
Benedictus from Mass in B minor, BWV 232 (arr. Henry Wood) (track 12)
is based on:
Dona nobis pacem (track 15)
part of:
h-Moll-Messe, BWV 232 (tracks 1–15)
recording of:

CD 3: Masses BWV 233 - 234

composed in:
Leipzig, Sachsen, Germany (1738) (tracks 1–6)
premiered in:
Leipzig, Sachsen, Germany (tracks 1–6)
alto vocals:
Annelies Burmeister (contralto) (tracks 5, 11)
bass vocals:
Theo Adam (German classical bass-baritone) (tracks 3, 9)
choir vocals:
Dresdner Kreuzchor (tracks 1–2, 6–8, 12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–12)
conductor:
Martin Flämig (tracks 1–12)
engineer:
Gerald Junge (sound engineer) (tracks 1–12)
orchestra:
Dresdner Philharmonie (tracks 1–12)
producer:
Reimar Bluth (tracks 1–12)
soprano vocals:
Renate Krahmer (soprano) (tracks 4, 10)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (tracks 1–12)
arrangements:
is based on:
part of:
Messe A-Dur, BWV 234 (tracks 7–12)
Messe F-Dur, BWV 233 (tracks 1–6)
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (1972-04 – 1972-06) (track 7)
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (1972-04 – 1972-06) (track 12)
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (1972-04 – 1972-06) (track 1)
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (1972-04 – 1972-06) (track 6)
version of:

CD 4: Masses BWV 235 - 236

composed in:
Leipzig, Sachsen, Germany (tracks 1–12)
premiered in:
Leipzig, Sachsen, Germany (tracks 1–12)
alto vocals:
Annelies Burmeister (contralto) (tracks 4, 10)
bass vocals:
Theo Adam (German classical bass-baritone) (tracks 3, 9)
choir vocals:
Dresdner Kreuzchor (tracks 1–2, 6–8, 12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–12)
conductor:
Martin Flämig (tracks 1–12)
engineer:
Gerald Junge (sound engineer) (tracks 1–12)
orchestra:
Dresdner Philharmonie (tracks 1–12)
producer:
Reimar Bluth (tracks 1–12)
soprano vocals:
Renate Krahmer (soprano) (track 10)
tenor vocals:
Peter Schreier (tenor) (tracks 5, 11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (tracks 1–12)
is based on:
part of:
Messe G-Dur, BWV 236 (tracks 7–12)
Messe g-Moll, BWV 235 (tracks 1–6)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (1972-04 – 1972-06) (track 7)
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (1972-04 – 1972-06) (track 12)
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (1972-04 – 1972-06) (track 1)

CD 5: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 1

organ:
Heinz Schnauffer (organist) (tracks 1–10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 1–2, 2–3, 3–4, 4–5, 5, 5–6, 6–7, 7, 7–8, 8, 8, 8, 8, 8, 8–9, 9, 9–10, 10, 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1736) (tracks 3, 8)
librettist:
Christian Scriver (1684) (track 7)
lyricist:
Paul Gerhardt (17th century hymn writer) (tracks 1, 3)
Martin Opitz (1634) (track 10)
Ernst Christoph Homburg (1659) (track 3)
Paul Gerhardt (17th century hymn writer) (1666) (track 7)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (tracks 1–10)
recorded at:
Himmelfahrtskirche (München-Sendling) in Munich, Bayern, Germany (tracks 1–10)
part of:
Breitkopf 389 Choralgesänge (number: 202) (track 6)
Bach-Werke-Verzeichnis (number: BWV 361) (track 6)
Bach-Werke-Verzeichnis (number: BWV 441) (track 3)
Bach-Werke-Verzeichnis (number: BWV 443) (track 6)
Bach-Werke-Verzeichnis (number: BWV 444) (track 9)
Bach-Werke-Verzeichnis (number: BWV 445) (track 4)
Bach-Werke-Verzeichnis (number: BWV 446) (track 7)
Bach-Werke-Verzeichnis (number: BWV 447) (track 7)
Bach-Werke-Verzeichnis (number: BWV 448) (track 7)
Bach-Werke-Verzeichnis (number: BWV 449) (track 5)
Bach-Werke-Verzeichnis (number: BWV 450) (track 8)
Bach-Werke-Verzeichnis (number: BWV 451) (track 1)
Bach-Werke-Verzeichnis (number: BWV 455) (track 2)
Bach-Werke-Verzeichnis (number: BWV 458) (track 9)
Bach-Werke-Verzeichnis (number: BWV 459) (track 5)
Bach-Werke-Verzeichnis (number: BWV 461) (track 5)
Bach-Werke-Verzeichnis (number: BWV 462) (track 4)
Bach-Werke-Verzeichnis (number: BWV 463) (track 10)
Bach-Werke-Verzeichnis (number: BWV 471) (track 8)
Bach-Werke-Verzeichnis (number: BWV 475) (track 3)
Bach-Werke-Verzeichnis (number: BWV 479) (track 1)
Bach-Werke-Verzeichnis (number: BWV 480) (track 3)
Bach-Werke-Verzeichnis (number: BWV 481) (track 8)
Bach-Werke-Verzeichnis (number: BWV 487) (track 8)
Bach-Werke-Verzeichnis (number: BWV 491) (track 8)
Bach-Werke-Verzeichnis (number: BWV 498) (track 8)
Bach-Werke-Verzeichnis (number: BWV 499) (track 8)
Bach-Werke-Verzeichnis (number: BWV 500) (track 8)
Bach-Werke-Verzeichnis (number: BWV 501) (track 9)
Bach-Werke-Verzeichnis (number: BWV 503) (track 10)
Bach-Werke-Verzeichnis (number: BWV 505) (track 2)
Bach-Werke-Verzeichnis (number: BWV 507) (track 10)
arrangements:
Die bittre Leidenszeit beginnet abermal, BWV 450 (English translation "Now is the mournful time") (translated) (track 8)
Geistliche Lied, BWV 487 "Mein Jesu, was für Seelenweh" (catch all for arrangements) (track 8)
Geistliches Lied, BWV 445 "Brunnquell aller Güter" (English translation "Breath of God") (translated) (track 4)
Geistliches Lied, BWV 458, "Es ist vollbracht! Vergiß ja nicht dies Wort" (English translation "It is finished") (translated) (track 9)
Geistliches Lied, BWV 461 "Gott lebet noch" (English translation "God liveth still") (translated) (track 5)
Geistliches Lied, BWV 463 "Herr, nicht schicke deine Rache" (English translation "Lord, pour not thy vengeance") (translated) (track 10)
Mein Jesu, was für Seelenweh, BWV 487 (Stokowski orchestration) (track 8)
later versions:
recording of:
version of:

CD 6: Sacred Songs & Arias from: Schemellis Gesangbuch - Part 2

organ:
Heinz Schnauffer (organist) (tracks 1–8)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–2, 2, 2, 2–3, 3, 3–4, 4, 4, 4–5, 5, 5, 5, 5–6, 6, 6, 6, 6, 6–7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7–8, 8)
librettist:
Paul Gerhardt (17th century hymn writer) (1653) (track 5)
lyricist:
Simon Dach (Prussian poet) (track 7)
Ahasverus Fritsch (track 6)
Paul Gerhardt (17th century hymn writer) (track 5)
Johann von Rist (track 5)
Magnus Daniel Omeis (1673) (track 7)
Johann Heinrich Schröder (1695) (track 3)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (tracks 1–8)
vocals arranger:
Ludwig Böhme (track 1)
writer:
Paul Gerhardt (17th century hymn writer) (1666) (track 8)
recorded at:
Himmelfahrtskirche (München-Sendling) in Munich, Bayern, Germany (tracks 1–8)
part of:
Breitkopf 389 Choralgesänge (number: 174) (track 7)
Bach-Werke-Verzeichnis (number: BWV 345) (track 7)
Bach-Werke-Verzeichnis (number: BWV 439) (track 7)
Bach-Werke-Verzeichnis (number: BWV 440) (track 6)
Bach-Werke-Verzeichnis (number: BWV 442) (track 2)
Bach-Werke-Verzeichnis (number: BWV 452) (track 1)
Bach-Werke-Verzeichnis (number: BWV 453) (track 3)
Bach-Werke-Verzeichnis (number: BWV 454) (track 5)
Bach-Werke-Verzeichnis (number: BWV 456) (track 2)
Bach-Werke-Verzeichnis (number: BWV 457) (track 7)
Bach-Werke-Verzeichnis (number: BWV 460) (track 8)
Bach-Werke-Verzeichnis (number: BWV 465) (track 5)
Bach-Werke-Verzeichnis (number: BWV 466) (track 8)
Bach-Werke-Verzeichnis (number: BWV 467) (track 6)
Bach-Werke-Verzeichnis (number: BWV 468) (track 6)
Bach-Werke-Verzeichnis (number: BWV 469) (track 5)
Bach-Werke-Verzeichnis (number: BWV 470) (track 6)
Bach-Werke-Verzeichnis (number: BWV 472) (track 3)
Bach-Werke-Verzeichnis (number: BWV 474) (track 4)
Bach-Werke-Verzeichnis (number: BWV 476) (track 5)
Bach-Werke-Verzeichnis (number: BWV 477) (track 7)
Bach-Werke-Verzeichnis (number: BWV 478) (track 7)
Bach-Werke-Verzeichnis (number: BWV 482) (track 4)
Bach-Werke-Verzeichnis (number: BWV 483) (track 7)
Bach-Werke-Verzeichnis (number: BWV 484) (track 7)
Bach-Werke-Verzeichnis (number: BWV 485) (track 6)
Bach-Werke-Verzeichnis (number: BWV 486) (track 3)
Bach-Werke-Verzeichnis (number: BWV 488) (track 7)
Bach-Werke-Verzeichnis (number: BWV 489) (track 2)
Bach-Werke-Verzeichnis (number: BWV 492) (track 7)
Bach-Werke-Verzeichnis (number: BWV 493) (track 5)
Bach-Werke-Verzeichnis (number: BWV 494) (track 2)
Bach-Werke-Verzeichnis (number: BWV 495) (track 7)
Bach-Werke-Verzeichnis (number: BWV 496) (track 4)
Bach-Werke-Verzeichnis (number: BWV 502) (track 7)
Bach-Werke-Verzeichnis (number: BWV 505) (track 4)
Bach-Werke-Verzeichnis (number: BWV 506) (track 6)
arrangements:
Blessed Redeemer (translated) (track 7)
Geistliches Lied, BWV 474 "Jesus ist das schönste Licht" (English translation "Jesus is this dark world's light") (track 4)
Geistliches Lied, BWV 478 "Komm, süßer Tod" (catch all for arrangements) (track 7)
Geistliches Lied, BWV 493 "O Jesulein süß" (English Text "O Jesu so meek") (translated) (track 5)
Geistliches Lied, BWV 493 "O Jesulein süß" (catch all for arrangements) (track 5)
Komm, süsser Tod, BWV 478 (for piano, Stevenson) (track 7)
Komm, süsser Tod, BWV 478 (for organ, Fox) (track 7)
Komm, süsser Tod, BWV 478 (for piano, Bridge) (track 7)
is based on:
Ich steh an deiner Krippen hier (just the lyrics, no melody) (track 5)
is the basis for:
Komm, süsser Tod (Neon Genesis Evangelion) (track 7)
later translated versions:
O Little One Sweet (track 5)
later versions:
Ich steh an deiner Krippen hier (revised version by Kathrin D. Weber) (track 5)
orchestrations:
recording of:

CD 7: Motets

composed in:
Leipzig, Sachsen, Germany (1726) (track 6)
Leipzig, Sachsen, Germany (1727) (track 3)
Leipzig, Sachsen, Germany (1729) (track 5)
premiered in:
Leipzig, Sachsen, Germany (tracks 3, 6)
Leipzig, Sachsen, Germany (1729-10-24) (track 5)
recorded in:
choir vocals:
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–3, 5–6)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 4)
conductor:
Michel Corboz (conductor and composer) (tracks 1–6)
engineer:
Joseph Rotzetter (engineer) (tracks 1–6)
lyricist:
Martin Luther (German theologian of the Reformation) (track 5)
producer:
Erich Lauer (producer) (tracks 1–6)
part of:
Bach Compendium (number: C1) (track 3)
Bach Compendium (number: C2) (track 5)
Bach Compendium (number: C3) (track 2)
Bach Compendium (number: C4) (track 6)
Bach Compendium (number: C5) (track 4)
Bach Compendium (number: C6) (track 1)
Bach-Werke-Verzeichnis (number: BWV 225) (track 3)
Bach-Werke-Verzeichnis (number: BWV 226) (track 5)
Bach-Werke-Verzeichnis (number: BWV 227) (track 4)
Bach-Werke-Verzeichnis (number: BWV 228) (track 6)
Bach-Werke-Verzeichnis (number: BWV 229) (track 2)
Bach-Werke-Verzeichnis (number: BWV 230) (track 1)
arrangements:
Jesu, meine Freude, BWV 227 (English translation) (translated) (track 4)
Singet dem Herrn ein neues Lied, BWV 225 (catch all for arrangements) (track 3)
parts:
recording of:
Jesu, meine Freude, BWV 227 (1995) (track 4)
Komm, Jesu, komm, BWV 229 (1995) (track 2)

CD 8: Easter Oratorio

composed in:
Leipzig, Sachsen, Germany (1725-04-01) (tracks 1–8, 10–11)
premiered in:
Leipzig, Sachsen, Germany (1725-04-01) (tracks 1–8, 10–11)
alto vocals:
Anne Greiling (tracks 4, 6, 8–9)
bass vocals:
Thomas Pfeiffer (bass-baritone) (tracks 3–4, 6, 10)
choir vocals:
Motettenchor Pforzheim (tracks 3, 11–12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–11)
conductor:
Rolf Schweizer (tracks 1–12)
orchestra:
producer:
Reinhard Geller (tracks 1–12)
soprano vocals:
Christine Brenk (tracks 4–5, 8)
tenor vocals:
Frank Bossert (Tenor) (tracks 3–4, 6–7)
recorded at:
arrangements:
Oster-Oratorium, BWV 249: I. Sinfonia (catch-all for arrangements) (track 1)
Oster-Oratorium, BWV 249: II. Adagio (catch-all for arrangements) (track 2)
part of:
Oster-Oratorium, BWV 249 (tracks 1–11)
recording of:
version of:

Release Group

part of:Bach Edition (number: 2) (order: 2)