More Favourites From the Doug Aiton Program

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Madama Butterfly: “Un bel dì”
soprano vocals:
Renata Tebaldi (soprano)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:52
2Don Giovanni: “Il mio tesoro”
tenor vocals:
Stuart Burrows (tenor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
3Clair de lune
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (in 1977-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (in 1977-05)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:36
4Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen”
producer:
Christopher Raeburn (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
soprano vocals and soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
5Jerusalem
choir vocals:
The Choir of Canterbury Cathedral
recording of:
Jerusalem (anthem by Hubert Parry)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer) (in 1916)
is based on:
Jerusalem (poem by Blake)
Sir Hubert Parry2:38
6The Gondoliers: “Take a Pair of Sparkling Eyes”
vocals:
Thomas Round (Singer with D'oyly Carte Opera Company)
recording of:
The Gondoliers: Act II, no. 13, Song: “Take a Pair of Sparkling Eyes” (Marco)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Gondoliers: Act II
Sir William Gilbert & Sir Arthur Sullivan3:17
7Die Zauberflöte: “Dies Bildnis ist bezaubernd schön”
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
tenor vocals [Tamino]:
Werner Krenn (tenor) (in 1971-10)
orchestra:
Wiener Haydn‐Orchester (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:47
8Samson & Delilah: Softly Awakes My Heart
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
Camille Saint‐Saëns6:30
9Don Giovanni: “Deh! vieni all finestra”
producer:
Christopher Raeburn (producer)
baritone vocals [Don Giovanni]:
Gabriel Bacquier (French baritone) (in 1968-07)
orchestra:
English Chamber Orchestra (in 1968-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1968-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1968-07)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1968-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:06
10Adriana Lecouvreur: Atto I. “Io son l'umile ancella“ (Adriana)
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Adriana]:
Maria Callas (soprano) (on 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-21)
conductor:
Tullio Serafin (conductor) (on 1954-09-21)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (on 1954-09-21)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:45
11The Sanctuary of the Heart
orchestra:
Royal Philharmonic Orchestra
recording of:
The Sanctuary of the Heart
composer:
Albert Ketèlbey (English composer) (in 1924)
Albert Ketèlbey3:57
12Piano Concerto 21 K.467: II.
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Uri Segal) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:19
13Turandot: “Nessun dorma”
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini53:00
14Lullaby
soprano vocals:
Renata Tebaldi (soprano)
Johannes Brahms2:14
15Drink to Me Only
contralto vocals:
Kathleen Ferrier (contralto)
recording of:
Drink to Me Only
composer:
[traditional] (special purpose artist)
[traditional]3:05
16Abide With Me
sound engineer:
Colin Moorfoot (engineer)
producer:
Chris Hazell
organ:
Richard Farnes (from 1985-03-19 until 1985-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1985-03-19 until 1985-03-20)
treble vocals:
Bruce Blyth (from 1985-03-19 until 1985-03-20)
conductor and chorus master:
Stephen Cleobury (organist, conductor) (from 1985-03-19 until 1985-03-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1985-03-19 until 1985-03-20)
recording of:
Abide With Me (Set to tune ‘Eventide’) (from 1985-03-19 until 1985-03-20)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
William Henry Monk4:24
17The Yeomen of the Guard: “When Our Gallant Norman Foes”
mezzo-soprano vocals:
Gillian Knight (mezzo-soprano)
Sir William Gilbert & Sir Arthur Sullivan4:58
18Martha: “M'appari”
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:28