What Women Want: Music From the Motion Picture

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Something’s Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Sammy Davis, Jr.2:05
2Too Marvelous for Words
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (on 1956-01-16) and Eleanor Slatkin (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
cover recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Frank Sinatra2:28
3The Best Is Yet to Come
producer:
Brad Benedict and Tom Morgan (producer)
bass:
Jimmy Bond (from 1963-10-08 until 1963-10-10)
bass trombone:
Ken Shroyer (trombonist) (from 1963-10-08 until 1963-10-10)
guitar:
Joe Pass (jazz guitarist) (from 1963-10-08 until 1963-10-10)
membranophone:
Kenny Dennis (from 1963-10-08 until 1963-10-10)
piano:
Jack Wilson (jazz pianist) (from 1963-10-08 until 1963-10-10)
reeds:
Teddy Edwards (jazz saxophonist) (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10)
trombone:
Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.) (from 1963-10-08 until 1963-10-10) and Lester Robertson (jazz trombonist) (from 1963-10-08 until 1963-10-10)
trumpet:
Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (trumpet) (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1963-10-08 until 1963-10-10)
orchestra:
Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (from 1963-10-08 until 1963-10-10)
remixer:
Malcolm Addey and Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10)
cover recording of:
The Best Is Yet to Come (from 1963-10-08 until 1963-10-10)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
Nancy Wilson2:22
4I Won’t Dance
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison (on 1956-11-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Frank Sinatra3:23
5Bitch
drum machine [drum/loop] programming:
Geza X
assistant engineer:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
engineer:
Jim Ebert and Geza X
producer:
Geza X
mixer:
Jim Ebert
bass:
Paul Bushnell (Session bassist, producer and music director)
drums (drum set) [drums]:
Josh Freese (American drummer)
guitar [guitars] and background vocals:
Meredith Brooks (US singer/songwriter and guitarist)
keyboard [keyboards]:
David Ricketts (of David & David)
recorded at:
City Lab Sound Design in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks4.254:13
6The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett42:16
7Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:08
8I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra43:43
9If I Had You
recording of:
If I Had You (jazz standard)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
Nnenna Freelon4:48
10What a Girl Wants
recording engineer:
Mario Luccy
programming and producer:
Guy Roche
additional mixer:
Michael Huff
mixer:
Dave Way
guitar family:
John Goux and Bruce Watson
tambourine:
Matt Laug
background vocals:
Christina Aguilera and Shelly Peiken
arranger:
Guy Roche
music videos:
What a Girl Wants by Christina Aguilera
cover recording of:
What a Girl Wants
writer:
Shelly Peiken and Guy Roche
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Hidden Pun Music, Inc., Manuiti L.A., Sushi Too Music, Universal Music–MGB Songs, Warner–Tamerlane Music Corp. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Christina Aguilera3:36
11Nobody but Me
recording of:
Nobody but Me
composer:
Billy Myles
Lou Rawls2:47
12Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
The Temptations3:56
13I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peggy Lee2:21
14Everything About You
Alan Silvestri3:04
15We Think It’s Love
recording of:
We Think It's Love
writer:
Jörgen Elofsson (also known as Shane) and Leah Haywood
Leah Haywood3:14