# | Title | Artist | Rating | Length |
---|
1 | Something’s Gotta Give | Sammy Davis, Jr. | | 2:05 |
2 | Too Marvelous for Words- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
- baritone saxophone:
- Morton Friedman (on 1956-01-16)
- bass:
- Joe Comfort (on 1956-01-16)
- bass trombone:
- George Roberts (on 1956-01-16)
- cello:
- Cy Bernard (on 1956-01-16), Ennio Bolognini (on 1956-01-16) and Eleanor Slatkin (on 1956-01-16)
- drums (drum set):
- Irv Cottler (on 1956-01-16)
- guitar:
- George van Eps (on 1956-01-16)
- harp:
- Kathryn Julye (on 1956-01-16)
- percussion:
- Frank Flynn (on 1956-01-16)
- piano:
- William (Bill) Miller (on 1956-01-16)
- tenor saxophone:
- Justin Gordon (on 1956-01-16) and James Williamson (on 1956-01-16)
- trombone:
- Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
- trumpet:
- Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
- viola:
- Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (on 1956-01-16)
- violin:
- Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (on 1956-01-16), Paul Nero (on 1956-01-16), Mischa Russell (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
- vocals:
- Frank Sinatra (on 1956-01-16)
- orchestra:
- The Nelson Riddle Orchestra
- conductor:
- Nelson Riddle (on 1956-01-16)
- arranger:
- Nelson Riddle
- recorded at:
- KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
- recording of:
- Too Marvelous for Words (on 1956-01-16)
- lyricist:
- Johnny Mercer (in 1937)
- composer:
- Richard A. Whiting (in 1937)
- publisher:
- Famous Music Corporation , Victoria Music Ltd., Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- cover recording of:
- Too Marvelous for Words (on 1956-01-16)
- lyricist:
- Johnny Mercer (in 1937)
- composer:
- Richard A. Whiting (in 1937)
- publisher:
- Famous Music Corporation , Victoria Music Ltd., Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Frank Sinatra | | 2:28 |
3 | The Best Is Yet to Come- producer:
- Brad Benedict and Tom Morgan
- bass:
- Jimmy Bond (from 1963-10-08 until 1963-10-10)
- bass trombone:
- Ken Shroyer (from 1963-10-08 until 1963-10-10)
- guitar:
- Joe Pass (from 1963-10-08 until 1963-10-10)
- membranophone:
- Kenny Dennis (from 1963-10-08 until 1963-10-10)
- piano:
- Jack Wilson (from 1963-10-08 until 1963-10-10)
- reeds:
- Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10)
- trombone:
- Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10)
- trumpet:
- Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10)
- vocals:
- Nancy Wilson (from 1963-10-08 until 1963-10-10)
- orchestra:
- Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10)
- conductor:
- Gerald Wilson (from 1963-10-08 until 1963-10-10)
- remixer:
- Malcolm Addey and Bob Norberg
- arranger:
- Gerald Wilson
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10)
- cover recording of:
- The Best Is Yet to Come (from 1963-10-08 until 1963-10-10)
- lyricist:
- Carolyn Leigh (in 1959)
- composer:
- Cy Coleman (in 1959)
- publisher:
- Carwin Music, Inc., EMI U Catalog Inc. , Notable Music, Notable Music Company, Inc. and WB Music Corp.
| Nancy Wilson | | 2:22 |
4 | I Won’t Dance | Frank Sinatra | | 3:23 |
5 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- bass:
- Paul Bushnell
- drums (drum set) [drums]:
- Josh Freese
- guitar [guitars] and background vocals:
- Meredith Brooks
- keyboard [keyboards]:
- David Ricketts
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 4.25 | 4:13 |
6 | The Good Life | Tony Bennett | 4 | 2:16 |
7 | Mack the Knife | Bobby Darin | 4 | 3:08 |
8 | I’ve Got You Under My Skin- producer:
- Voyle Gilmore
- alto saxophone:
- Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
- baritone saxophone:
- Morton Friedman (on 1956-01-12)
- bass:
- Joe Comfort (on 1956-01-12)
- bass trombone:
- George Roberts (on 1956-01-12)
- cello:
- Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
- drums (drum set):
- Irving Cottler (on 1956-01-12)
- guitar:
- George van Eps (on 1956-01-12)
- harp:
- Kathryn Julye (on 1956-01-12)
- piano:
- Bill Miller (on 1956-01-12)
- tenor saxophone:
- Justin Gordon (on 1956-01-12) and James Williamson (on 1956-01-12)
- trombone:
- Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
- trumpet:
- Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
- viola:
- Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (on 1956-01-12)
- violin:
- Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (on 1956-01-12), Alex Murray (on 1956-01-12), Paul Nero (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
- vocals:
- Frank Sinatra (on 1956-01-12)
- orchestra:
- The Nelson Riddle Orchestra (on 1956-01-12)
- conductor:
- Nelson Riddle (on 1956-01-12)
- arranger:
- Nelson Riddle
- recorded at:
- KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
- cover recording of:
- I’ve Got You Under My Skin (on 1956-01-12)
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music , Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
- recording of:
- I’ve Got You Under My Skin
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Chappell Music , Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
| Frank Sinatra | 4 | 3:43 |
9 | If I Had You | Nnenna Freelon | | 4:48 |
10 | What a Girl Wants | Christina Aguilera | | 3:36 |
11 | Nobody but Me | Lou Rawls | | 2:47 |
12 | Night and Day- cover recording of:
- Night and Day
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Warner Bros. , Warner Bros. Music , Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| The Temptations | | 3:56 |
13 | I’ve Got the World on a String | Peggy Lee | | 2:21 |
14 | Everything About You | Alan Silvestri | | 3:04 |
15 | We Think It’s Love | Leah Haywood | | 3:14 |