Cantatas: BWV 106, 118/231, 198

~ Release by Johann Sebastian Bach; Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Gottes Zeit ist die allerbeste Zeit, BWV 106: Sonatina, Molto adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:34
2Gottes Zeit ist die allerbeste Zeit, BWV 106: Chorus & Soli: Gottes Zeit ist die allerbeste Zeit
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach7:56
3Gottes Zeit ist die allerbeste Zeit, BWV 106: Ariosi & Choral: In deine Hände befehl ich meinen Geist
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
choir vocals [altos]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
compilation of:
Actus tragicus, BWV106: Arioso 'In deine Hände befehl ich meinen Geist' by Michael Chance (British countertenor), English Baroque Soloists, Sir John Eliot Gardiner
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:47
4Gottes Zeit ist die allerbeste Zeit, BWV 106: Chorus "Glorie, Lob, Ehr und Herrlichkeit"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1989-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:35
5Motet "O Jesu Christ, meins Lebens Licht" BWV 118/231
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: B23)
Johann Sebastian Bach9:17
6Lass, Fürstin, lass noch einen Strahl, BWV 198: Chorus "Lass, Fürstin, lass noch einen Strahl"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:12
7Lass, Fürstin, lass noch einen Strahl, BWV 198: Recitative (soprano) "Dein Sachsen, dein bestürztes Meissen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:01
8Lass, Fürstin, lass noch einen Strahl, BWV 198: Aria (soprano) "Verstummt, verstummt, ihr holden Saiten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:35
9Lass, Fürstin, lass noch einen Strahl, BWV 198: Recitative (countertenor) "Der Glocken bebendes Getön"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:51
10Lass, Fürstin, lass noch einen Strahl, BWV 198: Aria (countertenor) "Wie starb die Heldin so vergnügt!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:13
11Lass, Fürstin, lass noch einen Strahl, BWV 198: Recitative (tenor) "Ihr Leben liess die Kunst zu sterben"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:54
12Lass, Fürstin, lass noch einen Strahl, BWV 198: Chorus "An dir, du Fürbild grosser Frauen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:43
13Lass, Fürstin, lass noch einen Strahl, BWV 198: Aria (tenor) "Der Ewigkeit saphirnes Haus"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:41
14Lass, Fürstin, lass noch einen Strahl, BWV 198: Recitative - Arioso - Recitative (bass) "Was Wunder ists?"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:06
15Lass, Fürstin, lass noch einen Strahl, BWV 198: Chorus "Doch, Königin! du stirbest nicht"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-09)
orchestra:
English Baroque Soloists (in 1989-09)
conductor:
Sir John Eliot Gardiner (in 1989-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1989-09)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:26