Os grandes clássicos: Daphnis y Chloé / Le Tombeau de Couperin / Rapsódia espanhola

~ Release by Maurice Ravel (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Daphnis y Chloé
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Loic Bertrand (fictitious conductor, created by the Alfred Scholz)
recording of:
Daphnis et Chloé, Suite no. 2
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 57b)
is based on:
Daphnis et Chloé
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
recording of:
Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
recording of:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale)
composer:
Maurice Ravel (classical composer)
part of:
Daphnis et Chloé: Tableau III
16:04
2Valsa para orquestra (Adelaide)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Valses nobles et sentimentales (for orchestra)
orchestrator and composer:
Maurice Ravel (classical composer)
orchestration of:
Valses nobles et sentimentales (for piano)
16:35
3Le Tombeau de Couperin: I. Preludio
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (ended)
orchestrator:
Maurice Ravel (classical composer) (in 1919)
composer:
Maurice Ravel (classical composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
3:18
4Le Tombeau de Couperin: II. Forlane
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (ended)
orchestrator:
Maurice Ravel (classical composer) (in 1919)
composer:
Maurice Ravel (classical composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
5:45
5Le Tombeau de Couperin: III. Minueto
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (ended)
orchestrator:
Maurice Ravel (classical composer) (in 1919)
composer:
Maurice Ravel (classical composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
4:47
6Le Tombeau de Couperin: IV. Rigodão
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (ended)
orchestrator:
Maurice Ravel (classical composer) (in 1919)
composer:
Maurice Ravel (classical composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
3:15
7Rapsódia espanhola: I. Preludio - Nocturno
orchestra:
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Frank Shipway (British conductor)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: I. Prélude à la nuit. Très modéré (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
4:19
8Rapsódia espanhola: II. Malaguenha - Habanera
orchestra:
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Frank Shipway (British conductor)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: II. Malagueña. Assez vif (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
recording of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
4:54
9Rapsódia espanhola: III. Feria
orchestra:
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Frank Shipway (British conductor)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
6:12

Credits

Release

part of:Os grandes clássicos (number: 49) (order: 27)