Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
The Nat King Cole Trio52:27
2Jumpin’ at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
The Nat King Cole Trio2:29
3Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
The Nat King Cole Trio3:11
4Embraceable You
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
The Nat King Cole Trio3:20
5It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Nat King Cole Trio2:55
6What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
The Nat King Cole Trio2:58
7You Can Depend on Me
alto saxophone:
Benny Carter (on 1945-03-30)
bass:
John Kirby (jazz bass/trombone/tuba player) (on 1945-03-30)
clarinet:
Buster Bailey (on 1945-03-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-03-30)
guitar:
Oscar Moore (on 1945-03-30)
piano:
Nat King Cole (on 1945-03-30)
tenor saxophone:
Coleman Hawkins (on 1945-03-30)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1945-03-30)
arranger:
Benny Carter (on 1945-03-30)
recording of:
You Can Depend on Me (on 1945-03-30)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Nat King Cole with The Capitol International Jazzmen2:58
8I’m Thru With Love
The Nat King Cole Trio2:56
9Sweet Georgia Brown
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (on 1945-05-23)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Nat King Cole Trio2:18
10The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
The Nat King Cole Trio3:17
11(Get Your Kicks On) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
The Nat King Cole Trio3:01
12Baby, Baby All the Time
cover recording of:
Baby Baby All the Time
lyricist and composer:
Bobby Troup
The Nat King Cole Trio3:00
13You Call It Madness (But I Call It Love)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-05-01)
guitar:
Oscar Moore (on 1946-05-01)
piano:
Nat King Cole (on 1946-05-01)
vocals:
Nat King Cole (on 1946-05-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (on 1946-05-01)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
The Nat King Cole Trio3:04
14The Christmas Song (Merry Christmas to You)
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
orchestrator:
Charles R. Grean and Pete Rugolo
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1961-03-30)
lyricist:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter) (from 1944 until 1945)
composer:
Mel Tormé (“The Velvet Fog”) (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony/ATV Tunes LLC, Warner Chappell Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
The Nat King Cole Trio3.353:13
15(I Love You) For Sentimental Reasons
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
The Nat King Cole Trio42:54
16When I Take My Sugar to Tea
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-06)
guitar:
Oscar Moore (on 1947-08-06)
piano:
Nat King Cole (on 1947-08-06)
vocals:
Nat King Cole (on 1947-08-06)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1947-08-06)
recording of:
When I Take My Sugar to Tea (on 1947-08-06)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Nat King Cole Trio2:23
17Too Marvelous for Words
cover recording of:
Too Marvelous for Words (in 1947)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
The Nat King Cole Trio2:33
18Blues in My Shower
recording of:
Blues in My Shower
composer:
Nat King Cole
The Nat King Cole Trio2:53
19Kee‐mo Ky‐mo (The Magic Song)
The Nat King Cole Trio2:21
20Save the Bones for Henry Jones
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-20)
guitar:
Johnny Moore (US blues guitarist, Three Blazers) (on 1947-08-20) and Oscar Moore (on 1947-08-20)
piano:
Nat King Cole (on 1947-08-20)
vocals:
Nat King Cole (on 1947-08-20) and Johnny Mercer (on 1947-08-20)
orchestra:
The Trio (on 1947-08-20)
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1947-08-20)
recording of:
Save the Bones for Henry Jones (’Cause Henry Don’t Eat No Meat) (on 1947-08-20)
writer:
Danny Barker and Vernon Lee
King Cole Trio with Johnny Mercer2:40
21Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
The Nat King Cole Trio32:39
22Lost April
recorded in:
New York, New York, United States (on 1947-12-20)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-12-20)
guitar:
Irving Ashby (on 1947-12-20)
instruments:
The Nat King Cole Trio (in 1948)
piano:
Nat King Cole (on 1947-12-20)
vocals:
Nat King Cole (on 1947-12-20, in 1948)
recording of:
Lost April (on 1947-12-20)
writer:
Eddie DeLange, Emil Newman and Herbert Winfield Spencer (composer and orchestrator)
recording of:
Lost April (in 1948)
writer:
Eddie DeLange, Emil Newman and Herbert Winfield Spencer (composer and orchestrator)
The Nat King Cole Trio2:58
23A Portrait of Jennie
recorded in:
New York, New York, United States (on 1949-01-14)
double bass:
Joe Comfort (on 1949-01-14)
guitar:
Irving Ashby (on 1949-01-14)
piano:
Nat King Cole (on 1949-01-14)
vocals:
Nat King Cole (on 1949-01-14)
conductor:
Carlyle Hall (on 1949-01-14)
strings arranger:
Carlyle Hall
recording of:
Portrait of Jennie (on 1949-01-14)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
The Nat King Cole Trio3:08
24Bop‐kick
bongos and congas:
Jack Costanzo (on 1949-03-22)
double bass:
Joe Comfort (on 1949-03-22)
guitar:
Irving Ashby (on 1949-03-22)
piano:
Nat King Cole (on 1949-03-22)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-22)
recording of:
Bop-Kick (on 1949-03-22)
composer:
Nat King Cole (in 1949)
The Nat King Cole Trio2:36
25For All We Know
double bass:
Joe Comfort (on 1949-03-22)
guitar:
Irving Ashby (on 1949-03-22)
piano:
Nat King Cole (on 1949-03-22)
vocals:
Nat King Cole (on 1949-03-22)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-22)
cover recording of:
For All We Know (1934 song) (on 1949-03-22)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
The Nat King Cole Trio3:03
CD 2
#TitleArtistRatingLength
1Lush Life
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (on 1949-03-29)
conductor:
Pete Rugolo (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Lush Life (on 1949-03-29)
lyricist:
Billy Strayhorn (from 1933 until 1938)
composer:
Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Nat King Cole Trio3:18
2My Baby Just Cares for MeKing Cole Trio with Woody Herman2:47
3Can I Come in for a Second?
bass and double bass:
Joe Comfort (on 1950-01-05)
drums (drum set):
Earl Hyde (drummer) (on 1950-01-05)
guitar:
Irving Ashby (on 1950-01-05)
membranophone:
Earl Hyde (drummer)
piano:
Nat King Cole (on 1950-01-05)
tenor saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1950-01-05)
trumpet:
Ernie Royal (on 1950-01-05)
lead vocals:
Nat King Cole
vocals:
Nat King Cole (on 1950-01-05) and Nellie Lutcher (on 1950-01-05)
orchestra:
Nat King Cole Combo (on 1950-01-05)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1950-01-05)
recording of:
Can I Come In for a Second? (on 1950-01-05)
lyricist and composer:
Sammy Cahn
King Cole Trio with Nellie Lutcher2:50
4I’ll Never Say Never Again
recording of:
I’ll Never Say “Never Again” Again
lyricist and composer:
Harry Woods (American 1920/30s songwriter)
King Cole Trio with The Starlighters2:48
5Mona Lisa
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
The Nat King Cole Trio3:15
6Ev’ry Day (I Fall in Love)
The Nat King Cole Trio3:01
7Orange Colored Sky
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-07-06)
vocals:
Nat King Cole (on 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (on 1961-07-06)
conductor:
Stan Kenton (on 1961-07-06)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-06)
recording of:
Orange Colored Sky (on 1961-07-06)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
The Nat King Cole Trio2:33
8Jet
recording of:
Jet
lyricist:
Bennie Benjamin and George David Weiss
composer:
Harry Revel (British-born American composer)
The Nat King Cole Trio2:48
9Too Young
recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
The Nat King Cole Trio3:13
10Red Sails in the Sunset
recording of:
Red Sails in the Sunset
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
The Nat King Cole Trio3:17
11Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:12
12Walkin’ My Baby Back Home
producer:
Lee Gillette
bass:
Joe Comfort (on 1961-07-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1961-07-20)
guitar:
Alvino Rey (on 1961-07-20)
piano:
Nat King Cole (on 1961-07-20)
vocals:
Nat King Cole (on 1961-07-20)
conductor:
Billy May (on 1961-07-20)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-20)
cover recording of:
Walkin’ My Baby Back Home (on 1961-07-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole42:40
13The Ruby and the Pearl
recording of:
The Ruby and the Pearl
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
Nat King Cole3:13
14Somewhere Along the Way
recording of:
Somewhere Along the Way
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
Nat King Cole2:53
15You Stepped Out of a Dream
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
bongos and congas:
Jack Costanzo (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1952-01-11)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
Nat King Cole2:35
16Funny (Not Much)
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Funny (Not Much) (on 1952-01-11)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
Nat King Cole2:59
17Pretend
producer:
Lee Gillette
double bass:
Joe Comfort (on 1952-12-30)
guitar:
Irving Ashby (on 1952-12-30)
piano:
Nat King Cole (on 1952-12-30)
vocals:
Nat King Cole (on 1952-12-30)
orchestra:
Nelson Riddle and His Orchestra (on 1952-12-30)
conductor:
Ralph Carmichael and Nelson Riddle
recording of:
Pretend (on 1952-12-30)
lyricist:
Lew Douglas, Frank Lavere and Cliff Parman
composer:
Dan Belloc, Lew Douglas, Frank Lavere and Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole2:45
18Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (on 1953-01-14)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Nat King Cole3:15
19Lover, Come Back to Me!
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (The New Moon) (on 1953-01-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Nat King Cole2:31
20That’s All
recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
Nat King Cole3:01
21If Love Is Good to Me
recording of:
If Love Is Good to Me
lyricist:
Redd Evans
composer:
Fred Spielman
Nat King Cole2:46
22Blue Gardenia
bass:
Charlie Harris (jazz bassist) (on 1953-01-20)
celesta and piano:
Buddy Cole (on 1953-01-20)
cello:
James Arkatov (on 1953-01-20) and Armand Kaproff (on 1953-01-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-20)
flute:
Harry Klee (on 1953-01-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-20) and James Williamson (Saxophone player) (on 1953-01-20)
French horn:
John Cave (french horn) (on 1953-01-20) and Vincent DeRosa (on 1953-01-20)
guitar:
John Collins (jazz guitarist) (on 1953-01-20)
harp:
Katherina Julyie (on 1953-01-20)
trombone:
Milt Bernhart (on 1953-01-20) and Paul Tanner (on 1953-01-20)
viola:
Albert Barr (on 1953-01-20) and Stanley Harris (US big band viola player) (on 1953-01-20)
violin:
Victor Bay (on 1953-01-20), Alex Beller (on 1953-01-20), Harry Bluestone (on 1953-01-20), Walter Edelstein (on 1953-01-20), Anatol Kaminsky (on 1953-01-20), Nathan Ross (on 1953-01-20), Mischa Russell (violinist) (on 1953-01-20), Olcott Vail (on 1953-01-20) and Gerald Vinci (American violinist and strings conductor) (on 1953-01-20)
vocals:
Nat King Cole (on 1953-01-20)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-20)
conductor:
Nelson Riddle (on 1953-01-20)
arranger:
Nelson Riddle
recording of:
Blue Gardenia (on 1953-01-20)
writer:
Lester Lee and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Harrison Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Nat King Cole2:57
23Love Is Here to Stay
vocals:
Nat King Cole (in 1953-01)
orchestra:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
Love Is Here to Stay (in 1953-01)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
Nat King Cole2:49
24This Can’t Be Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
This Can’t Be Love (on 1953-01-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
Nat King Cole2:30
25Darling, Je Vous Aime Beaucoup
cover recording of:
Darling, je vous aime beaucoup
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) and Francis Day S.A.
medley of:
La Vie en rose (French original)
Nat King Cole2:49
CD 3
#TitleArtistRatingLength
1Answer Me, My Love
bass:
Charlie Harris (jazz bassist) (on 1953-12-03)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-12-03)
guitar:
John Collins (jazz guitarist) (on 1953-12-03)
vocals:
Nat King Cole (on 1953-12-03)
conductor:
Nelson Riddle (on 1953-12-03)
arranger:
Nelson Riddle
cover recording of:
Answer Me, My Love (on 1953-12-03)
lyricist:
Fred Rauch, Carl Sigman and Gerhard Winkler
composer:
Fred Rauch and Gerhard Winkler
translator:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
translated version of:
Mütterlein
Nat King Cole2:38
2Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:54
3My One Sin (In Life)
Nat King Cole2:58
4Open Up the Doghouse (Two Cats Are Comin’ In)
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (on 1954-09-07) and Dean Martin (American singer/actor) (on 1954-09-07)
orchestra:
Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Open Up the Doghouse (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
Nat King Cole & Dean Martin2:28
5If I Give My Heart to YouNat King Cole2:59
6A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
Nat King Cole42:32
7If I May
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20) and The Four Knights (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
If I May (on 1954-12-20)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
Nat King Cole & The Four Knights3:04
8It Could Happen to You
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental recording of:
It Could Happen to You (on 1955-07-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
Nat King Cole2:47
9Autumn Leaves
vocals:
Nat King Cole (in 1955-08)
performer:
Nelson Riddle and His Orchestra (in 1955-08)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1955-08)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
Nat King Cole2:40
10There Will Never Be Another You
recording of:
There Will Never Be Another You (in 1955-08)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole3:37
11Let’s Fall in Love
recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Nat King Cole2:47
12Night Lights
recording of:
Night Lights
lyricist:
Sammy Gallop
Nat King Cole2:48
13To the Ends of the EarthNat King Cole2:18
14Candy
Nat King Cole with Harry “Sweets” Edison3:54
15Ballerina
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Ballerina (on 1956-09-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
Nat King Cole2:51
16Caravan
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Nat King Cole with Juan Tizol2:44
17Stardust
producer:
Lee Gillette
piano:
Charles LaVere (on 1956-12-19)
lead vocals:
Nat King Cole (on 1956-12-19)
conductor:
Gordon Jenkins (on 1956-12-19)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
recording of:
Stardust (the jazz standard) (on 1956-12-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Nat King Cole2.653:15
18When I Fall in Love
vocals:
Nat King Cole (on 1956-12-28)
conductor:
Gordon Jenkins (on 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (on 1956-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Nat King Cole1.53:11
19When Sunny Gets Blue
cover recording of:
When Sunny Gets Blue
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole2:45
20Send for Me
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1957-05-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1957-05-14)
guitar:
John Collins (jazz guitarist) (on 1957-05-14) and Al Hendrickson (on 1957-05-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-05-14)
tenor saxophone:
Plas Johnson (on 1957-05-14)
background vocals:
The Herman McCoy Choir (on 1957-05-14)
vocals:
Nat King Cole (on 1957-05-14)
conductor:
Billy May (on 1957-05-14)
arranger:
Billy May
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1957-05-14)
recording of:
Send for Me (on 1957-05-14)
lyricist and composer:
Ollie Jones
Nat King Cole2:37
21Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
Nat King Cole53:12
22I Should Care
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
Nat King Cole2:47
23The Party’s Over
recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
Nat King Cole2:44
24St. Louis Blues
producer:
Lee Gillette
piano:
Nat King Cole (on 1958-01-30)
vocals:
Nat King Cole (on 1958-01-30)
orchestra:
Nelson Riddle and His Orchestra (on 1958-01-30)
conductor:
Ralph Carmichael
arranger:
Nelson Riddle
recording of:
St. Louis Blues (on 1958-01-30)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
cover recording of:
St. Louis Blues (in 1962)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Nat King Cole2:26
25Looking Back
producer:
Lee Gillette
vocals:
Nat King Cole (on 1961-04-03)
orchestra:
The Ralph Carmichael Orchestra and Chorus (on 1961-04-03)
conductor:
Ralph Carmichael (on 1961-04-03)
recording of:
Looking Back (on 1961-04-03)
writer:
Brook Benton, Belford Hendricks and Clyde Otis (American songwriter and record producer)
publisher:
The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
Nat King Cole2:27
26The Very Thought of You
recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole13:49
CD 4
#TitleArtistRatingLength
1But Beautiful
recording of:
But Beautiful
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Nat King Cole3:30
2Avalon
Nat King Cole1:49
3The Late,Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
Nat King Cole2:36
4To Whom It May Concern
Nat King Cole2:58
5Non Dimenticar (Don’t Forget)
recording of:
Non dimenticar
lyricist:
Michele Galdieri
composer:
Gino Redi (Italian composer)
Nat King Cole2:51
6Standin’ In the Need of Prayer
Nat King Cole2:15
7The Best Thing for You
Nat King Cole2:02
8Perfidia
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
bass:
Charlie Harris (jazz bassist) (from 1959-04-13 until 1959-04-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (from 1959-04-13 until 1959-04-16)
guitar:
John Collins (jazz guitarist) (from 1959-04-13 until 1959-04-16)
vocals:
Nat King Cole (from 1959-04-13 until 1959-04-16)
conductor:
Dave Cavanaugh (from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
cover recording of:
Perfidia (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Alberto Domínguez
Nat King Cole2:21
9Wild is Love
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole
conductor:
Nelson Riddle (on 1960-03-01)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-03-01)
recording of:
Wild Is Love (on 1930-03-01)
writer:
Raymond Rasch and Dottie Wayne
Nat King Cole2:52
10Thou Swell
recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
Nat King Cole2:26
11Where or When
double bass:
Charlie Harris (jazz bassist) (on 1960-06-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1960-06-14)
guitar:
John Collins (jazz guitarist) (on 1960-06-14)
piano:
Nat King Cole (on 1960-06-14)
conductor:
Anton Morelli (on 1960-06-14)
arranger:
Dave Cavanaugh
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1960-06-14)
live instrumental recording of:
Where or When (from “Babes in Arms”) (on 1960-06-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Nat King Cole3:16
12Mr.Cole Won’t Rock&RollNat King Cole7:51
13I Remember You
cover recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
Nat King Cole3:15
14A Nightingale Sang in Berkeley Square
cover recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Nat King Cole4:46
15The Touch of Your LipsNat King Cole3:54
16Poinciana (Song of the Tree)
Nat King Cole3:58
17Day In‐Day Out
recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Nat King Cole2:28
18Azure‐Té
cover recording of:
Azure-Té (Paris Blues) (on 1961-12-19)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Wild Bill Davis
publisher:
Gale & Gayles Inc.
Nat King Cole with George Shearing3:56
19Ramblin’ Rose
recording of:
Ramblin’ Rose (1962 popular torch song)
lyricist:
Noel Sherman
composer:
Joe Sherman
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
Nat King Cole2:51
20Say It Isn’t So
Nat King Cole3:07
21That Sunday, That SummerNat King Cole3:14
22On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Nat King Cole3:10
23I Don’t Want to See Tomorrow
Nat King Cole2:39
24L‐O‐V‐E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L-O-V-E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Nat King Cole52:32