Rigoletto

~ Release by Giuseppe Verdi; Beverly Sills, Sherrill Milnes, Alfredo Kraus, Mignon Dunn, Samuel Ramey, Ambrosian Opera Chorus, Philharmonia Orchestra, Julius Rudel (see all versions of this release, 3 available)

Tracklist

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▼ CD 1: Act 1
#TitleArtistRatingLength
1Rigoletto: Atto I. Preludio
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: N°1 Preludio (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
Philharmonia Orchestra, Julius Rudel2:21
2Rigoletto: Atto I, Scena I. "Della mia bella incognita borghese" (Duca, Borsa)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. N°2 Introduzione “Della mia bella incognita borghese” (Duca, Borsa) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Alfredo Kraus, Dennis O'Neill1:47
3Rigoletto: Atto I, Scena I. "Questa o quella" (Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Alfredo Kraus1:43
4Rigoletto: Atto I, Scena I. "Partite? crudele!" (Duca, Contessa Ceprano)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Sally Burgess (mezzo-soprano, opera director) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. Minuetto e Perigordino “Partite? Crudele!” (Duca, Contessa Ceprano) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Alfredo Kraus, Sally Burgess1:34
5Rigoletto: Atto I, Scena I. "In testa che avete" (Rigoletto, Borsa, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. “In testa che avete, Signor di Ceprano?” (Rigoletto, Borsa, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Sherrill Milnes, Alfredo Kraus0:54
6Rigoletto: Atto I, Scena I. "Gran nuova! Gran nuova!" (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. “Gran nuova! Gran nuova!” (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
John Rawnsley, Sherrill Milnes, Alfredo Kraus2:43
7Rigoletto: Atto I, Scena I. "Ch'io gli parli" (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15) and Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. “Ch'io gli parli” (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Samuel Ramey, Sherrill Milnes, Alfredo Kraus3:20
8Rigoletto: Atto I, Scena I. "O tu che la festa audace" (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 1. “O tu che la festa audace” (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Sherrill Milnes, Alfredo Kraus1:27
9Rigoletto: Atto I, Scena II. "Quel vecchio maledivami!" (Rigoletto, Sparafucile)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. N°3 Duetto “Quel vecchio maledivami!” - “Signor?” (Rigoletto, Sparafucile) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Sherrill Milnes, Samuel Ramey4:42
10Rigoletto: Atto I, Scena II. "Pari siamo!" (Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Sherrill Milnes3:38
11Rigoletto: Atto I, Scena II. "Figlia!... Mio padre!..." (Rigoletto, Gilda)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Sherrill Milnes, Beverly Sills6:36
12Rigoletto: Atto I, Scena II. "Ah, veglia, o donna" (Rigoletto, Gilda)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Ah, veglia, o donna, questo fiore” (Rigoletto, Gilda, Duca, Giovanna) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Beverly Sills, Sherrill Milnes5:28
13Rigoletto: Atto I, Scena II. "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
translated version of:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
part of:
Rigoletto: Atto I
Beverly Sills, Ann Murray, Alfredo Kraus2:42
14Rigoletto: Atto I, Scena II. "È il sol dell'anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
Alfredo Kraus, Beverly Sills, Sally Burgess, Ann Murray4:15
15Rigoletto: Atto I, Scena II. "Addio! speranza ed anima" (Duca, Gilda)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. “Addio! speranza ed anima” (Duca, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Beverly Sills, Alfredo Kraus1:12
16Rigoletto: Atto I, Scena II. "Gualtier Maldè!... Caro nome" (Gilda, Borsa, Ceprano, Marullo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Malcolm King (operatic bass) (in 1970-01) and John Rawnsley (operatic baritone) (in 1970-01, from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-01)
soprano vocals:
Beverly Sills (soprano) (in 1970-01, from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (in 1970-01, from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-01, from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (in 1970-01, from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979) and MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1970-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Beverly Sills6:40
17Rigoletto: Atto I, Scena II. "Riedo!... perché?... Silenzio!" (Rigoletto, Borsa, Ceprano, Marullo)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. “Riedo!... perchè?...Silenzio!” (Rigoletto, Borsa, Ceprano, Marullo) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
Sherrill Milnes, Dennis O'Neill, Malcolm King, John Rawnsley2:07
18Rigoletto: Atto I, Scena II. "Zitti, zitti, moviamo a vendetta" (Borsa, Marullo, Ceprano, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Dennis O'Neill, John Rawnsley, Malcolm King1:40
19Rigoletto: Atto I, Scena II. "Soccorso, padre mio!" (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto I, scena 2. "Soccorso, padre mio!" (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
Beverly Sills, Sherrill Milnes, John Rawnsley, Sally Burgess1:12
▼ CD 2: Acts 2 & 3
#TitleArtistRatingLength
1Rigoletto: Atto II. "Ella mi fu rapita" (Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Alfredo Kraus2:39
2Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Alfredo Kraus2:49
3Rigoletto: Atto II. "Duca, Duca!... Ebben?" (Borsa, Marullo, Ceprano, Coro, Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Dennis O'Neill, John Rawnsley, Malcolm King, Alfredo Kraus2:12
4Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Coro, Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15) and Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Dennis O'Neill, John Rawnsley, Malcolm King, Alfredo Kraus3:02
5Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15) and John Rawnsley (operatic baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Malcolm King (operatic bass) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Jennifer Smith (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Dennis O'Neill (Welsh tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
John Rawnsley, Sherrill Milnes, Dennis O'Neill, Malcolm King3:32
6Rigoletto: Atto II. "Cortigiani, vil razza dannato" (Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Sherrill Milnes4:31
7Rigoletto: Atto II. "Mio padre!... Dio! mia Gilda!" (Gilda, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. Duetto. "Mio padre!...Dio! mia Gilda!" (Gilda, Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Beverly Sills, Sherrill Milnes1:55
8Rigoletto: Atto II. "Tutte le feste al tempio" (Gilda, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Beverly Sills, Sherrill Milnes6:45
9Rigoletto: Atto II. "Compiuto pur quanto" (Rigoletto, Gilda, Usciere, Monterone)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15) and Alan Watt (operatic bass) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II."Compiuto pur quanto" (Rigoletto, Gilda, Usciere, Monterone) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
Beverly Sills, Sherrill Milnes, Samuel Ramey1:11
10Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto II. "Sì, vendetta, tremenda vendetta" (Rigoletto, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Beverly Sills, Sherrill Milnes2:26
11Rigoletto: Atto III. "E l'ami?" (Rigoletto, Gilda, Duca, Sparafucile)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. N°11 “E l'ami? … Sempre” (Rigoletto, Gilda, Duca, Sparafucile) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Beverly Sills, Sherrill Milnes, Alfredo Kraus, Samuel Ramey1:57
12Rigoletto: Atto III. "La donna è mobile" (Duca, Sparafucile, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Alfredo Kraus2:57
13Rigoletto: Atto III. "Un dì, se ben rammentomi" (Duca, Maddalena, Gilda, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Beverly Sills, Sherrill Milnes, Alfredo Kraus, Mignon Dunn1:37
14Rigoletto: Atto III. "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Mignon Dunn (mezzo-soprano) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Alfredo Kraus, Mignon Dunn, Beverly Sills, Sherrill Milnes4:32
15Rigoletto: Atto III. "Venti scudi hai tu detto?" (Rigoletto, Sparafucile, Duca, Maddalena, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Mignon Dunn (mezzo-soprano) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. N°13 "Venti scudi hai tu detto?" (Rigoletto, Sparafucile, Duca, Maddalena, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Sherrill Milnes, Alfredo Kraus, Mignon Dunn3:55
16Rigoletto: Atto III. "È amabile invero" (Maddalena, Sparafucile, Gilda, Coro)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-08-12 until 1978-08-15)
mezzo-soprano vocals:
Mignon Dunn (mezzo-soprano) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. Terzetto e Tempesta. "È amabile invero cotal giovinotto" (Maddalena, Sparafucile, Gilda, Coro) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto III
Mignon Dunn, Samuel Ramey, Beverly Sills6:20
17Rigoletto: Atto III. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
bass vocals:
Samuel Ramey (bass-baritone) (from 1978-08-12 until 1978-08-15)
tenor vocals:
Alfredo Kraus (tenor) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Sherrill Milnes, Alfredo Kraus, Samuel Ramey4:06
18Rigoletto: Atto III. "Chi mai, chi è qui in sua vece?" (Rigoletto, Gilda)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1978-08-12 until 1978-08-15)
producer:
John Fraser (UK producer) (from 1978-08-12 until 1978-08-15)
baritone vocals:
Sherrill Milnes (baritone) (from 1978-08-12 until 1978-08-15)
soprano vocals:
Beverly Sills (soprano) (from 1978-08-12 until 1978-08-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1978-08-12 until 1978-08-15)
conductor:
Julius Rudel (conductor) (from 1978-08-12 until 1978-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-08-12 until 1978-08-15)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Chi è mai, chi è qui in sua vece?" (Rigoletto, Gilda) (from 1978-08-12 until 1978-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Beverly Sills, Sherrill Milnes6:35