Wheel of Fortune

~ Release by Kay Starr (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Wheel of Fortune
recorded in:
Los Angeles, California, United States (on 1952-01-17)
vocals:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Wheel of Fortune (1951 song) (on 1952-01-17)
writer:
Bennie Benjamin and George David Weiss
publisher:
Carlin Music Corp.
3:07
2You Always Hurt the One You Love
recorded in:
New York, New York, United States (on 1944-10-17)
tenor saxophone:
Kurt Bloom (on 1944-10-17)
trumpet:
Jack Mootz (on 1944-10-17) and Lyman Vunk (on 1944-10-17)
vocals:
Kay Starr (on 1944-10-17)
orchestra:
Charlie Barnet and His Orchestra (on 1944-10-17)
recording of:
You Always Hurt the One You Love (on 1944-10-17)
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
publisher:
Doris Fisher Music Corp.
2:41
3If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California, United States (on 1945-03-30)
piano:
Nat King Cole
vocals:
Kay Starr
orchestra:
The Capitol Jazzmen
recording of:
If I Could Be With You (One Hour Tonight) (on 1945-03-30)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
2:45
4Stormy Weather
recorded in:
Los Angeles, California, United States (on 1945-03-30)
piano:
Nat King Cole
vocals:
Kay Starr
orchestra:
The Capitol Jazzmen
cover recording of:
Stormy Weather (on 1945-03-30)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:10
5Honey
engineered in:
Los Angeles, California, United States (on 1945-06-26)
drums (drum set):
Ben Pollack
vocals:
Kay Starr
orchestra:
Ben Pollack & His Orchestra
recording of:
Honey (on 1945-06-26)
writer:
Haven Gillespie, Seymour Simons and Richard A. Whiting
3:09
6After You’ve Gone
recorded in:
Los Angeles, California, United States (on 1946-06-15)
vocals:
Kay Starr
recording of:
After You’ve Gone (on 1946-06-15)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:49
7I’m the Lonesomest Gal in Town
recorded in:
Los Angeles, California, United States (on 1947-09-11)
vocals:
Kay Starr
conductor:
Dave Cavanaugh
recording of:
I’m the Lonesomest Gal in Town (on 1947-09-11)
lyricist:
Lew Brown
composer:
Albert Von Tilzer
2:45
8You’ve Gotta See Mama Ev’ry Night, or You Can’t See Mama at All
recorded in:
Los Angeles, California, United States (on 1947-10-20)
vocals:
Kay Starr
conductor:
Dave Cavanaugh
recording of:
You’ve Got to See Your Mama Every Night (on 1947-10-20)
writer:
Con Conrad and Billy Rose (lyricist and Broadway producer)
2:47
9Please Love Me
recorded in:
Los Angeles, California, United States (on 1947-12-01)
clarinet:
Dick Anderson (on 1947-12-01)
double bass:
Red Callender (on 1947-12-01)
drums (drum set):
Jack Turner (drummer) (on 1947-12-01)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1947-12-01)
piano:
Arnold Ross (on 1947-12-01)
tenor saxophone:
Dave Cavanaugh (on 1947-12-01)
vibraphone:
Red Norvo (on 1947-12-01)
vocals:
Kay Starr (on 1947-12-01)
conductor:
Dave Cavanaugh
recording of:
Please Love Me (on 1947-12-01)
writer:
Lee Jarvis (Songwriter), Ed Pripps and Kay Starr
3:09
10You Were Only Foolin’
recorded in:
Los Angeles, California, United States (on 1948-08-28)
vocals:
Kay Starr
conductor:
Dave Cavanaugh
recording of:
You Were Only Fooling (on 1948-08-28)
writer:
Billy Faber, Larry Fotine and Fred Meadows
3:08
11So Tired
recorded in:
Los Angeles, California, United States (on 1948-11-02)
vocals:
Kay Starr
recording of:
So Tired (on 1948-11-02)
writer:
Russ Morgan (Big Band orchestra leader) and Jack Stuart
2:51
12Wabash Cannonball
recorded in:
Los Angeles, California, United States (on 1949-02-18)
vocals:
Kay Starr
recording of:
Wabash Cannonball (on 1949-02-18)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
2:33
13How It Lies, How It Lies, How It Lies
recorded in:
Los Angeles, California, United States (on 1949-02-18)
vocals:
Kay Starr
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol
recording of:
How It Lies, How It Lies, How It Lies (on 1949-02-18)
writer:
Joseph Francis Burke (producer, songwriter and Big Band leader) and Paul Francis Webster
3:12
14Bonaparte’s Retreat
engineered in:
Los Angeles, California, United States (on 1950-02-28)
vocals:
Kay Starr
orchestra:
Lou Busch & His Orchestra
recording of:
Bonaparte’s Retreat (on 1950-02-28)
writer:
Pee Wee King and Redd Stewart
2:28
15Hoop‐De‐Doo
recorded in:
Los Angeles, California, United States (on 1950-03-31)
vocals:
Kay Starr
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol
recording of:
Hoop Dee Doo (on 1950-03-31)
lyricist:
Milton DeLugg
composer:
Frank Loesser
2:09
16Mississippi
recorded in:
Los Angeles, California, United States (on 1950-05-25)
vocals:
Kay Starr
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol
recording of:
Mississippi (on 1950-05-25)
writer:
Billy Simmons and Curley Williams
2:27
17I’ll Never Be Free
recorded in:
Los Angeles, California, United States (on 1950-06-28)
vocals:
Tennessee Ernie Ford and Kay Starr
cover recording of:
I’ll Never Be Free (on 1950-06-28)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
2:39
18Ain’t Nobody’s Business but My Own
recorded in:
Los Angeles, California, United States (on 1950-06-28)
vocals:
Tennessee Ernie Ford and Kay Starr
recording of:
Ain’t Nobody’s Business but My Own (on 1956-06-28)
lyricist and composer:
Irving Taylor
2:44
19Oh, Babe!
recorded in:
Los Angeles, California, United States (on 1950-10-11)
vocals:
Kay Starr
orchestra:
Frank De Vol and His Orchestra
conductor:
Frank De Vol
recorded at:
Capitol Recorders in Hollywood, Los Angeles, California, United States (on 1950-10-11)
recording of:
Oh Babe! (on 1950-10-11)
writer:
Milton Kabak and Louis Prima
2:30
20Lovesick Blues
recorded in:
Los Angeles, California, United States (on 1950-12-21)
vocals:
Kay Starr
orchestra:
Lou Busch & His Orchestra
recording of:
Lovesick Blues (on 1950-12-21)
lyricist:
Irving Mills and Hank Williams (country music legend) (on 1949-11-01)
composer:
Cliff Friend (US composer, lyricist & pianist)
arranger:
Hank Williams (country music legend) (on 1949-11-01)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Jack Mills, Inc. (on 1922-04-03) and Mills Music, Inc. (from 1930 to present)
2:55
21Angry
recorded in:
Los Angeles, California, United States (on 1951-06-24)
vocals:
Kay Starr
conductor:
Dave Cavanaugh
recording of:
Angry (on 1951-06-24)
lyricist:
Dudley Mecum
composer:
Henry Brunies, Merritt Brunies and Jules Cassard
2:09
22Come On‐A My House
recorded in:
Los Angeles, California, United States (on 1951-06-24)
vocals:
Kay Starr
conductor:
Dave Cavanaugh
recording of:
Come On‐a My House (on 1951-06-24)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント
2:38
23I Waited a Little Too Long
recorded in:
Los Angeles, California, United States (on 1952-01-15)
vocals:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
recording of:
I Waited a Little Too Long (on 1952-01-15)
writer:
Sidney Miller (songwriter, director and actor) and Donald O’Connor
3:04
24Fool, Fool, Fool
recorded in:
Los Angeles, California, United States (on 1952-03-31)
vocals:
Kay Starr
cover recording of:
Fool, Fool, Fool (on 1952-03-31)
lyricist and composer:
Ahmet Ertegun (US American Songwriter, producer)
publisher:
Unichappell Music and Unichappell Music, Inc.
2:19
25Kay’s Lament
recorded in:
Los Angeles, California, United States (on 1952-03-31)
vocals:
Kay Starr
recording of:
Kay’s Lament (on 1952-03-31)
lyricist and composer:
Hal Stanley
2:26
26Side by Side
recorded in:
Los Angeles, California, United States (on 1952-06-26)
vocals:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
recording of:
Side by Side (on 1952-06-26)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter) (in 1927)
publisher:
Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
2:59
27Comes A‐Long A‐Love
recorded in:
Los Angeles, California, United States (on 1952-08-19)
vocals:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
recording of:
Comes A-Long A-Love (on 1952-08-19)
lyricist:
Al Sherman (Tin Pan Alley songwriter)
composer:
Al Sherman (Tin Pan Alley songwriter) (in 1952)
2:28
28Waiting at the End of the Road
recorded in:
Los Angeles, California, United States (on 1952-07-03)
vocals:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
recording of:
Waiting at the End of the Road (from "Hallelujah") (on 1952-07-03)
lyricist and composer:
Irving Berlin
2:13

Credits

Release

ASIN:US: B000088NTZ [info]