Annotation

Suboptimal credits:
* Michael Posch performed bamboo flute and chirimia on 1, 3–9, 11, 13, & 15
* Thomas Wimmer performed vihuela d’arco and gittern on 1, 2, 5–7, 9, 11, 13–15
* Peter Rabanser performed gayda and tamburello on 1, 3, 5, 7–9, 12, 13, & 15
* Katharina Dustmann performed tombak on 1, 3, 5, 9, 10, 12, 13, & 15

Annotation last modified on 2012-10-08 18:29 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Dinaresade Ensemble Oni Wytars 13:50
2 Edi be thu, Heven-Queene Ensemble Unicorn 4:09
3 Nevestinko oro Ensemble Oni Wytars 3:17
4 Beata progenies Ensemble Unicorn 3:01
5 Mari stanko Ensemble Oni Wytars 9:36
6 Sei willekommen Herre Christ Ensemble Unicorn 4:38
7 Bog se rodi va Betleme Ensemble Oni Wytars 3:57
8 Koleda na Bozic Ensemble Oni Wytars 1:02
9 Kod Betlehema Ensemble Oni Wytars 1:43
10 Koleda na Bozic Ensemble Oni Wytars 0:58
11 Angelus ad virginem Ensemble Unicorn 1:55
12 Düdül Ensemble Oni Wytars 2:38
13 Quinte Estampie real Ensemble Unicorn 5:17
14 Urbs Beata Ierusalem Ensemble Unicorn 4:51
15 Mevlâna Ensemble Oni Wytars 12:04

Credits

CD 1

chirimía, kaval, recorder and transverse flute:
Michael Posch (Recorder and flute player) (1994-11-27 – 1994-11-30) (tracks 1, 3, 5–9, 13, 15)
daf [def]:
Ellen Santaniello (1994-11-27 – 1994-11-30) (tracks 1, 5, 7, 9, 15)
bagpipe [cornemuse bechonnet], harp, hurdy gurdy and Swedish bagpipes [säckpipa]:
Riccardo Delfino (1994-11-27 – 1994-11-30) (tracks 1, 4–6, 9–15)
bagpipe, fiddle, gittern, oud [ud], rebec and vihuela [vihuela'd'arco]:
Thomas Wimmer (viola-da-gamba player) (1994-11-27 – 1994-11-30) (tracks 1–2, 5–7, 9, 11, 13–15)
bagpipe, nyckelharpa and shawm:
Marco Ambrosini (1994-11-27 – 1994-11-30) (tracks 1–7, 9, 11, 13–15)
darbuka, davul and tambourine:
Katharina Dustmann (1994-11-27 – 1994-11-30) (tracks 1, 3, 5, 9–10, 12–13, 15)
chalumeau:
Peter Rabanser (1994-11-27 – 1994-11-30) (track 6)
chalumeau and oud:
Peter Rabanser (1994-11-27 – 1994-11-30) (tracks 1, 3, 5, 7–9, 12–13, 15)
kaval, recorder and transverse flute:
Michael Posch (Recorder and flute player) (1994-11-27 – 1994-11-30) (tracks 4, 11)
bass drum, cymbal and tambourine:
Wolfgang Reithofer (1994-11-27 – 1994-11-30) (tracks 4, 9, 11, 13)
arranger:
Ensemble Oni Wytars (tracks 1, 3, 5, 7–10, 12, 15)
Ensemble Unicorn (tracks 2, 4, 6, 11, 13–14)
composer:
Guillaume Dufay (track 14)
[anonymous] (Special Purpose Artist) (tracks 2, 11)
[traditional] (Special Purpose Artist) (track 1)
countertenor vocals:
Bernhard Landauer (countertenor) (1994-11-27 – 1994-11-30) (tracks 2, 4, 6, 9, 11, 14)
engineer:
Wolfgang Reithofer (1994-11-27 – 1994-11-30) (tracks 2, 4)
Elisabeth Reithofer (1994-11-27 – 1994-11-30) (tracks 2, 4, 13)
performer:
Ensemble Oni Wytars (tracks 1, 3, 8–9, 12)
Ensemble Unicorn (tracks 6, 9, 12)
vocals:
Ellen Santaniello (1994-11-27 – 1994-11-30) (tracks 1, 5, 7, 9, 15)
writer:
Leonel Power (track 4)
[anonymous] (Special Purpose Artist) (tracks 6, 13)
[traditional] (Special Purpose Artist) (tracks 3, 5, 7–10, 12, 15)
recorded at:
Tonstudio W* A* R* in Wien, Austria (1994-11-27 – 1994-11-30) (tracks 2, 4, 13)
arrangements:
Angelus ad virginem (for wind ensemble, Grainger) (track 11)
Angelus ad virginem (track 11)
is the basis for:
Angelus ad virginem (track 11)
Nu zijt wellekome (track 6)
part of:
Hymns (track 14)
recording of:
Angelus ad virginem (track 11)
Dinaresade (track 1)
Düdül (track 12)
Kod Betleema (track 9)
Koleda na Bozic (track 8)
Koleda na Bozic (track 10)
Mevlâna (track 15)
Nevestinko oro (track 3)
Beata progenies (1994-11-27 – 1994-11-30) (track 4)
Edi Beo Thu, Hevene Quene (13th c. Middle English song in praise of the Virgin Mary) (1994-11-27 – 1994-11-30) (track 2)
La quinte Estampie real (1994-11-27 – 1994-11-30) (track 13)