Bring Me the Head of Alfredo García

~ Release by Jerry Fielding (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Bring It to Me (Main Title)
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Bring It To Me (Main Title)
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:35
2Gathering Information
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Gathering Information
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:12
3Marriage Plans
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Marriage Plans
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:59
4Prelude to a Rape
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Prelude To A Rape
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:11
5Bennie's Revenge
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Bennie's Revenge
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
0:58
6Killer's Rhapsody
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Killer's Rhapsody
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:31
7Hotel Room
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Hotel Room
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:11
8Requiem for Alfredo
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Requiem For Alfredo
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:01
9On the Road
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
On The Road
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:37
10Night Dig
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Night Dig
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:35
11Goodbye Elita
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Goodbye Elita
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:37
12Getting a Head
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Getting A Head
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:08
13Road Kill
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Roadkill
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:19
14Massacre
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Massacre
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:07
15Bennie's Remorse
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Bennie's Remorse
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:33
16El Jefe
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
El Jefe
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:25
17Bennie and Alfredo
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
Bennie And Alfredo
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:11
18End Titles
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
mixed at and edited at:
d2 Mastering in Los Angeles, California, United States
recording of:
End Titles
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:23