Mass In B Minor BWV 232 - Magnificat In D Major BWV 243

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

▼ CD 1
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1Mass In B Minor BWV 232 - II. Symbolum Nicenum - Credo - Et In Spiritum
bass vocals:
Robert Holl (bass-baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:14
2Mass In B Minor BWV 232 - II. Symbolum Nicenum - Credo - Confiteor
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:55
3Mass In B Minor BWV 232 - II. Symbolum Nicenum - Credo - Et Expecto
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:28
4Mass In B Minor BWV 232 - III. Sanctus - Sanctus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:21
5Mass In B Minor BWV 232 - IV. Osanna, Benedictus, Agneus Dei Et Dona Nobis Pacem - Osanna
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:37
6Mass In B Minor BWV 232 - IV. Osanna, Benedictus, Agneus Dei Et Dona Nobis Pacem - Benedictus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:49
7Mass In B Minor BWV 232 - IV. Osanna, Benedictus, Agneus Dei Et Dona Nobis Pacem - Agnus Dei
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:15
8Mass In B Minor BWV 232 - IV. Osanna, Benedictus, Agneus Dei Et Dona Nobis Pacem - Dona Nobis Pacem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:58
9Magnificat BWV 243 - Chorus (Magnificat)
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:20
10Magnificat BWV 243 - Aria (Et Exultavit Spiritus Meus)
soprano vocals [Sop II]:
Helrun Gardow (German mezzo-soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:41
11Magnificat BWV 243 - Aria (Quia Respexit Humilitatem)
soprano vocals [Sop I] and soprano vocals [soprano I]:
Hildegard Heichele (soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:01
12Magnificat BWV 243 - Chorus (Omnes Generationes)
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:28
13Magnificat BWV 243 - Aria (Quia Mihi Fecit Magna)
bass vocals:
Robert Holl (bass-baritone) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:59
14Magnificat BWV 243 - Duet (Et Misericordia)
alto vocals:
Paul Esswood (countertenor) (in 1984)
tenor vocals:
Kurt Equiluz (tenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:34
15Magnificat BWV 243 - Chorus (Fecit Potentiam)
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
16Magnificat BWV 243 - Aria (Deposuit Potentes)
tenor vocals:
Kurt Equiluz (tenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
17Magnificat BWV 243 - Aria (Esurientes Implevit Bonis)
alto vocals:
Paul Esswood (countertenor) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:00
18Magnificat BWV 243 - Trio (Suscepit Israel)
alto vocals:
Paul Esswood (countertenor) (in 1984)
soprano vocals [Sop I] and soprano vocals [soprano I]:
Hildegard Heichele (soprano) (in 1984)
soprano vocals [Sop II] and soprano vocals [soprano II]:
Helrun Gardow (German mezzo-soprano) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:25
19Magnificat BWV 243 - Chorus (Sicut Locutus Est)
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:34
20Magnificat BWV 243 - Chorus (Gloria Patri)
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17