Kansas City Revisited (mono)

~ Release by Bob Brookmeyer (see all versions of this release, 1 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
A1Jumping at the Woodside
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
instrumental recording of:
Jumpin’ at the Woodside (original instrumental) (on 1958-10-23)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1958-10-23)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
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A2A Blues
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
vocals:
Big Miller (US jazz and blues singer) (on 1958-10-23) and Clarence Miller (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
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A3Blue and Sentimental
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
instrumental recording of:
Blue and Sentimental (on 1958-10-23)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
?:??
B1Doggin' Around
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
recording of:
Doggin' Around (on 1958-10-23)
composer:
Herschel Evans (in 1938)
?:??
B2Moten Swing
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
recording of:
Moten Swing (on 1958-10-23)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
instrumental recording of:
Moten Swing (on 1958-10-23)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
?:??
B3Travlin' Light
engineered in:
New York, New York, United States (on 1958-10-23)
producer:
Jack Lewis (jazz producer)
bass:
Addison Farmer (on 1958-10-23)
drums (drum set):
Osie Johnson (on 1958-10-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1958-10-23)
piano:
Nat Pierce (on 1958-10-23)
tenor saxophone:
Al Cohn (on 1958-10-23) and Paul Quinichette (on 1958-10-23)
valve trombone:
Bob Brookmeyer (on 1958-10-23)
vocals:
Big Miller (US jazz and blues singer) (on 1958-10-23) and Clarence Miller (on 1958-10-23)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1958-10-23)
recording of:
Trav’lin’ Light (on 1958-10-23)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
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Credits

Release group

Wikidata:Q16568556 [info]