Applaus voor klassiek

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Pie Jesu
organ [orgel]:
Jan Harryvan
choir vocals:
Stadsknapenkoor Elburg
countertenor vocals [counter-tenor]:
Sytse Buwalda
soprano vocals [jongenssopraan]:
Maarten Engeltjes
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber3:35
2Zum SanctusFranz Schubert3:22
3Air
organ [orgel]:
Martin Mans
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Johann Sebastian Bach3:23
4Ave Maria
organ [orgel]:
Jan Harryvan
soprano vocals [jongenssopraan]:
Maarten Engeltjes
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach & Charles‐François Gounod2:34
5Ave Maria
choir vocals:
Stadsknapenkoor Elburg
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Ave Maria (unspecified)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria2:30
6Ombra mai fu
organ [orgel]:
Jan Harryvan
countertenor vocals [counter-tenor]:
Sytse Buwalda
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:23
7CantilenaJosef Gabriel Rheinberger5:56
8Panis angelicus
organ [orgel]:
Jan Harryvan
choir vocals:
Stadsknapenkoor Elburg
countertenor vocals [counter-tenor]:
Sytse Buwalda
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian-born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:03
9Nimrod (from "Enigma")Edward Elgar2:54
10Adoramus te
choir vocals:
Stadsknapenkoor Elburg
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Adoramus te
composer:
Quirino Gasparini
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 327) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: Anh. A 10)
Wolfgang Amadeus Mozart1:56
11Sei stille dem Herrn
organ [orgel]:
Jan Harryvan
countertenor vocals [counter-tenor]:
Sytse Buwalda
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Elijah, op. 70: Arie: Sei stille dem Herrn
composer:
Felix Mendelssohn (composer)
part of:
Elijah, op. 70, Part II (with German libretto)
Felix Mendelssohn3:22
12Toccata
organ [orgel]:
Jan Harryvan
recorded at:
Rīgas Doms in Rīga, Latvia
recording of:
Suite Gothique, op. 25: IV. Toccata
composer:
Léon Boëllmann (composer) (in 1895)
part of:
Suite Gothique, op. 25
Léon Boëllmann3:58

Credits

Release

producer:Christine Schreuder (producer)
recording engineer:Dolph Thierry (engineer)
Johan Thierry (engineer)
editor:Pieter Jan Leusink
Dolph Thierry (engineer)
Johan Thierry (engineer)