Plays Cole Porter - The Genius of Charlie Parker #5 (( 5 Original Albums set ))

~ Release by Charlie Parker (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1I Get a Kick Out of You
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:36
2I Get a Kick Out of You (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
4:57
3Just One of Those Things
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
My Heart Belongs to Daddy (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
3:20
5I've Got You Under My Skin
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass [bass]:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
I’ve Got You Under My Skin (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:41
6Love for Sale
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:35
7Love for Sale (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:34
8I Love Paris
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:09
9I Love Paris (alternate take)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass [bass]:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:07