| # | Title | Artist | Rating | Length |
|---|
| 1 | I Don't Want to Miss a Thing | Aerosmith | | 4:24 |
| 2 | Immortality- recording engineer:
- Jeff Balding, Dave Reitzas, Humberto Gatica, David Gleeson and John Merchant
- additional drum machine programming:
- Dan Shea
- additional programming:
- Dan Shea and Stu Brawley
- drum machine programming:
- Walter Afanasieff
- programming:
- Walter Afanasieff and Dan Shea
- additional engineer:
- Humberto Gatica
- assistant engineer:
- Chris Brooke, Tony Gonzalez , Mark Hagen, Tyson Leeper, Glen Marchese, Ethan Schofer, Stu Brawley and Greg Thompson
- audio engineer:
- Dan Shea
- producer:
- Walter Afanasieff
- mixer:
- Humberto Gatica
- additional keyboard:
- Dan Shea
- bass synthesizer, Hammond organ [Hammond B-3 organ] and keyboard:
- Walter Afanasieff
- guitar [guitars]:
- Michael Landau
- additional background vocals:
- Alex Brown , Lynn Davis , Jim Gilstrap and Phillip Ingram
- background vocals:
- Bee Gees
- arranger:
- Walter Afanasieff
- recorded at:
- Masterphonics in Nashville, Tennessee, United States, Middle Ear Studio in Miami Beach, Florida, United States, Record Plant in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Immortality
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Celine Dion | 5 | 4:11 |
| 3 | No Matter What- recorded in:
- London , England, United Kingdom and Los Angeles, California, United States
- keyboard programming:
- Lee McCutcheon
- programming:
- Simon Franglen
- assistant engineer:
- Alex Black and Tom
- engineer:
- Simon Franglen , Steve Rinkoff and Robin Sellars
- additional producer:
- Simon Franglen and Lupino
- executive producer:
- Andrew Lloyd Webber and Jim Steinman
- producer:
- Andrew Lloyd Webber , Jim Steinman and Nigel Wright
- mixer:
- Mick Guzauski and Steve Rinkoff
- acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
- Michael Thompson
- bass:
- Angela Lupino
- guitar:
- Fridrik Karlsson
- keyboard [keyboards]:
- Simon Franglen and Nigel Wright
- background vocals [backing vocals]:
- Tracy Ackerman and Andy Caine
- vocals:
- Boyzone
- arranger:
- Simon Franglen and Lupino
- phonographic copyright (℗) by:
- Polydor Ireland (in 1998)
- recorded at:
- FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios in London , England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
- engineered at:
- Barking Dog Studios in New York, New York, United States
- music videos:
- No Matter What by Boyzone
- recording of:
- No Matter What
- lyricist:
- Jim Steinman
- composer:
- Andrew Lloyd Webber
- publisher:
- Universal Music Publishing Ltd. (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. and The Really Useful Group Limited
- part of:
- Whistle Down the Wind
| Boyzone | 2 | 4:34 |
| 4 | The Last Unicorn (radio edit) | In-Mood feat. Juliette | | 3:31 |
| 5 | All Out of Love (radio edit) | Andru Donalds | | 4:00 |
| 6 | If You Had My Love (radio edit) | Jennifer Lopez | | 3:48 |
| 7 | High | Lighthouse Family | | 5:03 |
| 8 | I Still Believe | Mariah Carey | 4.5 | 3:54 |
| 9 | She's All I Ever Had- recording engineer:
- Randall Barlow , Scott Canto, Charles Dye, Marcelo Añez Fontana, Javier Garza, Sebastián Krys, Freddy Piñero, Jr. and Elliot Scheiner
- membranophone programming:
- Randall Barlow
- assistant engineer:
- Gustavo Bonnet and Tony Mardini
- engineer:
- Joe Chiccarelli
- additional producer:
- Walter Afanasieff
- co-producer:
- Draco Rosa
- executive producer:
- Emilio Estefan, Jr.
- producer:
- George Noriega and Jon Secada
- mixer:
- Mick Guzauski
- 12 string guitar and electric guitar:
- Eric Bazilian
- acoustic guitar and electric guitar:
- Tommy Anthony
- bouzouki, classical guitar [nylon string guitar], keyboard and sitar:
- George Noriega
- brushes, shakers and snare drum:
- Olbin Burgos
- cello:
- Larry Corbett, Dan Smith , Stefanie Fife, Suzie Katayama, Steve Richards and Rudy Stein
- double bass:
- Jorge Casas
- membranophone:
- Kenny Aronoff
- percussion:
- Daniel Lopez
- viola:
- Denyse Buffum, Matt Funes, John Scanlon and David Stenske
- violin:
- Murray Adler, Ruth Bruegger, Eve Butler, Susan Chatman, Joel Derouin, Bruce Dukov, Virginia Frazier, Harris Goldman, Endre Granat , Clayton Haslop, Gerardo Hilera , Bob Peterson , Michele Richards, Anatoly Rosinsky, Bob Sanov, 渡辺實和子, John Wittenberg and Ken Yerke
- background vocals:
- Jon Secada
- conductor:
- David Campbell
- additional arranger:
- Randall Barlow
- recording of:
- She’s All I Ever Had (from 1998-10 until 1999-03)
- lyricist:
- Jon Secada
- writer:
- George Noriega and Draco Rosa
- publisher:
- Artemis Muziekuitgeverij B V, Universal Music Publishing GmbH, Universal Music Publishing International Ltd., Universal Música Unica Publishing , Universal Musica, Inc., A Phantom Vox Publishing (from 1999 to present), Estefan Music Publishing International (from 1999 to present), Foreign Imported Productions & Publishing, Inc. (from 1999 to present) and Warner–Tamerlane Publishing Corp. (from 1999 to present)
| Ricky Martin | 5 | 4:54 |
| 10 | Wish I Could Fly- programming:
- Michael Ilbert and Clarence Öfwerman
- engineer:
- Michael Ilbert (in 1998)
- producer and mixer:
- Marie Fredriksson, Per Gessle , Michael Ilbert and Clarence Öfwerman
- 12 string guitar [12-string Rickenbacker]:
- Micke "Nord" Andersson (in 1998)
- acoustic guitar:
- Micke "Nord" Andersson (in 1998) and Per Gessle (in 1998)
- additional bass guitar:
- Jonas Isacsson (in 1998)
- bass guitar:
- Christer Jansson (in 1998)
- cymbal, keyboard [keyboards] and tom-tom [tom-toms]:
- Clarence Öfwerman (in 1998)
- strings:
- SNYKO (in 1998)
- background vocals:
- Marie Fredriksson (from 1998-01 until 1998-03) and Christoffer Lundquist (from 1998-01 until 1998-03)
- vocals:
- Marie Fredriksson (in 1998), Per Gessle (in 1998) and Clarence Öfwerman (in 1998)
- conductor:
- Mats Holmquist (in 1998)
- arranger:
- Per Gessle , Mats MP Persson and Clarence Öfwerman
- recorded at:
- El Cortijo in San Pedro, Albacete, Castilla-La Mancha, Spain (from 1998-01 until 1998-03) and Polar Studios in Stockholm, Stockholms län, Sweden (from 1998-01 until 1998-03)
- mixed at:
- Mono Music Studio in Stockholm, Stockholms län, Sweden
- recording of:
- Wish I Could Fly (in 1998)
- lyricist and composer:
- Per Gessle
- publisher:
- HipHappy
| Roxette | 3.5 | 4:41 |
| 11 | Nightswimming (album version)- additional engineer:
- Ed Brooks , George Cowan , Mark Howard , John Keane , Tod Lemkuhl, Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith , Patti Gouvas, Lonnie Ottzen , Sandy Salzinger , Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 160)
- recording of:
- Nightswimming
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| R.E.M. | 4.45 | 4:10 |
| 12 | Sometimes (radio edit) | Britney Spears | 3.35 | 4:06 |
| 13 | True Colours (single version) | Phil Collins | 5 | 4:32 |
| 14 | When a Man Loves a Woman- assistant recording engineer and assistant mixer:
- Manny LaCarrubba and Devon Rietveld
- recording engineer:
- Dana Jon Chappelle
- producer:
- Walter Afanasieff and Michael Bolton
- mixer:
- Mick Guzauski
- bass guitar:
- Randy Jackson
- drums (drum set):
- Jeff Porcaro
- guitar:
- Chris Camozzi and Michael Thompson
- Hammond organ, keyboard and synthesizer:
- Walter Afanasieff
- piano:
- John Beasley
- background vocals:
- Kitty Beethoven, Gary Cirimelli, Sandy Griffith, Melisa Kary, Claytoven Richardson and Jeanie Tracy
- lead vocals:
- Michael Bolton
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1991)
- recorded at and mixed at:
- The Plant Studios in Sausalito, California, United States
- cover recording of:
- When a Man Loves a Woman
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Michael Bolton | 3.65 | 3:51 |
| 15 | You're Still the One | Shania Twain | 3.8 | 3:34 |
| 16 | Tears in Heaven (single version) | Eric Clapton | 3.35 | 4:32 |
| 17 | Hijo De La Luna (Sentimiento mix) | Loona | 2 | 4:09 |
| 18 | Sie sieht mich nicht | Xavier Naidoo | 1 | 4:27 |
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