Klassik Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Carmin Burana, "O, Fortuna"
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:30
2Tanz der Ritter
Sergei Prokofieff5:11
3Trinklied aus „La Traviata“
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi2:54
4Ungarischer Tanz Nr. 1 g-Moll
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
Johannes Brahms3:10
5Caro mio ben
piano:
György Fischer (pianist and conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani
publisher:
G. Schirmer Inc.
Tommaso Giordani2:50
6Pomp and Circumstances no. 1
orchestra:
Royal Philharmonic Orchestra (in 1985-07)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-07)
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (in 1985-07)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:35
7Tonight
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Robert Farnon & His Orchestra
conductor:
Robert Farnon (composer, conductor, trumpet player)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein2:38
8Orgelsymphonie Nr. 5
miscellaneous support:
Gerd Ploebsch
engineer:
Hans-Peter Schweigmann (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:30
9Klarinettenkonzert A-dur: Adagio
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:11
10An der schönen blauen Donau
orchestra:
Vienna Philharmonic (on 1980-01-01)
conductor:
Lorin Maazel (conductor) (on 1980-01-01)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1980-01-01)
live recording of:
An der schönen blauen Donau, op. 314 (on 1980-01-01)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:48
11Ha, wie will ich triumphieren
recording engineer:
Hans-Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:26
12Trompetenkonzert Es-dur: Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Joseph Haydn4:38
13La donna é mobile
Giuseppe Verdi2:24
14Symphonie Nr. 4: Allegro vivace
orchestra:
Orchestra of the Eighteenth Century (in 1990-06)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1990-06)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (in 1990-06)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn11:13