Lady Day: The Best of Billie Holiday

~ Release by Billie Holiday (see all versions of this release, 3 available)

Annotation

Label: Sony - Catalog #: 85979 - UPC: 696998597921 - Format: 2CD

Label: Sony - Catalog #: 85979 - UPC: 696998597921 - Format: 2CD

Annotation last modified on 2006-11-20 01:16 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1What a Little Moonlight Can Do
recorded in:
New York, New York, United States (on 1935-07-02)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1935-07-02)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1935-07-02)
drums (drum set):
Cozy Cole (on 1935-07-02)
guitar:
John Trueheart (on 1935-07-02)
piano:
Teddy Wilson (on 1935-07-02)
tenor saxophone:
Ben Webster (on 1935-07-02)
trumpet:
Roy Eldridge (on 1935-07-02)
vocals:
Billie Holiday (on 1935-07-02)
orchestra:
Teddy Wilson and His Orchestra (on 1935-07-02)
arranger:
Teddy Wilson
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1935-07-02)
recording of:
What a Little Moonlight Can Do (on 1935-07-02)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
52:58
2These Foolish Things
recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
33:19
3I Cried for You
recording of:
I Cried for You (on 1936-06-30)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
3:13
4Summertime
clarinet:
Artie Shaw (on 1936-07-10)
double bass [string bass]:
Pete Peterson (jazz bassist) (on 1936-07-10)
drums (drum set) [drums]:
Cozy Cole (on 1936-07-10)
guitar:
Dick McDonough (on 1936-07-10)
piano:
Joe Bushkin (on 1936-07-10)
trumpet:
Bunny Berigan (on 1936-07-10)
vocals:
Billie Holiday (on 1936-07-10)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1936-07-10)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:55
5Billie's Blues
recording of:
Billie’s Blues (on 1936-07-10)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
42:40
6If You Were Mine
recording of:
If You Were Mine (from “To Beat the Band”) (on 1935-10-25)
lyricist:
Johnny Mercer
composer:
Matty Malneck
3:12
7A Fine Romance
clarinet:
Irving Fazola (on 1936-09-29)
double bass:
Artie Bernstein (on 1936-09-29)
drums (drum set):
Cozy Cole (on 1936-09-29)
guitar:
Dick McDonough (on 1936-09-29)
piano:
Clyde Hart (on 1936-09-29)
trumpet:
Bunny Berigan (on 1936-09-29)
vocals:
Billie Holiday (on 1936-09-29)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-09-29)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:53
8Easy to Love
recording of:
Easy to Love (on 1936-10-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:13
9I've Got My Love to Keep Me Warm
recorded in:
New York, New York, United States (on 1937-01-12)
alto saxophone and clarinet:
Edgar Sampson (on 1937-01-12)
double bass [string bass]:
John Kirby (jazz bass/trombone/tuba player) (on 1937-01-12)
drums (drum set):
Cozy Cole (on 1937-01-12)
guitar:
Allan Reuss (on 1937-01-12)
piano:
Teddy Wilson (on 1937-01-12)
tenor saxophone:
Ben Webster (on 1937-01-12)
trumpet:
Jonah Jones (on 1937-01-12)
vocals:
Billie Holiday (on 1937-01-12)
performer:
Billie Holiday and Her Orchestra (on 1937-01-12)
recording of:
I’ve Got My Love to Keep Me Warm (on 1937-01-12)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:57
10I Must Have That Man
recorded in:
New York, New York, United States (on 1937-01-25)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1937-01-25)
double bass [string bass]:
Walter Page (on 1937-01-25)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-01-25)
guitar:
Freddie Green (on 1937-01-25)
piano:
Teddy Wilson (on 1937-01-25)
tenor saxophone:
Lester Young (saxophonist) (on 1937-01-25)
trumpet:
Buck Clayton (on 1937-01-25)
vocals:
Billie Holiday (on 1937-01-25)
orchestra:
Teddy Wilson and His Orchestra (on 1937-01-25)
recording of:
I Must Have That Man (on 1937-01-25)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
2:56
11Me, Myself and I
recording of:
Me, Myself and I (on 1937-06-15)
lyricist:
Allan Roberts (songwriter) and Alvin S. Kaufman
composer:
Irving Gordon (US songwriter)
42:37
12They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:04
13Easy Living
recording of:
Easy Living
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
43:04
14A Sailboat in the Moonlight
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-06-15)
double bass:
Walter Page (on 1937-06-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-06-15)
guitar:
Freddie Green (on 1937-06-15)
piano:
James Sherman (on 1937-06-15)
tenor saxophone:
Lester Young (saxophonist) (on 1937-06-15)
trumpet:
Buck Clayton (on 1937-06-15)
vocals:
Billie Holiday (on 1937-06-15)
orchestra:
Billie Holiday and Her Orchestra (on 1937-06-15)
recording of:
Sailboat in the Moonlight (on 1937-06-15)
writer:
John Jacob Loeb and Carmen Lombardo
42:51
15Travelin' All Alone
recording of:
Trav’lin’ All Alone
composer:
J.C. Johnson
2:14
16When a Woman Loves a Man
recording of:
When a Woman Loves a Man
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
2:25
17You Go to My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
52:54
18My Man
recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:02
▼ CD 2
#TitleRatingLength
1I Can't Believe That You're in Love With Me
recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:51
2The Very Thought of You
recording of:
The Very Thought of You (on 1938-09-15)
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
2:47
3I Can't Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:48
4Long Gone Blues
recorded in:
New York, New York, United States (on 1939-03-21)
double bass:
John Williams (jazz bassist) (on 1939-03-21)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-03-21)
guitar:
Jimmy McLin (on 1939-03-21)
piano:
Kenny Kersey (on 1939-03-21)
saxophone:
Tab Smith (on 1939-03-21)
tenor saxophone:
Kenneth Hollon (on 1939-03-21) and Stanley Payne (on 1939-03-21)
trumpet:
Hot Lips Page (on 1939-03-21)
vocals:
Billie Holiday (on 1939-03-21)
recording of:
Long Gone Blues (on 1939-03-21)
writer:
Billie Holiday
3:06
5Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP)
2:47
6Some Other Spring
recording of:
Some Other Spring (on 1939-07-05)
composer:
Arthur Herzog, Jr. and Irene Kitchings
3:03
7Them There Eyes
alto saxophone:
George Dorsey (on 1949-08-29) and Johnny Mince (on 1949-08-29)
double bass:
George Duvivier (on 1949-08-29)
drums (drum set):
Cozy Cole (on 1949-08-29)
guitar:
Everett Barksdale (on 1949-08-29)
piano:
Horace Henderson (on 1949-08-29)
reeds:
Eddie Barefield (on 1949-08-29)
tenor saxophone:
Budd Johnson (on 1949-08-29) and Freddie Williams (on 1949-08-29)
trombone:
Mort Bullman (on 1949-08-29) and Henderson Chambers (on 1949-08-29)
trumpet:
Tony Faso (on 1949-08-29), Bernie Privin (on 1949-08-29) and Dick Vance (US jazz trumpeter and arranger) (on 1949-08-29)
vocals:
Billie Holiday (on 1949-08-29)
conductor:
Sy Oliver (on 1949-08-29)
arranger:
Sy Oliver (on 1949-08-29)
recording of:
Them There Eyes (on 1949-08-29)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019-present)
42:50
8The Man I Love
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
baritone saxophone:
Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (piano, USA) (on 1939-12-13)
tenor saxophone:
Lester Young (saxophonist) (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
orchestra:
Billie Holiday and Her Orchestra (on 1939-12-13)
recording of:
The Man I Love (on 1939-12-13)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
43:06
9Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:59
10Swing, Brother, Swing
recording of:
Swing, Brother, Swing
writer:
Walter Bishop, Sr., Raymond Lewis and Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:57
11Night and Day
recorded in:
New York, New York, United States (on 1939-12-13)
alto saxophone:
Earle Warren (on 1939-12-13) and Jack Washington (on 1939-12-13)
double bass:
Walter Page (on 1939-12-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1939-12-13)
guitar:
Freddie Green (on 1939-12-13)
piano:
Joe Sullivan (piano, USA) (on 1939-12-13)
tenor saxophone:
Lester Young (saxophonist) (on 1939-12-13)
trumpet:
Buck Clayton (on 1939-12-13) and Harry Edison (on 1939-12-13)
vocals:
Billie Holiday (on 1939-12-13)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1939-12-13)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
43:00
12Let's Do It
alto saxophone:
Eddie Barefield (on 1941-03-21) and Leslie Johnakins (on 1941-03-21)
double bass:
Ted Sturgis (on 1941-03-21)
drums (drum set):
Kenny Clarke (on 1941-03-21)
guitar:
John Collins (jazz guitarist) (on 1941-03-21)
piano:
Eddie Heywood (on 1941-03-21)
tenor saxophone:
Lester Young (saxophonist) (on 1941-03-21)
trumpet:
Shad Collins (on 1941-03-21)
lead vocals:
Billie Holiday (on 1941-03-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1941-03-21)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
2:57
13God Bless the Child
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
double bass:
Grachan Moncur II (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowans (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
recording of:
God Bless the Child (on 1941-05-09)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:57
14Solitude
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
clarinet and tenor saxophone:
Ernie Powell (on 1941-05-09)
double bass:
Grachan Moncur (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowens (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1941-05-09) and Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
lead vocals:
Billie Holiday (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
orchestra:
Billie Holiday and Her Orchestra (on 1941-05-09)
recording of:
(In My) Solitude (on 1941-05-09)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:15
15I Cover the Waterfront
recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:57
16Gloomy Sunday
alto saxophone:
Hymie Shertzer (on 1941-08-07)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1941-08-07)
double bass:
Johnny Williams (jazz bassist) (on 1941-08-07)
drums (drum set):
J.C. Heard (on 1941-08-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-08-07)
piano:
Teddy Wilson (on 1941-08-07)
tenor saxophone:
Irving "Babe" Russin (on 1941-08-07)
trumpet:
Emmett Berry (on 1941-08-07)
lead vocals:
Billie Holiday (on 1941-08-07)
orchestra:
Teddy Wilson and His Orchestra (on 1941-08-07)
recording of:
Gloomy Sunday (on 1941-08-07)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
43:13
17Until the Real Thing Comes Along
alto saxophone:
Hymie Shertzer (on 1942-02-10)
clarinet:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1942-02-10)
double bass:
Johnny Williams (jazz bassist) (on 1942-02-10)
drums (drum set):
J.C. Heard (on 1942-02-10)
guitar:
Eugene Fields (on 1942-02-10)
piano:
Teddy Wilson (on 1942-02-10)
tenor saxophone:
Irving "Babe" Russin (on 1942-02-10)
trumpet:
Emmett Berry (on 1942-02-10)
vocals:
Billie Holiday (on 1942-02-10)
recording of:
Until the Real Thing Comes Along (on 1942-02-10)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:10
18All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
3:50