Annotation

Packaged as a cardboard box with 10 cardboard sleeves containing the discs. Each disc has its own Cat. No. and barcode (ordered by the listing on the back of the outer cardboard box):
SYCD600101/8711539013615,
SYCD600202/8711539013622,
SYCD600303/8711539013639,
SYCD600504/8711539013646,
SYCD600705/8711539013653,
SYCD600806/8711539013660,
SYCD600907/8711539013677,
SYCD601208/8711539013684,
SYCD601409/8711539013691,
SYCD601910/8711539013707.
There is no other title to this release other than "10 CD Box" and the last names of the various composers.

Annotation last modified on 2014-12-08 17:9 UTC.

Tracklist

CD 1: Vivaldi
# Title Artist Rating Length
1 The Spring: I. Allegro Antonio Vivaldi 3:27
2 The Spring: II. Largo et pianissimo sempre Antonio Vivaldi 2:28
3 The Spring: III. Allegro Antonio Vivaldi 4:11
4 The Summer: I. Allegro non molto Antonio Vivaldi 5:16
5 The Summer: II. Adagio Antonio Vivaldi 2:27
6 The Summer: III. Tempo impetuoso d'estate Antonio Vivaldi 3:06
7 The Autumn: I. Allegro Antonio Vivaldi 5:14
8 The Autumn: II. Adagio molto Antonio Vivaldi 2:56
9 The Autumn: III. La caccia: Allegro Antonio Vivaldi 3:22
10 The Winter: I. Allegro non molto Antonio Vivaldi 3:21
11 The Winter: II. Largo Antonio Vivaldi 2:12
12 The Winter: III. Allegro Antonio Vivaldi 3:10
CD 2: Mozart
# Title Artist Rating Length
1 Eine Kleine Nachtmusik, K. 525: I. Allegro Wolfgang Amadeus Mozart 6:30
2 Eine Kleine Nachtmusik, K. 525: II. Romanze: Andante Wolfgang Amadeus Mozart 6:44
3 Eine Kleine Nachtmusik, K. 525: III. Menuett: Allegretto Wolfgang Amadeus Mozart 2:20
4 Eine Kleine Nachtmusik, K. 525: IV. Rondo: Allegro Wolfgang Amadeus Mozart 3:28
5 The Magic Flute Overture, K. 620 Wolfgang Amadeus Mozart 7:24
6 The Marriage of Figaro Overture, K. 492 Wolfgang Amadeus Mozart 4 4:18
7 German Dances No. 1 & No. 2 Wolfgang Amadeus Mozart 3:46
CD 3: Grieg
# Title Artist Rating Length
1 Peer Gynt Suite No. 1, Op. 46: I. Morning song Edvard Grieg 3:56
2 Peer Gynt Suite No. 1, Op. 46: II. Ases death Edvard Grieg 4:37
3 Peer Gynt Suite No. 1, Op. 46: III. Anitra's dance Edvard Grieg 4 3:34
4 Peer Gynt Suite No. 1, Op. 46: IV. Hall of the mountain king Edvard Grieg 2:23
5 Peer Gynt Suite No. 2, Op. 55: I. Ingrid's lament Edvard Grieg 4:12
6 Peer Gynt Suite No. 2, Op. 55: II. Arabian dance Edvard Grieg 4:38
7 Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's homecoming Edvard Grieg 2:32
8 Peer Gynt Suite No. 2, Op. 55: IV. Solveig's song Edvard Grieg 5 5:27
9 Holberg Suite, Op. 40: I. Prelude Edvard Grieg 2:47
10 Holberg Suite, Op. 40: II. Sarabande Edvard Grieg 4:12
11 Holberg Suite, Op. 40: III. Gavotte Edvard Grieg 3:08
12 Holberg Suite, Op. 40: IV. Andante religioso Edvard Grieg 5:38
13 Holberg Suite, Op. 40: V. Rigaudon Edvard Grieg 3:03
CD 4: Mozart
# Title Artist Rating Length
1 Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso Wolfgang Amadeus Mozart 14:34
2 Piano concerto No. 21 in C major K. 467, "Elvira Madigan": II. Andante Wolfgang Amadeus Mozart 3 5:36
3 Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai Wolfgang Amadeus Mozart 7:05
4 Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace Wolfgang Amadeus Mozart 11:23
5 Symphony No. 41 in C major K. 551, "Jupiter": II. Andante cantabile Wolfgang Amadeus Mozart 9:29
6 Symphony No. 41 in C major K. 551, "Jupiter": III. Menuetto: allegretto Wolfgang Amadeus Mozart 5:04
7 Symphony No. 41 in C major K. 551, "Jupiter": IV. Molto allegro Wolfgang Amadeus Mozart 8:50
CD 5: Beethoven
# Title Artist Rating Length
1 Symphony No. 3 in E-flat major, Op. 55, "Eroica": I. Allegro con brio Ludwig van Beethoven 14:56
2 Symphony No. 3 in E-flat major, Op. 55, "Eroica": II. Adagio Assai Ludwig van Beethoven 9:55
3 Symphony No. 3 in E-flat major, Op. 55, "Eroica": III. Scherzo: allegro vivace Ludwig van Beethoven 6:03
4 Symphony No. 3 in E-flat major, Op. 55, "Eroica": IV. Finale: allegro molto Ludwig van Beethoven 11:48
5 Coriolan Overture, Op. 62 Ludwig van Beethoven 7:35
CD 6: Mendelssohn / Bizet
# Title Artist Rating Length
1 Symphony No. 4 in A major, Op. 90, "Italian": I. Allegro vivace Felix Mendelssohn 11:32
2 Symphony No. 4 in A major, Op. 90, "Italian": II. Andante con moto Felix Mendelssohn 6:38
3 Symphony No. 4 in A major, Op. 90, "Italian": III. Con moto moderato Felix Mendelssohn 6:54
4 Symphony No. 4 in A major, Op. 90, "Italian": IV. Presto salterello Felix Mendelssohn 6:17
5 Symphony in C: I. Allegro Georges Bizet 6:52
6 Symphony in C: II. Adagio Georges Bizet 9:54
7 Symphony in C: III. Allegro vivace Georges Bizet 5:39
8 Symphony in C: IV. Allegro vivace Georges Bizet 6:14
CD 7: Rimsky-Korsakoff
# Title Artist Rating Length
1 Scheherazade, Op. 35: I. The sea and Sinbad's ship Николай Андреевич Римский‐Корсаков 10:17
2 Scheherazade, Op. 35: II. The tale of the calendar prince Николай Андреевич Римский‐Корсаков 11:39
3 Scheherazade, Op. 35: III. The young prince and the young princess Николай Андреевич Римский‐Корсаков 10:06
4 Scheherazade, Op. 35: IV. Festival at bagdad; the sea; the ship goes to pieces on a rock; conclusion Николай Андреевич Римский‐Корсаков 12:01
CD 8: Berlioz
# Title Artist Rating Length
1 Symphony Fantastique, Op. 14: I. Reveries - Passions Hector Berlioz 15:12
2 Symphony Fantastique, Op. 14: II. A ball Hector Berlioz 6:09
3 Symphony Fantastique, Op. 14: III. Scene in the country Hector Berlioz 17:02
4 Symphony Fantastique, Op. 14: IV. March to the scaffold Hector Berlioz 4:42
5 Symphony Fantastique, Op. 14: V. Dreams of a witches sabbath Hector Berlioz 11:21
CD 9: Haendel
# Title Artist Rating Length
1 Water Music: I. Allegro George Frideric Handel 2:54
2 Water Music: II. Air George Frideric Handel 5:32
3 Water Music: III. Bouree George Frideric Handel 0:48
4 Water Music: IV. Hornpipe George Frideric Handel 0:57
5 Water Music: V. Andante expressivo George Frideric Handel 3:49
6 Water Music: VI. Hornpipe George Frideric Handel 3:17
7 Royal Fireworks Music: I. Overture George Frideric Handel 9:22
8 Royal Fireworks Music: II. Bouree George Frideric Handel 1:48
9 Royal Fireworks Music: III. La paix George Frideric Handel 3:27
10 Royal Fireworks Music: IV. La rejouissance George Frideric Handel 3:51
11 Royal Fireworks Music: V. Menuet I George Frideric Handel 1:30
12 Royal Fireworks Music: VI. Menuet II George Frideric Handel 2:38
CD 10: Tchaikovsky
# Title Artist Rating Length
1 Nutcracker Suite, Op. 71a: I. Miniature overture Пётр Ильич Чайковский 3:11
2 Nutcracker Suite, Op. 71a: II. March Пётр Ильич Чайковский 2:33
3 Nutcracker Suite, Op. 71a: III. Dance of the sugar plum fairy Пётр Ильич Чайковский 1:49
4 Nutcracker Suite, Op. 71a: IV. Russian dance Пётр Ильич Чайковский 1:06
5 Nutcracker Suite, Op. 71a: V. Arab dance Пётр Ильич Чайковский 2:52
6 Nutcracker Suite, Op. 71a: VI. Chinese dance Пётр Ильич Чайковский 1:12
7 Nutcracker Suite, Op. 71a: VII. Dance of the reed flutes Пётр Ильич Чайковский 1:59
8 Nutcracker Suite, Op. 71a: VIII. Waltz of the flowers Пётр Ильич Чайковский 6:25
9 Sleeping Beauty, Op. 66, excerpts: I. Introduction Пётр Ильич Чайковский 3:30
10 Sleeping Beauty, Op. 66, excerpts: II. Pas d'action - andante Пётр Ильич Чайковский 5:24
11 Sleeping Beauty, Op. 66, excerpts: III. Pas de caractére - allegro moderato Пётр Ильич Чайковский 2:33
12 Sleeping Beauty, Op. 66, excerpts: IV. Panorame - andantino Пётр Ильич Чайковский 4:25
13 Sleeping Beauty, Op. 66, excerpts: V. Finale - apotheosis Пётр Ильич Чайковский 2:05
14 Romeo & Juliet Fantasy Overture Пётр Ильич Чайковский 18:06

Credits

CD 1: Vivaldi

arranger:
Jeannette Sorrell (track 6)
composer:
Antonio Vivaldi (track 6)
Antonio Vivaldi (1723) (tracks 1–5, 7–12)
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti) (tracks 1–12)
arrangement of:
arrangements:
Cosy (track 10)
Winter (Abridged electronic derivative of Vivaldi's Winter) (track 10)
is the basis for:
Otoño (Mocedades) (track 7)
Viva! (track 10)
later versions:
V (track 10)
part of:
recording of:
referred to in medleys:

CD 2: Mozart

composer:
Wolfgang Amadeus Mozart (classical composer) (1786) (track 6)
Wolfgang Amadeus Mozart (classical composer) (1787) (tracks 1–4)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 5)
conductor:
Carl-August Bünte (conductor) (track 7)
Pietro di la Corona (Alfred Scholz pseudonym) (track 6)
Günter Kehr (conductor) (tracks 1–4)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (track 5)
Francesco Macci (an Alfred Scholz pseudonym) (tracks 1–4)
Alexander von Pitamic (an Alfred Scholz pseudonym) (tracks 1–4)
Alfred Scholz (tracks 2, 5–6)
Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) (tracks 5–6)
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation) (track 6)
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (track 7)
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) (tracks 1–4)
Camerata Labacensis (tracks 1–4)
Camerata Salzburg (Austrian chamber orchestra) (tracks 1, 3–4)
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) (track 7)
London Festival Orchestra (Alfred Scholz pseudonym) (track 6)
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) (track 5)
London Philharmonic Orchestra (LPO) (tracks 5–6)
Mainz Chamber Orchestra (tracks 1–4)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1, 4–5)
Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym) (tracks 2, 6)
London Philharmonic Orchestra (Alfred Scholz related) (tracks 1–6)
Ljubljana Symphony Orchestra of Yugoslavia (RTV Slovenia Symphony Orchestra) (tracks 1–4)
arrangements:
Die Zauberflöte, K. 620: Ouverture (for flute, violin, cello and piano, Hummel) (track 5)
Die Zauberflöte, K. 620: Ouverture (for two pianos, Busoni) (track 5)
Die Zauberflöte, K. 620: Ouverture (catch-all for arrangements) (track 5)
Le nozze di Figaro, K. 492: Overture (catch-all for arrangements) (track 6)
Le nozze di Figaro, K. 492: Sinfonia (for flute, violin, cello and piano, Hummel) (track 6)
is the basis for:
Game Start A (Mario Bros.) (track 1)
Mozart/Figaro (track 6)
part of:
recording of:

CD 3: Grieg

composer:
Edvard Grieg (composer) (1875) (tracks 1–8)
Edvard Grieg (composer) (1884) (tracks 9–13)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) (tracks 1–7)
Istvan Cohen (probably another Alfred Scholz) (tracks 9–13)
Herbert Fleischmann (tracks 2, 6–7)
Alfred Gehardt (tracks 3, 7)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (track 1)
Libor Pešek (conductor) (tracks 1–13)
Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) (tracks 1–4)
Viktor Zimmerman (an Alfred Scholz pseudonym) (track 7)
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) (tracks 1–4)
International Concert Orchestra (an Alfred Scholz pseudonym) ( – ????) (track 7)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–7)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (tracks 9–13)
Slovenská filharmónia (Slovak Philharmonic, Bratislava) (tracks 1–13)
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (track 1)
revised by:
Edvard Grieg (composer) (1888) (tracks 1–4)
Edvard Grieg (composer) (1891) (tracks 5–8)
phonographic copyright by:
GMS (1986) (track 4)
arrangements:
Death of Åse (Peer Gynt) (for organ, Jongen) (track 2)
In the Hall of the Mountain King (Erasure's arrangement) (track 4)
Peer Gynt Suite no. 1, op. 46: II. Åses død (catch-all for arrangements) (track 2)
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (for piano solo, Grieg) (track 6)
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (for piano solo, Grieg) (track 8)
is the basis for:
Solveig's Song (with Herik Ibsen lyrics) (track 8)
Solveig's Song (track 8)
later versions:
Hall of the Mountain King (Apocalyptica's arrangement) (track 4)
Lost Song (track 8)
part of:
Fra Holbergs tid, op. 40 (for string orchestra) (tracks 9–13)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (for string orchestra) (track 10)
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra) (track 11)
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra) (track 12)
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer) (track 8)
referred to in medleys:
Käferherz (track 4)
Prelude to Madness (track 4)
version of:

CD 4: Mozart

piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
Angela Giulini (pianist) (tracks 1, 3)
Leonard Hokanson (pianist) (tracks 1, 3)
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
István Székely (pianist) (tracks 1, 3)
Silvia Čápová (pianist) (tracks 1, 3)
composer:
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 1–3)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-08-10) (tracks 4–7)
conductor:
Carl-August Bünte (conductor) (tracks 4–7)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
Kurt Redel (flutist and conductor) (tracks 1, 3)
Alfred Scholz (tracks 1, 3, 5–7)
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) (tracks 5–7)
János Sándor (tracks 5–7)
Jan Zybnovsky (possibly an Alfred Scholtz pseudonym) (tracks 5–7)
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation) (tracks 4–7)
Camerata Labacensis (tracks 1, 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (tracks 1, 3)
London Philharmonic Orchestra (LPO) (tracks 5–7)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1–3)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 5, 7)
Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym) (tracks 5–7)
Philharmonic Orchestra London (Alfred Scholz related) (tracks 5–6)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 1–3)
arrangements:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - London 1827) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - Munich 1836) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso (for piano and string quintet, Lachner) (track 1)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 2)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 2)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - London 1827) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - Munich 1836) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for piano and string quintet, Lachner) (track 3)
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace (for flute, violin, cello and piano, Clementi) (track 4)
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile (for flute, violin, cello and piano, Clementi) (track 5)
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Molto allegro (for flute, violin, cello and piano, Clementi) (track 7)
is the basis for:
Sex’n fax (track 2)
part of:
recording of:
referred to in medleys:

CD 5: Beethoven

composer:
Ludwig van Beethoven (1803 – 1804) (tracks 1–4)
Ludwig van Beethoven (1807) (track 5)
conductor:
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (track 5)
Anton Nanut (conductor) (track 5)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (track 5)
Alfred Scholz (track 5)
Hans Swarowsky (conductor) (tracks 1–4)
dedicated to:
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) (tracks 1–4)
Berlin Festival Orchestra (possibly another Scholtz pseudonym) (track 5)
London Festival Orchestra (Alfred Scholz pseudonym) (track 5)
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) (track 5)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (track 5)
premiered at:
Palais Lobkowitz in Wien, Austria (1807-03) (track 5)
part of:
arrangements:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (arr. Hummel for flute, violin, cello and piano) (track 1)
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (arr. Hummel for flute, violin, cello and piano) (track 2)
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (arr. Hummel for flute, violin, cello and piano) (track 3)
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (arr. Hummel for flute, violin, cello and piano) (track 4)
part of:
recording of:

CD 6: Mendelssohn / Bizet

composer:
Felix Mendelssohn (composer) (1833) (tracks 1–4)
Georges Bizet (French romantic composer) (1855-10 – 1855-11) (tracks 5–8)
conductor:
Louis Ablazzo (track 6)
Alfred Scholz (tracks 1–8)
Hans Swarowsky (conductor) (tracks 1–4)
Viktor Zimmerman (an Alfred Scholz pseudonym) (tracks 1–8)
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) (tracks 1–4)
International Concert Orchestra (an Alfred Scholz pseudonym) (tracks 1–8)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 5–8)
London Philharmonic Orchestra (LPO) (tracks 5–8)
London Symphony Orchestra (tracks 1–4)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (track 6)
arrangements:
Saltarello - Presto from Symphony no. 4 "Italian" (for 16 player pianos, Lehrman) (track 4)
has revision:
part of:
recording of:
referred to in medleys:

CD 8: Berlioz

composer:
Hector Berlioz (composer) (1830) (tracks 1–5, 5)
conductor:
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1–5)
Anton Nanut (conductor) (tracks 1, 3)
Alfred Scholz (tracks 1–5)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1–5)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 1, 3)
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) (tracks 1–5)
arrangements:
Marche au supplice de la Symphonie fantastique, S. 470a no. 2 (for piano solo, Liszt, revised version) (tracks 4–5)
Symphonie fantastique, S. 470: I. Rêveries - Passions (for piano solo, Liszt) (track 1)
Symphonie fantastique, S. 470: II. Un bal (for piano solo, Liszt) (track 2)
Symphonie fantastique, S. 470: III. Scène aux champs (for piano solo, Liszt) (track 3)
Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt) (tracks 4–5)
Symphonie fantastique, op. 14: I. Rêveries, passions (arr. Jean‐François Heisser for two pianos) (track 1)
Symphonie fantastique, op. 14: II. Un bal (arr. Jean‐François Heisser for two pianos) (track 2)
Symphonie fantastique, op. 14: III. Scène aux champs (arr. Jean‐François Heisser for two pianos) (track 3)
Symphonie fantastique, op. 14: IV. Marche au supplice (arr. Jean‐François Heisser for two pianos) (tracks 4–5)
Symphonie fantastique, op. 14: IV. Marche au supplice (catch all for arrangements) (tracks 4–5)
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (arr. Jean‐François Heisser for two pianos) (track 5)
is the basis for:
Shining (track 5)
later versions:
Symphonie fantastique, op. 14: II. Un bal (alternative version with cornet obbligato) (track 2)
part of:
recording of:

CD 9: Haendel

conductor:
Bohdan Warchal (violinist) (tracks 1–12)
orchestra:

CD 10: Tchaikovsky

piano:
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (track 10)
composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 2–11, 11, 11–12, 12–13, 13)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (– 1892) (track 1)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1869) (track 14)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholtz) (track 7)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (track 10)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (tracks 1–8)
Alfred Scholz (tracks 5–7, 9–13)
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) (tracks 9–14)
Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) (tracks 7, 9–13)
Serge Tchaikov (conductor, discogs reckons this is an unknown pseudonym) (tracks 9–13)
Peter Wohlert (tracks 9–13)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor) (track 14)
instruments:
Hélène Gàl (pianist, an Alfred Scholz pseudonym) (track 13)
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) (tracks 7, 9–13)
Berlin Festival Orchestra (possibly another Scholtz pseudonym) (tracks 1–8)
Deutsches Symphonie‐Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (tracks 9–13)
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) (track 7)
New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) (tracks 9–13)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (track 10)
New Philharmonic Orchestra (unknown orchestra used on budget recordings) (tracks 9–13)
New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) (tracks 9–14)
Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym) (track 10)
New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 12–14)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 9–14)
Russian State Symphony Orchestra (“Evgeny Svetlanov”) (tracks 9–13)
Süddeutsche Philharmonie (an Alfred Scholz pseudonym) (tracks 5–7)
revised by:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1870) (track 14)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 14)
part of:
The Tchaikovsky Handbook (number: TH 42) (track 14)
arrangements:
Romeo and Juliet, TH 42, ČW 39 (for piano four hands, Nadezhda Purgold) (track 14)
The Nutcracker Suite: March (Jim Dooley's arrangement) (track 2)
The Nutcracker: Danse des mirlitons (for organ, Goss-Custard) (track 7)
The Nutcracker: Ouverture miniature (for organ, Goss-Custard) (track 1)
The Nutcracker: Valse des fleurs (for organ, Goss-Custard) (track 8)
is the basis for:
Nut Rocker (track 2)
part of:
The Sleeping Beauty, op. 66a (Suite) (tracks 9–11, 11, 11–12, 12–13)
partial recording of:
recording of:
Romeo and Juliet, TH 42, ČW 39 (1880 version, commonly performed) (track 14)
referred to in medleys:
Hooked on Tchaikovsky (tracks 1–4, 6–7, 14)
revision of:
Romeo and Juliet (1870, rarely performed) (track 14)