Annotation

This box set have a separate cat number for each disc: 417 888-2 for CD 1 and 417 889-2 for CD 2.
28pp booklet with photos of Isaac Albéniz and introduction notes in english, french and german by Lionel Salter.

Annotation last modified on 2016-12-28 14:11 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Iberia Suite, B. 47: Evocación Isaac Albéniz 6:04
2 Iberia Suite, B. 47: El puerto Isaac Albéniz 4:11
3 Iberia Suite, B. 47: El Corpus Christi en Sevilla Isaac Albéniz 9:01
4 Iberia Suite, B. 47: Rondeña Isaac Albéniz 7:23
5 Iberia Suite, B. 47: Almería Isaac Albéniz 9:50
6 Iberia Suite, B. 47: Triana Isaac Albéniz 5:06
7 Iberia Suite, B. 47: El Albaicín Isaac Albéniz 7:27
8 Iberia Suite, B. 47: El polo Isaac Albéniz 7:02
9 Iberia Suite, B. 47: Lavapiés Isaac Albéniz 7:05
CD 2
# Title Artist Rating Length
1 Iberia Suite, B. 47: Málaga Isaac Albéniz 5:19
2 Iberia Suite, B. 47: Jerez Isaac Albéniz 9:51
3 Iberia Suite, B. 47: Eritaña Isaac Albéniz 5:36
4 Navarra, B. 49 Isaac Albéniz 6:00
5 Suite española, op. 47: "Granada", Serenata in F major Isaac Albéniz 5:03
6 Suite española, op. 47: "Cataluña", Curranda in G minor Isaac Albéniz 2:36
7 Suite española, op. 47: "Sevilla", Sevillanas in G major Isaac Albéniz 4:37
8 Suite española, op. 47: "Cádiz", Canción in D-flat major Isaac Albéniz 4:32
9 Suite española, op. 47: "Asturias", Leyenda in G minor Isaac Albéniz 5:58
10 Suite española, op. 47: "Aragón", Fantasia in F major Isaac Albéniz 4:23
11 Suite española, op. 47: "Cuba", Capricho in E-flat major Isaac Albéniz 5:24
12 Suite española, op. 47: "Castillas", Seguidillas in F-sharp major Isaac Albéniz 3:02

Credits

CD 1

premiered in:
piano:
Alicia de Larrocha (pianist) (1986-10) (tracks 1–9)
Alicia de Larrocha (pianist) (1986-12) (tracks 1–9)
composer:
Isaac Albéniz (1906) (tracks 1–6)
Isaac Albéniz (1907) (tracks 7–9)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (1906-05-09) (tracks 1–3)
Fondation Singer-Polignac in Paris, Île-de-France, France (1908-01-02) (tracks 7–9)
recorded at:
arrangements:
Fête-Dieu à Sēville (for winds, Cailliet) (track 3)
Iberia, B. 47: Book I: I. Evocación (catch-all for arrangements) (track 1)
Iberia, B. 47: Book I: II. El puerto (catch-all for arrangements) (track 2)
Iberia, B. 47: Book I: III. El Corpus en Sevilla (catch-all for arrangements) (track 3)
Iberia, B. 47: Book II: I. Rondeña (catch-all for arrangements) (track 4)
Iberia, B. 47: Book II: II. Almería (catch-all for arrangements) (track 5)
Iberia, B. 47: Book II: III. Triana (catch-all for arrangements) (track 6)
Iberia, B. 47: Book III: I. El Albaicín (catch-all for arrangements) (track 7)
Iberia, B. 47: Book III: II. El Polo (catch-all for arrangements) (track 8)
Iberia, B. 47: Book III: III. Lavapiés (catch-all for arrangements) (track 9)
Iberia, Book 2: No. 3. Triana, DLR VIII:3 (for 2 pianos, Granados) (track 6)
Iberia: 1. Evocación (for two guitars, Cañizares) (track 1)
Iberia: 2. El Puerto (for two guitars, Cañizares) (track 2)
Iberia: 3. El Corpus Christi en Sevilla (for two guitars, Cañizares) (track 3)
Iberia: 4. Rondeña (for two guitars, Cañizares) (track 4)
Iberia: 5. Almería (for two guitars, Cañizares) (track 5)
Iberia: 6. Triana (for two guitars, Cañizares) (track 6)
Iberia: 7. El Albaicín (for two guitars, Cañizares) (track 7)
Iberia: 8. El Polo (for two guitars, Cañizares) (track 8)
Iberia: 9. Lavapiés (for two guitars, Cañizares) (track 9)
Triana (for piano, Godowsky version) (track 6)
is the basis for:
orchestrations:
Fête-Dieu à Séville (orch. Stokowski) (track 3)
Iberia, B. 47: Book I: I. Evocación (orchestrated by Arbós) (track 1)
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (track 2)
Iberia, B. 47: Book I: III. El Corpus en Sevilla (orchestrated by Guerrero) (track 3)
Iberia, B. 47: Book I: III. El Corpus en Sevilla (orchestrated by Arbós) (track 3)
Iberia, B. 47: Book II: I. Rondeña (orchestrated by Surinach) (track 4)
Iberia, B. 47: Book II: II. Almería (orchestrated by Surinach) (track 5)
Iberia, B. 47: Book II: II. Almería (orchestrated by Guerrero) (track 5)
Iberia, B. 47: Book II: III. Triana (orchestrated by Arbós) (track 6)
Iberia, B. 47: Book III: I. El Albaicín (orchestrated by Guerrero) (track 7)
Iberia, B. 47: Book III: I. El Albaicín (orchestrated by Arbós) (track 7)
Iberia, B. 47: Book III: II. El Polo (orchestrated by Surinach) (track 8)
Iberia, B. 47: Book III: II. El Polo (orchestrated by Guerrero) (track 8)
Iberia, B. 47: Book III: III. Lavapiés (orchestrated by Surinach) (track 9)
part of:
Iberia, B. 47 (tracks 1–9)
recording of:

CD 2

premiered in:
Paris, Île-de-France, France (1909-02-09) (tracks 1–3)
piano:
Alicia de Larrocha (pianist) (1986-10) (tracks 1–12)
Alicia de Larrocha (pianist) (1986-12) (tracks 1–12)
additional composer:
composer:
Isaac Albéniz (tracks 4–12)
Isaac Albéniz (1908) (tracks 1–3)
recorded at:
part of:
arrangements:
Asturias (for guitar, Segovia) (track 9)
Iberia, B. 47: Book IV: I. Málaga (catch-all for arrangements) (track 1)
Iberia, B. 47: Book IV: II. Jerez (catch-all for arrangements) (track 2)
Iberia, B. 47: Book IV: III. Eritaña (catch-all for arrangements) (track 3)
Iberia: 10. Málaga (for two guitars, Cañizares) (track 1)
Iberia: 11. Jerez (for two guitars, Cañizares) (track 2)
Iberia: 12. Eritaña (for two guitars, Cañizares) (track 3)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (track 7)
Suite española no. 1, op. 47: I. Granada (Serenata) (arr. Barrueco for guitar) (track 5)
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements) (track 5)
Suite española no. 1, op. 47: II. Cataluña (Curranda) (catch-all for arrangements) (track 6)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 7)
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (catch-all for arrangements) (track 8)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (transcription for guitar, Tárrega) (track 9)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (arr. Dintrich for guitar) (track 9)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (track 9)
Suite española no. 1, op. 47: VI. Aragón (Fantasía) (catch-all for arrangements) (track 10)
Suite española no. 1, op. 47: VII. Castilla (Seguidillas) (catch-all for arrangements) (track 12)
Suite española no. 1, op. 47: VIII. Cuba (Nocturno) (catch-all for arrangements) (track 11)
is the basis for:
To Tame a Land (track 9)
later versions:
Sombras y rejas (track 9)
Spanish Caravan (track 9)
orchestrations:
Iberia, B. 47: Book IV: I. Málaga (orchestrated by Guerrero) (track 1)
Iberia, B. 47: Book IV: I. Málaga (orchestrated by Surinach) (track 1)
Iberia, B. 47: Book IV: II. Jerez (orchestrated by Surinach) (track 2)
Iberia, B. 47: Book IV: II. Jerez (orchestrated by Guerrero) (track 2)
Iberia, B. 47: Book IV: III. Eritaña (orchestrated by Surinach) (track 3)
Navarra, B. 49 (orchestrated by Arbós) (track 4)
Suite española no. 1, op. 47: I. Granada (Serenata) (orchestrated by Frühbeck de Burgos) (track 5)
Suite española no. 1, op. 47: II. Cataluña (Curranda) (orchestrated by Frühbeck de Burgos) (track 6)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (orchestrated by Frühbeck de Burgos) (track 7)
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (orchestrated by Frühbeck de Burgos) (track 8)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (orchestrated by Frühbeck de Burgos) (track 9)
Suite española no. 1, op. 47: VI. Aragón (Fantasía) (orchestrated by Frühbeck de Burgos) (track 10)
Suite española no. 1, op. 47: VII. Castilla (Seguidillas) (orchestrated by Frühbeck de Burgos) (track 12)
Suite española no. 1, op. 47: VIII. Cuba (Capricho) (orchestrated by Frühbeck de Burgos) (track 11)
part of:
Suite española no. 1, op. 47 (for solo piano) (movement) (tracks 5–12)
Iberia, B. 47 (tracks 1–3)
recording of:
Navarra, B. 49 ( – ????) (track 4)
referred to in medleys:
Alma Barca (track 7)
version of: