The Art of Ornamentation and Embellishment in the Renaissance and Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1La Pellegrina: Intermezzo "Dalle pìu alte sfere" (instrumental)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
viola da gamba:
Jaye Consort of Viols (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Antonio Archilei0:43
2La Pellegrina: Intermezzo "Dalle pìu alte sfere" (vocal)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
viola da gamba:
Jaye Consort of Viols (from 1966-11-29 until 1966-12-02)
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Antonio Archilei5:06
3Ancor che col partire (Renaissance style)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
baritone vocals:
Maurice Bevan (bass-baritone) (from 1966-11-29 until 1966-12-02)
countertenor vocals:
Alfred Deller (countertenor) (from 1966-11-29 until 1966-12-02)
soprano vocals:
Honor Shephard (from 1966-11-29 until 1966-12-02)
tenor vocals:
Max Worthley (from 1966-11-29 until 1966-12-02)
vocals:
The Deller Consort (UK vocal & instrumental early music ensemble) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Cipriano de Rore3:30
4Ancor che col partire (Baroque style)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist) (from 1966-11-29 until 1966-12-02)
countertenor vocals:
Alfred Deller (countertenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Cipriano de Rore4:12
5La zambeccara: Canzona (instrumental consort)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
viola da gamba:
Jaye Consort of Viols (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
La Zambeccara (Canzoni d'intavolatura d'organo a 4 fatte alla francese) (from 1966-11-29 until 1966-12-02)
composer:
Claudio Merulo (in 1592)
publisher:
Bärenreiter (in 1954)
Claudio Merulo2:07
6La zambeccara: Canzona (keyboard version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
organ:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
La Zambeccara (Canzoni d'intavolatura d'organo a 4 fatte alla francese) (from 1966-11-29 until 1966-12-02)
composer:
Claudio Merulo (in 1592)
publisher:
Bärenreiter (in 1954)
Claudio Merulo3:48
7Ay me sospiri: Frottola (original)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
bass viol:
Jennifer Ryan (from 1966-11-29 until 1966-12-02)
tenor viol:
Peter Vel (cellist) (from 1966-11-29 until 1966-12-02)
contralto vocals:
Jean Allister (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
[anonymous]1:03
8Ay me sospiri (Renaissance ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
bass viol:
Jennifer Ryan (from 1966-11-29 until 1966-12-02)
tenor viol:
Peter Vel (cellist) (from 1966-11-29 until 1966-12-02)
contralto vocals:
Jean Allister (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
[anonymous]2:08
9Four-part Madrigal: "Lasciar il velo" (as written)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Francesco de Layolle0:39
10Four-part Madrigal: "Lasciar il velo" (vocal ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Francesco de Layolle1:11
11Nach willen dein
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Paul Hofhaimer1:40
12Nach willen dein (organ version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
organ:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Paul Hofhaimer1:02
13Douce mémoire
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Pierre Sandrin1:34
14Douce mémoire (ornamentation instrumental)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
bass viol:
Jennifer Ryan (from 1966-11-29 until 1966-12-02)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
treble viol:
Francis Baines (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Pierre Sandrin3:31
15Pandolpho (voice)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
viola da gamba:
Wenzinger Consort Of Viols (Consort Of Viols Of The Schola Cantorum Basiliensis) (from 1966-11-29 until 1966-12-02)
countertenor vocals:
Alfred Deller (countertenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Robert Parsons4:04
16Pandolpho (voice with lute)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
lute:
Desmond Dupré (lutenist and viola da gamba player) (from 1966-11-29 until 1966-12-02)
countertenor vocals:
Alfred Deller (countertenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Robert Parsons3:48
17Il combattimento di Tancredi e Clorinda: two verse excerpt (plain version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
bass viol:
Jennifer Ryan (from 1966-11-29 until 1966-12-02)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
tenor vocals:
Edgar Fleet (tenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
partial recording of:
Il combattimento di Tancredi e Clorinda, SV 153 (from 1966-11-29 until 1966-12-02)
lyricist:
Torquato Tasso
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 153)
is based on:
La Gerusalemme liberata
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi1:01
18Il combattimento di Tancredi e Clorinda: two verse excerpt (editorial ornamentation version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
bass viol:
Jennifer Ryan (from 1966-11-29 until 1966-12-02)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
tenor vocals:
Edgar Fleet (tenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
partial recording of:
Il combattimento di Tancredi e Clorinda, SV 153 (from 1966-11-29 until 1966-12-02)
lyricist:
Torquato Tasso
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 153)
is based on:
La Gerusalemme liberata
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi3:27
19Four-part French air de cour: "N'esperez plus, mes yeux"
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
N'espérez plus mes yeux (from 1966-11-29 until 1966-12-02)
composer:
Antoine Boësset (French baroque composer, 1586-1643)
Antoine Boësset0:51
20Four-part French air de cour: "N'esperez plus, mes yeux" (with ornamentation vocal line)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
performer:
Ambrosian Consort (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
N'espérez plus mes yeux (from 1966-11-29 until 1966-12-02)
composer:
Antoine Boësset (French baroque composer, 1586-1643)
Antoine Boësset0:55
21"O That Mine Eyes"
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
tenor vocals:
Edgar Fleet (tenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Thomas Brewer1:21
22"O That Mine Eyes" (ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
tenor vocals:
Edgar Fleet (tenor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Thomas Brewer1:22
23Sonata in C Major, Op. 3, No. 3: Adagio (violon solo)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
violin:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Arcangelo Corelli2:22
24Sonata in C Major, Op. 3, No. 3: Adagio (ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
violin:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Arcangelo Corelli2:34
▼ CD 2
#TitleArtistRatingLength
1Menuet (harpsichord)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
François Couperin1:03
2Menuet (harpsichord with ornamentation double)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
François Couperin1:04
3Oboe Concerto in C minor: Adagio (concerto movement)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
oboe:
Bernhard Klebel (from 1966-11-29 until 1966-12-02)
performer:
Vienna Baroque Players (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Alessandro Marcello3:17
4Oboe Concerto in C minor: Adagio (ornamentation keyboard transcription)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Alessandro Marcello3:11
5Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (concerto movement)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
violin:
Jan Tomasow (violinist) (from 1966-11-29 until 1966-12-02)
conductor:
Mario Rossi (Italian conductor) (from 1966-11-29 until 1966-12-02)
performer:
Chamber Orchestra of the Vienna State Opera (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Violin Concerto in D major, op. 3 no. 9, RV 230 (from 1966-11-29 until 1966-12-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/178) and Ryom-Verzeichnis (number: RV 230)
part of:
L’estro armonico, op. 3
Antonio Vivaldi2:09
6Violin Concerto in D Major, Op. 3, No. 9, RV 230: Finale (ornamentation keyboard transcription by J.S. Bach)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Igor Kipnis (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Concerto in D-Dur, BWV 972: III. Allegro assai (from 1966-11-29 until 1966-12-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
harpsichord arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 1 in D major after Antonio Vivaldi, BWV 972
recording of:
Violin Concerto in D major, op. 3 no. 9, RV 230 (from 1966-11-29 until 1966-12-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/178) and Ryom-Verzeichnis (number: RV 230)
part of:
L’estro armonico, op. 3
Antonio Vivaldi2:29
7Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (as in score)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
performer:
Vienna Baroque Players (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Concerto for Two Trumpets in C major, RV 537: II. Largo (from 1966-11-29 until 1966-12-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi0:58
8Violin Concerto in C Major for two trumpets, strings and continuo, RV 537: Largo (modern realization and embellishment of bass following Baroque practice)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
performer:
Vienna Baroque Players (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Concerto for Two Trumpets in C major, RV 537: II. Largo (from 1966-11-29 until 1966-12-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi1:16
9Rinaldo: Lascia ch'io pianga (as written)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
soprano vocals:
Anneliese Hückl (from 1966-11-29 until 1966-12-02)
performer:
Vienna Baroque Players (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1966-11-29 until 1966-12-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel2:32
10Rinaldo: Lascia ch'io pianga (embellishment repeat, da capo)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
soprano vocals:
Anneliese Hückl (from 1966-11-29 until 1966-12-02)
performer:
Vienna Baroque Players (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1966-11-29 until 1966-12-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel1:57
11Suite in D minor: Air (as written)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni (from 1966-11-29 until 1966-12-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428
George Frideric Handel0:46
12Suite in D minor: Air (composer's own ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni (from 1966-11-29 until 1966-12-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428
George Frideric Handel2:08
13Sonata in F Major for violin and harpsichord: Adagio (violon solo as written)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
violin:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Pietro Nardini0:48
14Sonata in F Major for violin and harpsichord: Adagio (composer's own ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
violin:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Pietro Nardini3:45
15Concerto for flute, oboe and violin: Andante (plain version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
flute:
Raymond Meylan (from 1966-11-29 until 1966-12-02)
oboe:
André Lardrot (oboist) (from 1966-11-29 until 1966-12-02)
violin:
Jelka Stanic (from 1966-11-29 until 1966-12-02)
conductor:
Antonio Janigro (cellist) (from 1966-11-29 until 1966-12-02)
performer:
I Solisti di Zagreb (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Concerto in E major for Flute, Oboe d'amore, Viola d'amore, TWV 53:E1: I. Andante (from 1966-11-29 until 1966-12-02)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto in E major for Flute, Oboe d'amore, Viola d'amore, TWV 53:E1
Georg Philipp Telemann1:55
16Concerto for flute, oboe and violin: Andante (with three ornamentation instrumental parts)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
flute:
Raymond Meylan (from 1966-11-29 until 1966-12-02)
oboe:
André Lardrot (oboist) (from 1966-11-29 until 1966-12-02)
violin:
Jelka Stanic (from 1966-11-29 until 1966-12-02)
conductor:
Antonio Janigro (cellist) (from 1966-11-29 until 1966-12-02)
performer:
I Solisti di Zagreb (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Concerto in E major for Flute, Oboe d'amore, Viola d'amore, TWV 53:E1: I. Andante (from 1966-11-29 until 1966-12-02)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto in E major for Flute, Oboe d'amore, Viola d'amore, TWV 53:E1
Georg Philipp Telemann1:53
17Adagio for flute and harpsichord (plain version)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
flute:
Leopold Stastny (flutist) (from 1966-11-29 until 1966-12-02)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Johann Joachim Winckelmann1:59
18Adagio for flute and harpsichord (ornamentation version in composer's own treatise)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
flute:
Leopold Stastny (flutist) (from 1966-11-29 until 1966-12-02)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Johann Joachim Winckelmann3:56
19Castor et Pollux: Tristes apprêts
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
partial recording of:
Castor et Pollux: Acte I (from 1966-11-29 until 1966-12-02)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (from 1737 until 1754)
librettist:
Pierre-Joseph Bernard
part of:
Castor et Pollux
Jean‐Philippe Rameau1:37
20Castor et Pollux: Tristes apprêts (embellishment of repeat (da capo) as done by a singer of the period)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (Organist) (from 1966-11-29 until 1966-12-02)
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
partial recording of:
Castor et Pollux: Acte I (from 1966-11-29 until 1966-12-02)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (from 1737 until 1754)
librettist:
Pierre-Joseph Bernard
part of:
Castor et Pollux
Jean‐Philippe Rameau2:09
21Sonata in F Major: Allegretto
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Carl Philipp Emanuel Bach0:36
22Sonata in F Major: Allegretto (keyboard sonata with ornamentation reprise)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
Carl Philipp Emanuel Bach2:15
23Trio Sonata in G Major for flute, violin, and harpsichord: Grave
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
transverse flute [Baroque transverse flute]:
Leopold Stastny (flutist) (from 1966-11-29 until 1966-12-02)
violin [Baroque violin and bow]:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Trio Sonata in G Major for flute, violin, and harpsichord TWV 42:G12 : Grave
composer:
Georg Philipp Telemann (composer)
part of:
Trio Sonata in G Major for flute, violin, and harpsichord TWV 42:G12
Georg Philipp Telemann0:37
24Trio Sonata in G Major for flute, violin, and harpsichord: Grave (instructional work in which the composer follows each plain section with ornamentation of two instrumental lines)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Anton Heiller (from 1966-11-29 until 1966-12-02)
transverse flute [Baroque transverse flute]:
Leopold Stastny (flutist) (from 1966-11-29 until 1966-12-02)
violin [Baroque violin and bow]:
Eduard Melkus (violinist) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Trio Sonata in G Major for flute, violin, and harpsichord TWV 42:G12 : Grave
composer:
Georg Philipp Telemann (composer)
part of:
Trio Sonata in G Major for flute, violin, and harpsichord TWV 42:G12
Georg Philipp Telemann2:29
25Orfeo ed Euridice: Che farò (modern application of ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
contralto vocals:
Maureen Forrester (contralto) (from 1966-11-29 until 1966-12-02)
orchestra:
Orchester der Wiener Staatsoper (from 1966-11-29 until 1966-12-02)
conductor:
Charles Mackerras (Australian conductor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (from 1966-11-29 until 1966-12-02)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck1:44
26Orfeo ed Euridice: Che farò (modern application of ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
contralto vocals:
Maureen Forrester (contralto) (from 1966-11-29 until 1966-12-02)
orchestra:
Orchester der Wiener Staatsoper (from 1966-11-29 until 1966-12-02)
conductor:
Charles Mackerras (Australian conductor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (from 1966-11-29 until 1966-12-02)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck1:17
27Orfeo ed Euridice: Che farò (modern application of ornamentation)
sound engineer:
Mario Mizzaro (engineer) (from 1966-11-29 until 1966-12-02)
producer:
Professor Karl Wolleitner and Seymour Solomon (producer and founder of Vanguard Records)
contralto vocals:
Maureen Forrester (contralto) (from 1966-11-29 until 1966-12-02)
orchestra:
Orchester der Wiener Staatsoper (from 1966-11-29 until 1966-12-02)
conductor:
Charles Mackerras (Australian conductor) (from 1966-11-29 until 1966-12-02)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1966-11-29 until 1966-12-02)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (from 1966-11-29 until 1966-12-02)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck1:22

Credits

Release group

part of:The Bach Guild (order: 1)