Lickety Split: The Music of Jim McNeely

~ Release by Vanguard Jazz Orchestra (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Extra Credit
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Extra Credit (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
8:51
2Thad
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Thad (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
12:02
3In the Wee Small Hours of the Morning
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
cover recording of:
In the Wee Small Hours of the Morning (from 1997-04-07 until 1997-04-08)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
7:42
4Lickety Split
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Lickety Split (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
7:52
5Absolution
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Absolution (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
8:18
6Sticks
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Sticks (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
7:37
7Reflection
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Reflection (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
8:38
8Mel
assistant engineer:
Aya Takemura and Scott Young (engineer)
engineer:
Stuart J. Allyn
producer:
Stuart J. Allyn and Douglas Purviance
bass:
Dennis Irwin (from 1997-04-07 until 1997-04-08)
brass:
Glenn Drewes (a trumpet player) (from 1997-04-07 until 1997-04-08), Earl Gardner (from 1997-04-07 until 1997-04-08), Joe Mosello (from 1997-04-07 until 1997-04-08) and Scott Wendholt (from 1997-04-07 until 1997-04-08)
drums (drum set):
John Riley (drums) (from 1997-04-07 until 1997-04-08)
piano:
Jim McNeely (from 1997-04-07 until 1997-04-08)
reeds:
Billy Drewes (from 1997-04-07 until 1997-04-08), Ralph Lalama (from 1997-04-07 until 1997-04-08), Dick Oatts (from 1997-04-07 until 1997-04-08), Rich Perry (from 1997-04-07 until 1997-04-08) and Gary Smulyan (from 1997-04-07 until 1997-04-08)
trombone:
Douglas Purviance (from 1997-04-07 until 1997-04-08), Ed Neumeister (from 1997-04-07 until 1997-04-08), Earl McIntyre (from 1997-04-07 until 1997-04-08) and John Mosca (from 1997-04-07 until 1997-04-08)
arranger:
Jim McNeely
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1997-04-07 until 1997-04-08)
mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
edited at:
Masque Sound and Recording
recording of:
Mel (from 1997-04-07 until 1997-04-08)
composer:
Jim McNeely
8:47

Credits

Release

ASIN:US: B0000030KA [info]