Mass in B minor

~ Release by Johann Sebastian Bach; Tölzer Knabenchor, The King’s Consort, Robert King (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Mass in B minor, BWV 232: I. Missa. Kyrie eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:14
2Mass in B minor, BWV 232: I. Missa. Christe eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:01
3Mass in B minor, BWV 232: I. Missa. Kyrie eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:46
4Mass in B minor, BWV 232: II. Gloria. Gloria in excelsis Deo
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:44
5Mass in B minor, BWV 232: II. Gloria. Et in terra pax hominibus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:42
6Mass in B minor, BWV 232: II. Gloria. Laudamus te
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:12
7Mass in B minor, BWV 232: II. Gloria. Gratias agimus tibi
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
8Mass in B minor, BWV 232: II. Gloria. Domine Deus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
tenor vocals:
Anthony Rolfe Johnson (tenor) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:41
9Mass in B minor, BWV 232: II. Gloria. Qui tollis peccata mundi
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
10Mass in B minor, BWV 232: II. Gloria. Qui sedes ad dextram Patris
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:25
11Mass in B minor, BWV 232: II. Gloria. Quoniam tu solus Sanctus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals:
Michael George (operatic bass) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:23
12Mass in B minor, BWV 232: II. Gloria. Cum Sancto Spiritu
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:44
▼ CD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: III. Symbolum Nicenum. Credo in unum Deum
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: III. Symbolum Nicenum. Patrem omnipotentem
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:59
3Mass in B minor, BWV 232: III. Symbolum Nicenum. Et in unum Dominum
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:47
4Mass in B minor, BWV 232: III. Symbolum Nicenum. Et incarnatus est
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:07
5Mass in B minor, BWV 232: III. Symbolum Nicenum. Crucifixus etiam pro nobis
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:37
6Mass in B minor, BWV 232: III. Symbolum Nicenum. Et resurrexit tertia die
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:53
7Mass in B minor, BWV 232: III. Symbolum Nicenum. Et in Spiritum Sanctum
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals:
Michael George (operatic bass) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:23
8Mass in B minor, BWV 232: III. Symbolum Nicenum. Confiteor unum baptisma
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:43
9Mass in B minor, BWV 232: III. Symbolum Nicenum. Et expecto resurrectionem
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:17
10Mass in B minor, BWV 232: IV. Sanctus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:07
11Mass in B minor, BWV 232: IV. Osanna in excelsis
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:52
12Mass in B minor, BWV 232: IV. Benedictus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
tenor vocals:
Anthony Rolfe Johnson (tenor) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:20
13Mass in B minor, BWV 232: IV. Osanna in excelsis
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:53
14Mass in B minor, BWV 232: IV. Agnus Dei
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:39
15Mass in B minor, BWV 232: IV. Dona nobis pacem
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:46