Body and Soul (made in Austria. printed in Austria, see annotation)

~ Release by Coleman Hawkins (see all versions of this release, 4 available)

Annotation

This version is Made in Austria. Printed in Austria. There is another version with same barcode and catalog, but is printed in Germany rather than Austria. Printing in Austria is shown on the back cover art.

Tracks 1-4 recorded the 1939-10-11.
Tracks 5-8 recorded the 1940-01-03.
Tracks 9-14 recorded the 1947-12-11.
Tracks 15-17 recorded the 1956-01-17.
Tracks 18-20 recorded the 1956-01-18.
Tracks 21-23 recorded the 1956-01-20.
All titles recorded at RCA Studios, New-York

Annotation last modified on 2018-01-30 00:55 UTC.

Tracklist

CD 1
#TitleRatingLength
1Meet Doctor Foo
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
recording of:
Meet Doctor Foo (on 1939-10-11)
composer:
Coleman Hawkins
2:37
2Fine Dinner
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
recording of:
Fine Dinner (instrumental) (on 1939-10-11)
composer:
Coleman Hawkins
2:36
3She’s Funny That Way
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
She’s Funny That Way (on 1939-10-11)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:17
4Body and Soul
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (trumpet) (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:03
5When Day Is Done
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
instrumental recording of:
When Day Is Done (on 1940-01-03)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
3:18
6The Sheik of Araby
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
instrumental recording of:
The Sheik of Araby (on 1940-01-03)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
2:57
7My Blue Heaven
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
instrumental recording of:
My Blue Heaven (on 1940-01-03)
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
2:54
8Bouncing With Bean
clarinet:
Danny Polo (on 1940-01-03)
double bass:
Johnny Williams (jazz bassist) (on 1940-01-03)
drums (drum set):
Walter Johnson (drums) (on 1940-01-03)
guitar:
Lawrence Lucie (on 1940-01-03)
piano:
Gene Rodgers (on 1940-01-03)
tenor saxophone:
Coleman Hawkins (on 1940-01-03)
trombone:
J.C. Higginbotham (on 1940-01-03)
trumpet:
Benny Carter (on 1940-01-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1940-01-03)
recording of:
Bouncing With Bean (on 1940-01-03)
composer:
Coleman Hawkins
3:08
9April in Paris
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
instrumental recording of:
April in Paris (on 1947-12-11)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:11
10How Strange
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
instrumental recording of:
How Strange (on 1947-12-11)
lyricist:
Gus Kahn
additional composer:
Earl Brent and Herbert Stothart (composer)
composer:
[traditional] (special purpose artist) and B. A. Prozorovsky
publisher:
EMI Feist Catalog Inc.
3:06
11Half Step Down Please
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
recording of:
Half Step Down Please (on 1947-12-11)
composer:
Tadd Dameron
3:05
12Angel Face
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
recording of:
Angel Face (on 1947-12-11)
composer:
Hank Jones (piano)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:14
13Jumping for Jane
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
recording of:
Jumping for Jane (on 1947-12-11)
writer:
Leonard Feather
3:13
14I Love You
alto saxophone:
Budd Johnson (on 1947-12-11)
baritone saxophone:
Marion DeVeta (on 1947-12-11)
double bass:
Jack Lesberg (on 1947-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-12-11)
guitar:
Chuck Wayne (on 1947-12-11)
piano:
Hank Jones (piano) (on 1947-12-11)
tenor saxophone:
Coleman Hawkins (on 1947-12-11)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1947-12-11)
trumpet:
Fats Navarro (on 1947-12-11)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1947-12-11)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1947-12-11)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:54
15There Will Never Be Another You
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
double bass:
Milt Hinton (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Julius Baker (flautist) (on 1956-01-17) and Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Tom Mitchell (US jazz trombonist) (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17) and Jack Satterfield (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Paul Gershman (on 1956-01-17), Leo Kruczek (on 1956-01-17), Harry Lookofsky (on 1956-01-17), Gene Orloff (on 1956-01-17) and Tosha Samaroff (on 1956-01-17)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-17)
instrumental recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58
16Little Girl Blue
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
double bass:
Milt Hinton (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Julius Baker (flautist) (on 1956-01-17) and Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Tom Mitchell (US jazz trombonist) (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17) and Jack Satterfield (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Paul Gershman (on 1956-01-17), Leo Kruczek (on 1956-01-17), Harry Lookofsky (on 1956-01-17), Gene Orloff (on 1956-01-17) and Tosha Samaroff (on 1956-01-17)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-17)
instrumental recording of:
Little Girl Blue (on 1956-01-17)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
3:07
17Dinner for One Please James
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
double bass:
Milt Hinton (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Julius Baker (flautist) (on 1956-01-17) and Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Tom Mitchell (US jazz trombonist) (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17) and Jack Satterfield (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Paul Gershman (on 1956-01-17), Leo Kruczek (on 1956-01-17), Harry Lookofsky (on 1956-01-17), Gene Orloff (on 1956-01-17) and Tosha Samaroff (on 1956-01-17)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-17)
instrumental recording of:
Dinner for One Please, James (on 1956-01-17)
lyricist and composer:
Michael Carr (songwriter)
3:14
18His Very Own Blues
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in New York, New York, United States (on 1956-01-18)
3:03
1939″‐25″‐39″
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
recorded at:
Webster Hall in New York, New York, United States (on 1956-01-18)
recording of:
39"-25"-39" (on 1956-01-18)
composer:
Coleman Hawkins
2:49
20The Bean Stalks Again
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
recorded at:
Webster Hall in New York, New York, United States (on 1956-01-18)
3:29
21Have You Met Miss Jones?
cello:
Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
flute:
Julius Baker (flautist) (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
tubular bells [bells]:
Phil Kraus (on 1956-01-20)
vibraphone:
Marty Wilson (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
3:07
22Body and Soul
cello:
Bernard Greenhouse (cellist) (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (flautist) (on 1956-01-20)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-20)
piano:
Hank Jones (piano) (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
tubular bells [bells]:
Phil Kraus (on 1956-01-20)
vibraphone:
Marty Wilson (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Paul Gershman (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Gene Orloff (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20), Tosha Samaroff (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-20)
instrumental recording of:
Body and Soul (on 1956-01-20)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:55
23The Essence of You
bell and tubular bells [bells]:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (flautist) (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and vibraphone:
Marty Wilson (on 1956-01-20)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in New York, New York, United States (on 1956-01-20)
3:26