CD 1
# Title Artist Rating Length
1 Now We Are Free (from Gadiator)
Hans Zimmer 4:18
2 Adagio for Strings (vocal version) (from Platoon)
Samuel Barber 5:34
3 Silencium (theme from Silent Witness)
John Harle 4:35
4 Cavatina (from The Deer Hunter)
Stanley Myers, arr. John Williams 3:35
5 Any Other Name (from American Beauty)
Thomas Newman 4:11
6 Saylon Dola
Nigel Hess feat. Russell Watson 4:41
7 The Blue Planet (main theme from The Blue Planet)
George Fenton 2:52
8 Adagio from Concerto in A
Wolfgang Amadeus Mozart 6:14
9 An raibh tu ag an gCarraig
Sissel feat. The Chieftains 5:32
10 Song for Athene
John Tavener 5:36
11 Pelagia's Song (from Captain Corelli's Mandolin)
Stephen Warbeck 4:06
12 Tino Rangatiratanga
Oceania 6:10
13 Nocturne
Secret Garden 3:14
14 The Unknown Soldier (from The Doors Concerto)
Nigel Kennedy / Jaz Coleman 5:45
15 Sanctus
Priory of the Resurrection 1:39
16 Pilgrimage
Philip Pickett 4:26
17 Never
Ronan Hardiman 4:47
CD 2
# Title Artist Rating Length
1 The Heart Asks Pleasure First (from The Piano)
Michael Nyman 2:14
2 L'Heure exquise (from the Virgin One commercial)
Reynaldo Hahn 3:32
3 Libera me
Craig Leon feat. Izzy 5:03
4 Pavane (World Cup Theme 2000)
Gabriel Fauré 6:15
5 Main Theme from Schindler's List
John Williams 5:50
6 The John Dunbar Theme (from Dances With Wolves)
John Barry 2:30
7 Main Theme from Braveheart
James Horner 2:52
8 Raindance
Raindance 4:36
9 Sanctus from Missa Luba (from If)
Muungano National Choir directed by Boniface Mganga 3:02
10 Gymnopedie no. 1 (from My Dinner With André)
Erik Satie 3:55
11 The Long Way Home
Terry Oldfield 5:42
12 Alap
Ravi Shankar 3:43
13 Kyrie from Misa Criolla (from the Citizen watch commercial)
Ariel Ramírez 3:47
14 Meditation from Thaïs
Jules Massenet 5:42
15 Gloria
Monks of Silos 3:07
16 Claire de lune
Claude Debussy 5:15
17 Theme from Titanic
James Horner 5:33
18 Love Theme (from Nostradamus)
Barrington Pheloung 4:23


CD 1

Nigel Kennedy (track 14)
Göran Söllscher (classical guitarist) (1981-06) (track 4)
guitar arranger:
John Williams (classical guitarist) (track 4)
đàn tranh:
Trần Quang Hải (track 14)
additional conductor:
Petr Pýcha (track 14)
additional guest performer:
Moya Brennan (formerly known as Máire Brennan) (track 6)
Jaz Coleman (track 14)
Daryl Runswick (track 2)
John Williams (classical guitarist) (track 4)
Samuel Barber (1967) (track 2)
choir vocals:
London Voices (track 2)
Klaus Badelt (track 1)
Rolf Løvland (track 13)
Wolfgang Amadeus Mozart (classical composer) (track 8)
Stanley Myers (track 4)
Thomas Newman (film composer) (track 5)
Stephen Warbeck (track 11)
Hans Zimmer (film score composer) (track 1)
Samuel Barber (1936) (tracks 2, 2)
Terry Edwards (British choir director) (track 2)
Gavin Greenaway (track 1)
Nick Ingman (track 11)
Peter Scholes (NZ composer & conductor) (track 14)
Lisa Gerrard (track 1)
Paco Reconti (track 11)
Petter Skavlan (track 13)
[anonymous] (Special Purpose Artist) (track 2)
Jaz Coleman (track 14)
Thomas Pasatieri (track 5)
Terry Edwards (British choir director) (track 2)
Jaz Coleman (track 14)
John Densmore (track 14)
Robby Krieger (American guitarist, member of The Doors) (track 14)
Ray Manzarek (track 14)
Jim Morrison (lead vocalist of the Doors) (track 14)
phonographic copyright by:
PolyGram AB (1981) (track 4)
Universal Classics Group (not for release label use! “a Division of UMG Recordings, Inc.”) (2000) (track 1)
SKG Songs (track 1)
Universal MCA Music Publishing (US film music publisher) (track 1)
recorded at:
sampled by:
Five Summers by Blu Mar Ten (track 1)
part of:
Works of Samuel Barber by opus number (number: op. 11) (track 2)
arrangement of:
Adagio for Strings (tracks 2, 2)
Cavatina (catch-all for arrangements) (track 4)
instrumental cover recording of:
The Unknown Soldier (track 14)
instrumental recording of:
Pelagia’s Song (aka “Ricordo ancor”, from Captain Corelli’s Mandolin) (track 11)
is the basis for:
原野是我家 (track 4)
later translated versions:
Nocturne (English version) (track 13)
later versions:
He Was Beautiful (track 4)
recording of:
Adagio for Strings (catch-all for arrangements) (track 2)
Agnus Dei (arr. Samuel Barber for chorus) (track 2)
Any Other Name (track 5)
Nocturne (Norwegian version) (track 13)
Now We Are Free (Gladiator) (track 1)
[unknown work by Mozart] (catch-all for unknown works) (track 8)
Cavatina (theme from The Deer Hunter) (1981-06) (track 4)

CD 2

recorded in:
Culver City, California, United States (1991-02) (track 6)
Tamás Vásáry (1969-04) (track 16)
assistant editor:
Christine Cholvin (track 7)
Joe E. Rand (track 7)
assistant engineer:
Jonathan Allen (Engineer) (track 7)
audio engineer:
Jobst Eberhardt (track 16)
balance engineer:
Klaus Scheibe (editor/engineer) (track 16)
choir vocals:
chorus master:
Martin Neary (organist and choral conductor) (track 7)
Ismael Fernández de la Cuesta (1968) (track 15)
John Barry (film composer; known for James Bond) (track 6)
James Horner (track 7)
Michael Nyman (track 1)
Claude Debussy (1890 – 1905) (track 16)
Jules Massenet (1894) (track 14)
John Williams (soundtrack composer & conductor) (1993) (track 5)
James Horner (track 7)
Martin Neary (organist and choral conductor) (track 7)
John Mauceri (1991-02) (track 6)
Jim Henrikson (track 7)
Joel Moss (1991-02) (track 6)
Shawn Murphy (producer/engineer) (track 7)
Hollywood Bowl Orchestra (1991-02) (track 6)
James Horner (track 7)
Harald Baudis (track 15)
Karl Faust (producer) (track 16)
James Horner (track 7)
Michael Gore (Producer) (track 6)
Hans-Joachim Reiser (engineer/producer) (track 16)
recorded by:
Shawn Murphy (producer/engineer) (track 7)
Bradley James (Tekanewa) (track 8)
Stewart James (Tekanewa) (track 8)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1970) (track 16)
Chester Music Ltd. (tracks 1, 5)
Michael Nyman Ltd. (track 1)
Virgin (worldwide imprint of Virgin Records Ltd. and its subsidiaries) (track 1)
mixed at:
recorded at:
Plenarsaal der Akademie der Wissenschaften (Akademie der Wissenschaften, München) in Munich, Bayern, Germany (1969-04) (track 16)
Clair de lune (for cello and piano) (track 16)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 14)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 14)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 14)
Meditation from Thaïs (catch-all for arrangements) (track 14)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (track 16)
Suite bergamasque : III. Clair de lune (arr. Phyllis Schlomovitz for harp) (track 16)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 16)
Theme from Schindler's List (for brass band, Smith) (track 5)
is the basis for:
Clair de lune (orch. Mouton) (track 16)
Clair de lune from Suite bergamasque (orch. Caplet) (track 16)
Clair de lune from Suite bergamasque (orch. Stokowski) (track 16)
Suite bergamasque : III. Clair de lune (orch. A. Reed) (track 16)
part of:
Dances With Wolves (track 6)
Thaïs: Acte II (track 14)
The Piano (1993 film score) (track 1)
Suite bergamasque, L. 75, CD 82a (for piano) (track 16)
recording of:
Main Theme (Schindler’s List) (track 5)
Main Title (Braveheart) (track 7)
Raindance (track 8)
The Heart Asks Pleasure First (The Piano) (track 1)
John Dunbar Theme (Dances With Wolves) (1991-02) (track 6)


ASIN: UK: B00005QC25 [info]