Tracklist

CD+G 1
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1Dido and Aeneas: Overture / Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:05
2Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
mezzo-soprano vocals [Second Woman]:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell8:52
3Dido and Aeneas: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
tenor vocals [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:04
4Dido and Aeneas: Act I. The Triumphing Dance
producer:
Heinrich J. Weritz (classical producer)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (in 1983-03)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:24
5Dido and Aeneas: Act II. "Wayward sisters" (Sorceress, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [First Witch]:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1983-03)
mezzo-soprano vocals [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
mezzo-soprano vocals [Sorceress]:
Trudeliese Schmidt (mezzo soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell6:23
6Dido and Aeneas: Act II. "But ere we this perform" (Witches, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [First Witch]:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1983-03)
mezzo-soprano vocals [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1983-03)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (in 1983-03)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:13
7Dido and Aeneas: Act II. "Thanks to these lonesome vales" (Belinda, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:15
8Dido and Aeneas: Act II. "Oft she visits this lov'd mountain (2nd Woman, Aeneas, Dido, Belinda)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
mezzo-soprano vocals [Second Woman]:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
tenor vocals [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:01
9Dido and Aeneas: Act II. "Stay, Prince" (Spirit, Aeneas)
producer:
Heinrich J. Weritz (classical producer)
countertenor vocals [Spirit]:
Paul Esswood (countertenor) (in 1983-03)
tenor vocals [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:02
10Dido and Aeneas: Act III. Prelude / Sailors' Dance (Sailor, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
tenor vocals [First Sailor]:
Josef Köstlinger (Austrian tenor) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (in 1983-03)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:26
11Dido and Aeneas: Act III. "See the flags and streamers curling" (Sorceress, Witches, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [First Witch]:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1983-03)
mezzo-soprano vocals [Second Witch]:
Helrun Gardow (German mezzo-soprano) (in 1983-03)
mezzo-soprano vocals [Sorceress]:
Trudeliese Schmidt (mezzo soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (in 1983-03)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:41
12Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas, Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
mezzo-soprano vocals [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
soprano vocals [Belinda]:
Rachel Yakar (soprano) (in 1983-03)
tenor vocals [Aeneas]:
Anton Scharinger (bass-baritone) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:47
13Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido)
producer:
Heinrich J. Weritz (classical producer)
mezzo-soprano vocals [Dido]:
Ann Murray (Irish mezzo-soprano) (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:33
14Dido and Aeneas: Act III. "With drooping wings" (Chorus)
producer:
Heinrich J. Weritz (classical producer)
choir vocals:
Arnold Schoenberg Chor (in 1983-03)
orchestra:
Concentus Musicus Wien (in 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1983-03)
chorus master:
Erwin Ortner (in 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (in 1983-03)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (in 1983-03)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:51

Credits

Release

ASIN:US: B0002ACQC8 [info]