Weekend in L.A.

~ Release by George Benson (see all versions of this release, 8 available)

Tracklist

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▼ 12" Vinyl 1
#TitleRatingLength
A1Weekend in L.A.
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
live recording of:
Weekend in L.A. (from 1977-09-30 until 1977-10-02)
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM)
7:21
A2On Broadway
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
edit of:
On Broadway (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (from 1977-09-30 until 1977-10-02)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
9:55
B1Down Here on the Ground
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
live recording of:
Down Here on the Ground (from “Cool Hand Luke”) (from 1977-09-30 until 1977-10-02)
lyricist:
Gale Garnett (New Zealand area-born singer, writer & actress)
composer:
Lalo Schifrin (pianist & composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:57
B2California P.M.
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
live recording of:
California P.M. (from 1977-09-30 until 1977-10-02)
composer:
George Benson (jazz guitarist/singer)
publisher:
Kobalt Music Publishing Ltd. (UK), Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Triangle Music Company (BMI) and ヤマハミュージックEH(CM)
6:59
B3The Greatest Love of All
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
edit of:
The Greatest Love of All (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live recording of:
The Greatest Love of All (from 1977-09-30 until 1977-10-02)
lyricist:
Linda Creed
composer:
Michael Masser
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing (S.E. Asia) Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Golden Horizon Music Corp. (in 1986), Golden Torch Music Corp. (in 1986) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
5:23
▼ 12" Vinyl 2
#TitleRatingLength
C1It’s All in the Game
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
live cover recording of:
It’s All in the Game (from 1977-09-30 until 1977-10-02)
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
3:50
C2Windsong
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
edit of:
Windsong (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live recording of:
Windsong (from 1977-09-30 until 1977-10-02)
composer:
Neil Larsen
publisher:
Rose Tree Music, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:04
C3Ode to a Kudu
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
edit of:
Ode to a Kudu (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live recording of:
Ode to a Kudu (from 1977-09-30 until 1977-10-02)
composer:
George Benson (jazz guitarist/singer)
publisher:
Char‐Liz Music, Inc., Music in One and シンコーミュージック・パブリッシャーズ
7:17
D1Lady Blue
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
edit of:
Lady Blue (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live cover recording of:
Lady Blue (from 1977-09-30 until 1977-10-02)
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416, Reservoir One America, Stuck On Music, ソニー・ミュージックパブリッシング A事業部, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
3:30
D2We All Remember Wes
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
edit of:
We All Remember Wes (live, 1977-09-30~10-02: The Roxy, West Hollywood, CA, USA) by George Benson (jazz guitarist/singer)
live recording of:
We All Remember Wes (from 1977-09-30 until 1977-10-02)
composer:
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. and 大洋音楽
5:37
D3We as Love
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
live recording of:
We as Love (from 1977-09-30 until 1977-10-02)
composer:
Ronnie Foster
publisher:
Bimmer Music Co. and Triangle Music Company (BMI)
6:43

Credits

Release

art direction:John Cabalka
photography:Tom Bert (Photographer)
Jim McCrary (photographer)
Fred Valentine
graphic design:Charles di Bona
mastering:Doug Sax
design:Brad Kanawyer
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:Music on Vinyl B.V. (holding company - file no releases here!)
distributed by:Music on Vinyl B.V. (holding company - file no releases here!)
copyrighted (©) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
licensed from:Warner Music Benelux B.V. (not for release label use! Warner Music subsidiary in the Netherlands)
mastered at:The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
pressed at:Record Industry in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands
Discogs:https://www.discogs.com/release/6822360 [info]
ASIN:US: B00TRP2SX6 [info]