Ultimate Hits: Rock and Roll Never Forgets

~ Release by Bob Seger & the Silver Bullet Band (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Old Time Rock and Roll
engineer:
Greg Hamm (US engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Ken Bell and Howie McDonald
piano:
Randy McCormick (session musician and songwriter)
saxophone:
Alto Reed
background vocals:
Stanley Carter, George Jackson (US soul songwriter/vocalist) and James Lavell Easley
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Old Time Rock & Roll
writer:
George Jackson (US soul songwriter/vocalist) and Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited and Peermusic III, Ltd. (BMI)
part of:
Risky Business (film soundtrack)
4.53:16
2Hollywood Nights
engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Bob Seger
organ and piano:
Bill Payne
background vocals:
Julia Waters, Luther Waters, Maxine Waters and Oren Waters
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Hollywood Nights
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1978)
4.355:03
3Night Moves
engineer:
Brian Christian
producer:
Jack Richardson and Bob Seger
mixer:
Jim Bruzzese
acoustic guitar:
Bob Seger
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Charlie Allen Martin
guitar:
Drew Abbott and Joe Miquelon
organ and piano:
Doug Riley
saxophone:
Alto Reed
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Nimbus Nine Studios in Toronto, Ontario, Canada
mixed at:
Pampa Studios in Warren, Michigan, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 301)
recording of:
Night Moves
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
4.25:25
4Mainstreet
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
M. S. R. S. and Bob Seger
mixer:
Jim Bruzzese
bass guitar:
David Hood
drums (drum set):
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ and piano:
Barry Beckett
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
Mainstreet
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
43:44
5Roll Me Away
engineer:
Shelly Yakus
producer:
Jimmy Iovine
mixer:
Greg Edward, Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel
guitar:
Waddy Wachtel
organ:
Craig Frost
percussion:
Bobbye Hall
piano:
Roy Bittan
synthesizer:
Michael Boddicker
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Hideout Records & Distributors, Inc. (in 1982)
recorded at:
Studio 55 in Los Angeles, California, United States
mixed at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Roll Me Away
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1982)
3.54:41
6Turn the Page (live)
live recording of:
Turn the Page (from 1975-09-04 until 1975-09-05)
lyricist:
Bob Seger
composer:
Bob Seger (in 1972)
publisher:
Gear Publishing and Gear Publishing Co (in 1973)
5:14
7Her Strut
recording engineer, producer and mixer:
Bill Szymczyk
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Drew Abbott
saxophone:
Alto Reed
solo guitar and lead vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Her Strut
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1980)
43:54
8Still the Same
recording of:
Still the Same
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) (ended) and Gear Publishing Co. (in 1977)
3:25
9You'll Accomp'ny Me
recording engineer and engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
guest organ, piano and synthesizer, organ, piano and synthesizer:
Bill Payne
guest percussion and percussion:
Sam Clayton
guitar:
Drew Abbott and Bob Seger
saxophone:
Alto Reed
background vocals and guest background vocals:
Ginger Blake, Laura Creamer and Linda Dillard
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
You’ll Accomp’ny Me
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1979)
54:01
10We've Got Tonight
producer:
The Muscle Shoals Rhythm Section and Bob Seger
recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 and Gear Publishing Co (in 1976)
3:41
11Like a Rock
assistant engineer:
David Axelbaum and Bob Castle
engineer:
Shelly Yakus
co-producer:
David Cole (American recording engineer and producer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
David Cole (American recording engineer and producer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar:
Dawayne Bailey
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel
organ:
Craig Frost
piano:
Bill Payne
slide guitar:
Rick Vito
background vocals:
Izora Armstead, Douglas Kibble and Martha Wash
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1986)
recorded at and engineered at:
Criteria Studios in Miami, Florida, United States
recording of:
Like a Rock
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1985)
55:58
12Fire Lake
recording engineer:
Steve Melton (engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
Bill Szymczyk
bass guitar:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ:
Randy McCormick (session musician and songwriter)
piano:
Barry Beckett
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and Timothy B. Schmit
lead vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Fire Lake
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1979)
43:34
13Tryin' to Live My Life Without You (live)
recording engineer:
Dave Hewitt (on 1980-10-06)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
Bill Szymczyk
alto saxophone and tenor saxophone:
Alto Reed (on 1980-10-06)
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1981)
recorded at:
Boston Garden (1st incarnation, 1928–1995) in West End, Boston, Massachusetts, United States (on 1980-10-06)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
live cover recording of:
Tryin’ to Live My Life Without You (on 1980-10-06)
lyricist and composer:
Eugene Williams
publisher:
Happy Hooker Music, Inc.
live recording of:
Tryin’ to Live My Life Without You
lyricist and composer:
Eugene Williams
publisher:
Happy Hooker Music, Inc.
4:09
▶ CD 2

Credits

Release

printed in:United States
photography:Terry Bert (photographer)
Henry Diltz
Caroline Greyshock (Photographer)
Larry Kaplan
Ross Marino
Robert Matheu
Bob Seidemann (Photographer, Graphic Arts)
Leni Sinclair
Tom Weschler
producer:Punch Andrews (Ed Andrews, Bob Seger's Manager)
Bob Seger
mastering:Brian Gardner (mastering engineer “Big Bass Brian”)
Robert Vosgien
manufactured by and licensed to:Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
copyrighted (©) by and phonographic copyright (℗) by:Hideout Records & Distributors, Inc. (in 2011)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Capitol Mastering in Hollywood, Los Angeles, California, United States