| # | Title | Artist | Rating | Length |
|---|
| 1 | Hohe Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum" | Johann Sebastian Bach | | 1:51 |
| 2 | Hohe Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"- choir vocals:
- Dresdner Kammerchor
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recorded at:
- Deutschlandfunk Kammermusiksaal in Cologne, Nordrhein-Westfalen, Germany
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 2003-11)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:04 |
| 3 | Hohe Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" | Johann Sebastian Bach | | 5:07 |
| 4 | Hohe Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est" | Johann Sebastian Bach | | 2:54 |
| 5 | Hohe Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus"- choir vocals:
- Dresdner Kammerchor
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recorded at:
- Deutschlandfunk Kammermusiksaal in Cologne, Nordrhein-Westfalen, Germany
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 2003-11)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:32 |
| 6 | Hohe Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit" | Johann Sebastian Bach | | 3:58 |
| 7 | Hohe Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum" | Johann Sebastian Bach | | 4:50 |
| 8 | Hohe Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma" | Johann Sebastian Bach | | 4:50 |
| 9 | Hohe Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto" | Johann Sebastian Bach | | 2:11 |
| 10 | Hohe Messe in H-Moll, BWV 232: IVa. Coro "Sanctus" | Johann Sebastian Bach | | 4:47 |
| 11 | Hohe Messe in H-Moll, BWV 232: IVb. Coro "Hosanna"- choir vocals:
- Dresdner Kammerchor
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recorded at:
- Deutschlandfunk Kammermusiksaal in Cologne, Nordrhein-Westfalen, Germany
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 2003-11)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:44 |
| 12 | Hohe Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus" | Johann Sebastian Bach | | 4:30 |
| 13 | Hohe Messe in H-Moll, BWV 232: IVd. Coro "Hosanna"- choir vocals:
- Dresdner Kammerchor
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recorded at:
- Deutschlandfunk Kammermusiksaal in Cologne, Nordrhein-Westfalen, Germany
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 2003-11)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:45 |
| 14 | Hohe Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" | Johann Sebastian Bach | | 6:01 |
| 15 | Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem" | Johann Sebastian Bach | | 2:39 |
