Die Piraten (The Pirates of Penzance)

~ Release by Arthur Sullivan; Gerd Nienstedt, Peter Bahrig, Arleen Augér, Martha Mödl, Franz Marszalek (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Die Piraten: Akt I. Introduktion
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan6:38
2Die Piraten: Akt I. “Diese Wonne weit ist herrlich“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:09
3Die Piraten: Akt I. “Ja, Frederic, verdammt schade, dass du uns verlässt”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:40
4Die Piraten: Akt I. “Mit zwölfeinhalb fing Frederic schon mit Whiskey im Café an“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:37
5Die Piraten: Akt I. “Jawohl, Frederic, bei mir hast du gelernt, was man im Leben braucht”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:35
6Die Piraten: Akt I. “Ein Pirat, das ist kein Ehrenmann, er räubert, was er räubern kann”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:15
7Die Piraten: Akt I. “Und wie ist das mit uns, nimmst du mich nun mit oder nicht“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:18
8Die Piraten: Akt I. “Du Scheusal, du hast gelogen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:40
9Die Piraten: Akt I. “Was hat nur da wahr gewogen, was hat denn sie gezogen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:37
10Die Piraten: Akt I. “Hallo Mädchen” – “Ha, ha, ha, ein Mann” – “Ich bitte vielmals um Entschuldigung”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:23
11Die Piraten: Akt I. “Mein eigner Mut hat mich verführt, ich war hier ja frei aus Versehen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:59
12Die Piraten: Akt I. “Jetzt steht er da, vor Staunen stumm”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:50
13Die Piraten: Akt I. “Armer Pirat, wirst du mich jemals lieben”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:25
14Die Piraten: Akt I. “Komm, den Weg entlang, check, links herum”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:11
15Die Piraten: Akt I. “Ah! … Nicht schreien, sonst passiert etwas”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:48
16Die Piraten: Akt I. “Denkt mal drüber nach, was den Jungs geschnatzt“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:40
17Die Piraten: Akt I. “Oh, das Wichtigste ich freu mich und das Richtigste versäum ich”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:39
18Die Piraten: Akt I. “Solche günstige Gelegenheit finden Räuber nicht zu jederzeit”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:08
19Die Piraten: Akt I. “Halt, meine Herren, bevor Sie uns hier fortschleppen, was ich Ihnen zu sagen habe”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:02
20Die Piraten: Akt I. “Ich bin der britischen Krone Admiral und fixter Flottenchef”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:07
21Die Piraten: Akt I. “So, mich kennen Sie nun, und wer sind Sie, meine Herren”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:58
22Die Piraten: Akt I. Finale: “Wenn die Töchter mit genommen sind in der Welt, dann stehe ich allein”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:25
23Die Piraten: Akt I. “Ihr werdet es heute erfahren, die Piraten sind keine Barbaren”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:36
24Die Piraten: Akt I. “Dafür lebst du nun mit mir, der Liebe Wonnen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:34
25Die Piraten: Akt I. “Ha, ha, ha, solche günstige Gelegenheit finden Räuber nicht zu jederzeit”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:34
26Die Piraten: Akt II. Introduktion
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:14
27Die Piraten: Akt II. “Oh, Frederic, können Sie denn gar nichts für unseren verzweifelten Vater tun”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:34
28Die Piraten: Akt II. “Oh, wartet nur, wenn die Truppen jetzt bald kommen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:18
29Die Piraten: Akt II. “Ich höre Schritte“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan4:45
30Die Piraten: Akt II. “Warum schickt er sie zurück, dass muss ein Trick sein”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:38
31Die Piraten: Akt II. “Hallo Frederic” – “Wer da?” – “Aber Schätzchen, deine Ruth, die liebe Ruth”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:59
32Die Piraten: Akt II. “Aber ist das nicht der reizende alte Herr …” – “Glaubt ihr, hat Papa das Fräulein engagiert?”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:57
33Die Piraten: Akt II. “Kaum hab' ich mich verlobt, da verlieb ich mich in einen andern”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:02
34Die Piraten: Akt II. “Nein, Frederic, nein, dass lassen Sie hübsch sein”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:44
35Die Piraten: Akt II. “Ich frage mich warum ihr Herz auf Rache sinnt”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:23
36Die Piraten: Akt II. “So ist das also Miss Stanley, ich habe bis jetzt geglaubt …”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:04
37Die Piraten: Akt II. “Papalapap, was heisst hier Braut …”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:17
38Die Piraten: Akt II. “Verdammt noch mal, verdammt noch mal …“
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:23
39Die Piraten: Akt II. “Ruth, Ruth, du kommst wie gerufen, eben habe ich an dich gedacht”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:46
40Die Piraten: Akt II. “Hilf der Kleinen ihren Hunger bald zu stillen”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:05
41Die Piraten: Akt II. “Es ist doch ein süsser Bengel”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan2:04
42Die Piraten: Akt II. “Gelder fliessen, Gelder rollen, Kundschaft hab' Dank, in die ständig übervollen Kassen einer Bank”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan1:55
43Die Piraten: Akt II. “Mmm, das klingt ganz nach meinen Töchtern”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:35
▼ CD 2
#TitleArtistRatingLength
1Die Piraten: Akt II. “Ein Kinderchef für dies Piratenschloss, gehorchen wir dem jungen neuen Boss”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:55
2Die Piraten: Akt II. “Sie glauben doch etwa nicht, dass meine Matrosen mit dem Schiff desertiert sind”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:39
3Die Piraten: Akt II. “Unerhört, das werd' ich nicht erlauben”
orchestra:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan6:02
4Campbell Soups (commercial)
baritone vocals:
Martyn Green
recording of:
Campbell Soups (commercial)
parody version of:
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major-General” (Major-General, Chorus)
Martyn Green1:06
5The Mikado: “Three Little Maids”
vocals:
Ella Fitzgerald (American jazz singer) (in 1963), Dinah Shore (in 1963) and Joan Sutherland (soprano) (in 1963)
live recording of:
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) (in 1963)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
Joan Sutherland, Ella Fitzgerald and Dinah Shore2:03
6Madama Butterfly: “Un bel di vedremo”
spoken vocals:
Noël Coward
vocals:
Mary Martin (US film and musical actor/singer)
recording of:
Madama Butterfly: “One Fine Day”
composer:
Giacomo Puccini (Italian composer)
translated version of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Noël Coward introduces and coaches Mary Martin4:28
7Cathedral (Winchester Cathedral)
baritone vocals:
Robert Merrill (American operatic baritone)
tenor vocals:
Jan Peerce (operatic tenor)
recording of:
Winchester Cathedral
lyricist and composer:
Geoff Stephens
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Jan Peerce and Robert Merrill1:33
8Samson et Dalila : « Mon cœur s'ouvre à ta voix »
tenor vocals:
Armand Tokatyan (Bulgarian-Armenian operatic tenor) (in 1933)
vocals:
Mae West (in 1933)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (in 1933)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Mae West and Armand Tokatyan3:03
9The Boy (bossa nova)
soprano vocals:
Evelyn Lear (soprano)
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Evelyn Lear2:43
10Night and Day
vocals:
Aksel Schiøtz (Danish tenor, later baritone)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Aksel Schiøtz3:04
11Mame: Bosom Buddies
mezzo-soprano vocals:
Blanche Thebom (mezzo-soprano) (in 1967)
soprano vocals:
Eleanor Steber (soprano) (in 1967)
live recording of:
Bosom Buddies (in 1967)
lyricist and composer:
Jerry Herman
part of:
Mame (full musical)
Eleanor Steber and Blanche Thebom3:22
12Blue Danube Swing
soprano vocals:
Lily Pons (soprano) (in 1938)
live recording of:
Blue Danube Swing (for coloratura soprano) (in 1938)
composer:
Fud Livingston
is based on:
An der schönen blauen Donau, op. 314
Lily Pons3:51
13A Big Brown Bear
soprano vocals:
Rosa Ponselle (soprano) (in 1934)
recording of:
The Big Brown Bear (in 1934)
lyricist:
H. A. Weydt
composer:
Mana-Zucca (US composer)
Rosa Ponselle1:49
14Swedish Traditional
soprano vocals:
Elisabeth Söderström (soprano) (in 1981)
live recording of:
Swedish Traditional (in 1981)
Elisabeth Söderström1:48
15Our Voices Were Meant for Each Other
soprano vocals:
Helen Traubel (soprano) (in 1951)
vocals:
Jimmy Durante (in 1951)
live recording of:
Our Voices Were Meant for Each Other (in 1951)
writer:
Jimmy Durante
Helen Traubel and Jimmy Durante7:26
16Cat Duet
soprano vocals:
Régine Crespin (soprano) (in 1982) and Leontyne Price (soprano) (in 1982)
live recording of:
Duetto buffo di due gatti (in 1982)
composer:
G. Berthold
previously attributed to:
Gioachino Rossini (composer)
is based on:
Otello: Atto II
Leontyne Price and Régine Crespin3:47
17Marianne
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1977)
live recording of:
Marianne (in 1977)
Marilyn Horne0:30
18The Fireman's Bride
baritone vocals:
Robert Merrill (American operatic baritone) (in 1949)
vocals:
Jeanette MacDonald (in 1949)
live recording of:
Up in Central Park: Act I. The Fireman's Bride (in 1949)
composer:
Sigmund Romberg
part of:
Up in Central Park: Act I
Jeanette MacDonald and Robert Merrill2:37
19Nymphs and Shepherd
mezzo-soprano vocals:
Cathy Berberian (mezzo‐soprano) (in 1973)
live recording of:
The Libertine Destroyed, Z. 600: No. 1. "Nymphs and shepherds / We come" (in 1973)
composer:
Henry Purcell (baroque composer)
part of:
The Libertine Destroyed, Z. 600
Cathy Berberian1:57
20An X-Rated Song
string quartet:
Budapest String Quartet (before 1967; do not use for Budapest Strings)
bass vocals:
Ezio Pinza (operatic bass)
live recording of:
An X-Rated Song
Ezio Pinza with Budapest String Quartet3:06
21The Ame & Skit
bass vocals:
Ezio Pinza (operatic bass) (in 1950)
spoken vocals:
Judy Canova (in 1950) and Ezio Pinza (operatic bass) (in 1950)
recording of:
Te Ame & Skit (in 1950)
Ezio Pinza and Judy Canova7:52
22Bye, Bye Baby
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
vocals:
Carol Channing
recording of:
Bye Bye Baby (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Horne and Carol Channing1:32
23People
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
Marilyn Horne4:20
24A Real Live Piano Player
piano:
Jimmy Durante
soprano vocals:
Roberta Peters (soprano)
vocals:
Jimmy Durante
recording of:
A Real Live Piano Player
Roberta Peters and Jimmy Durante4:16