A Portrait of Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Brandenburg Concerto No. 3 in G major, BWV 1048: I. [ ]
violin:
Jeanne Lamon (violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (violinist)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
5:41
2Sonata for Viola da Gamba and Harpsichord in G major, BWV 1027: I. Adagio
harpsichord:
Bob van Asperen (harpsichordist and organist)
violoncello piccolo:
Anner Bylsma (cellist)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990-05)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: I. Adagio (in 1990-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
3:34
3Sonata for Viola da Gamba and Harpsichord in G major, BWV 1027: II. Allegro ma non tanto
harpsichord:
Bob van Asperen (harpsichordist and organist)
violoncello piccolo:
Anner Bylsma (cellist)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1990-05)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: II. Allegro ma non tanto (in 1990-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
3:16
4Suite for Lute in E major, BWV 1006a: I. Prelude
lute:
Lutz Kirchhof (German lutenist)
recorded at:
Liederkranzhalle (Stuttgart) in Stuttgart, Baden-Württemberg, Germany
recording of:
Suite E-Dur, BWV 1006a: I. Prélude (in 1987-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita for Lute in E Major, BWV 1006a
part of:
Suite E-Dur, BWV 1006a (for lute)
5:04
5Concerto for Violin in A minor, BWV 1041: I. [ ]
violin:
Jeanne Lamon (violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (violinist)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:42
6Suite for Lute in E minor, BWV 996: V. Bourrée
lute:
Lutz Kirchhof (German lutenist)
recorded at:
Liederkranzhalle (Stuttgart) in Stuttgart, Baden-Württemberg, Germany
recording of:
Suite in E minor, BWV 996: V. Bourrée (in 1987-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
1:39
7Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace
violin and violin [Solo violin I]:
Jeanne Lamon (violinist)
violin [Solo violin II]:
Linda Melsted (classical violinist)
orchestra and performer:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (violinist)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:36
8Motet, BWV 225 "Singet dem Herrn ein neues Lied": I. "Singet dem Herrn ein neues Lied"
choir vocals:
Kammerchor Stuttgart
orchestra:
Barockorchester Stuttgart
conductor:
Frieder Bernius (chorus master)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
4:52
9Suite No. 1 in G major, BWV 1007: Prélude
engineer:
Peter Laenger (engineer/producer) (from 1992-01-29 until 1992-01-31)
producer:
Wolf Erichson (engineer/producer)
cello:
Anner Bylsma (cellist) (from 1992-01-29 until 1992-01-31)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1992-01-29 until 1992-01-31)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (from 1992-01-29 until 1992-01-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
2:52
10Cantata, BWV 207a "Auf, schmetternde Töne": I. Chorus. "Auf, schmetternde Töne der muntern Trompeten"
choir vocals:
Kammerchor Stuttgart
orchestra:
Concerto Köln
conductor:
Frieder Bernius (chorus master)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten" (from 1990-09-19 until 1990-09-26)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
4:14
11Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"
bass vocals:
Peter Kooij (baritone)
soprano vocals:
Ruth Ziesak (soprano)
orchestra:
Concerto Köln
conductor:
Frieder Bernius (chorus master)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": V. Aria (Sopran, Bass) "Mich kann die süße Ruhe laben" (from 1990-09-19 until 1990-09-26)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
5:37
12Prélude in C minor, BWV 999
lute and theorbo:
Lutz Kirchhof (German lutenist)
recorded at:
Liederkranzhalle (Stuttgart) in Stuttgart, Baden-Württemberg, Germany
recording of:
Prelude in C minor, BWV 999 (original for lute) (in 1987-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 999)
1:55
13Brandenburg Concerto No. 5 in F major, BWV 1050: III. Allegro
flute:
Marten Root
violin:
Jeanne Lamon (violinist)
orchestra:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (violinist)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
5:12
14Suite No. 3 in C major, BWV 1009: V. Bourrée I/II
cello:
Anner Bylsma (cellist)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009
2:33
15Cantata, BWV 34 "O ewiges Feuer, O Ursprung der Liebe": V. Coro. "Friede über Israel"
choir vocals:
Tölzer Knabenchor (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-06)
engineered at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe"
2:21
16Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
recording engineer and editor:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Charlotte Nediger (harpsichordist) (from 1994-04-14 until 1994-04-16)
oboe:
John Abberger (oboist) (from 1994-04-14 until 1994-04-16)
recorder:
Marion Verbruggen (recorder player) (from 1994-04-14 until 1994-04-16)
solo violin and violin:
Jeanne Lamon (violinist) (from 1994-04-14 until 1994-04-16)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (from 1994-04-14 until 1994-04-16)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1994-04-14 until 1994-04-16)
conductor:
Jeanne Lamon (violinist) (from 1994-04-14 until 1994-04-16)
recorded at:
CBC Glenn Gould Studio in Toronto, Ontario, Canada (from 1994-04-14 until 1994-04-16)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1994-04-14 until 1994-04-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
3:02

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Release

ASIN:DE: B00004YRAQ [info]