Super 20

~ Release by Uriah Heep (see all versions of this release, 1 available)

Annotation

Trivia: The only CD that includes the single edit of 'Lady In Black'

Annotation last modified on 2017-01-21 19:44 UTC.

Tracklist

CD 1
#TitleRatingLength
1Lady in Black (single edit)
recording of:
Lady in Black
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
3:42
2Easy Livin'
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
live recording of:
Easy Livin’ (on 2003-11-08)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
4.352:38
3Free Me
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free Me (from 1977-07 until 1977-09)
lyricist and composer:
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
23:34
4The Wizard
recording of:
The Wizard
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:01
5Sympathy
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Sympathy (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
44:44
6Spider Woman
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Spider Woman (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:28
7Stealin' (single edit)
engineer:
Peter Gallen
producer:
Gerry Bron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (from 1973-06 until 1973-07)
recording of:
Stealin’ (from 1973-06 until 1973-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3:19
8Something or Nothing
recording engineer:
Peter Gallen (from 1974-01 until 1974-03)
engineer:
Hans Menzel
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar:
Gary Thain
guitar:
Mick Box and Ken Hensley
keyboard:
Ken Hensley
background vocals:
Ken Hensley and Lee Kerslake
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1974) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1974)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1974-01 until 1974-03)
recording of:
Something or Nothing (from 1974-01 until 1974-03)
writer:
Mick Box, Ken Hensley and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Sidney Bron Music Co. Ltd.
2:58
9Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (a former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:10
10Woman of the World3:10
11Who Needs Me
recording of:
Who Needs Me
lyricist and composer:
Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), S. Bron Music Co. Ltd. and WB Music Corp. (1929–2019)
3:39
12Love or Nothing
recording of:
Love or Nothing
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
2:59
13Come Back to Me
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Castle Copyrights Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Come Back to Me (from 1978-04 until 1978-08)
writer:
Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), WB Music Corp. (1929–2019) and Umble Tunes Ltd. (in 1978)
54:20
14Gypsy (single edit remix)
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1970)
recording of:
Gypsy (in 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:57
15Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
34:13
16Return to Fantasy
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1975), Castle Copyrights Ltd. (in 1975) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1975)
recording of:
Return to Fantasy (in 1975)
writer:
David Byron and Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd. and Umble Tunes Ltd.
5:52
17Sweet Lorraine
recording engineer:
Peter Gallen (from 1972-09 until 1972-10)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-09 until 1972-10)
electric bass guitar:
Gary Thain (from 1972-09 until 1972-10)
guitar:
Mick Box (from 1972-09 until 1972-10)
organ:
Ken Hensley (from 1972-09 until 1972-10)
vocals:
David Byron (from 1972-09 until 1972-10)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
Sweet Lorraine (from 1972-09 until 1972-10)
writer:
Mick Box, David Byron and Gary Thain
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:16
18Shady Lady
assistant engineer:
Dave Burns (engineer) and Dave Harris (Recording engineer at Morgan Studios, London)
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set) and percussion:
Lee Kerslake
electric bass guitar and mellotron:
John Wetton
guitar:
Mick Box and Ken Hensley
keyboard and synthesizer:
Ken Hensley
background vocals:
Ken Hensley, Lee Kerslake and John Wetton
lead vocals:
David Byron
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1975)
recording of:
Shady Lady (in 1975)
writer:
Mick Box, David Byron, Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:49
19Flyin' High
recording of:
Flyin' High
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:20
20Firefly
assistant engineer:
John Gallen
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Firefly (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
6:18

Credits