Jazz in Paris: Paris One Night Stand

~ Release by Earl Hines (see all versions of this release, 1 available)

Annotation

Recorded November 15 and 16, 1957 in Paris.
Reissue of the Philips LP 7222.

Annotation last modified on 2014-11-24 18:32 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Love Is Just Around the Corner
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Love Is Just Around the Corner (in 1957-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
3:24
2You're Gettin' to Be a Habit
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-11)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
2:52
3Hallelujah
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Hallelujah! (in 1957-11)
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
2:55
4I Got It Bad and That Ain't Good
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1957-11)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:44
5Royal Garden Blues
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Royal Garden Blues (in 1957-11)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
4:04
6Save It Pretty Mama
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Save It, Pretty Mama (in 1957-11)
writer:
Paul Denniker, Joseph M. Davis (US lyricist, producer, publisher & promoter) and Don Redman
2:51
7If I Could Be With You One Hour Tonight
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
If I Could Be With You (One Hour Tonight) (from 1957-11-15 until 1957-11-16)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
3:19
8Walkin' My Baby Back Home
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Walkin’ My Baby Back Home (in 1957-11)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:25
9Moonlight in Vermont
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Moonlight in Vermont (in 1957-11)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:14
10Makin' Whoopee
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental cover recording of:
Makin’ Whoopee! (from 1957-11-15 until 1957-11-16)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:37
11Muskrat Ramble
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1957-11)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
3:02
12Am I Wasting Time on You?
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
4:25
13'S Wonderful
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
’S Wonderful (in 1957-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:00
14Perdido
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Perdido (original instrumental version) (in 1957-11)
composer:
Juan Tizol
3:07
15Nice Work If You Can Get It
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
instrumental recording of:
Nice Work If You Can Get It (in 1957-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:24
16Muskrat Ramble (Take 2)
recorded in:
Paris, Île-de-France, France (from 1957-11-15 until 1957-11-16)
producer:
Boris Vian
double bass:
Guy Pedersen (from 1957-11-15 until 1957-11-16)
drums (drum set):
Gus Wallez (from 1957-11-15 until 1957-11-16)
piano:
Earl Hines (jazz pianist and bandleader) (from 1957-11-15 until 1957-11-16)
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1957-11)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
2:41

Credits

Release group

part of:Jazz in Paris (number: 38) (order: 36)
Discogs:https://www.discogs.com/master/171253 [info]