# | Title | Rating | Length |
---|
1 | Rendezvous | | 5:15 |
2 | Fire Fly | | 5:45 |
3 | If I’m Still Around Tomorrow- assistant recording engineer:
- Mike Allaire
- recording engineer:
- Ed Rak
- assistant engineer:
- Eddie Heath, Jr.
- engineer:
- Kendall Brown
- co-producer:
- William Eaton and William Salter
- producer:
- Ralph MacDonald
- alto saxophone:
- Sadao Watanabe (from 1984-02 until 1984-04)
- drums (drum set):
- Steve Gadd (from 1984-02 until 1984-04)
- electric piano:
- Richard Tee (from 1984-02 until 1984-04)
- guitar:
- Eric Gale (from 1984-02 until 1984-04)
- percussion:
- Ralph MacDonald (from 1984-02 until 1984-04)
- strings:
- Jonathan Abramowitz (from 1984-02 until 1984-04), Sanford Allen (from 1984-02 until 1984-04), Julien Barber (from 1984-02 until 1984-04), Sandra Billingslea (from 1984-02 until 1984-04), Alfred Brown (from 1984-02 until 1984-04), Noel DaCosta (from 1984-02 until 1984-04), Winterton Garvey (from 1984-02 until 1984-04), Kenneth Gordon (from 1984-02 until 1984-04), Louann Montesi (from 1984-02 until 1984-04), Kermit Moore (from 1984-02 until 1984-04), Matthew Raimondi (from 1984-02 until 1984-04), Maxine Roach (from 1984-02 until 1984-04), Beverly Schroeder (from 1984-02 until 1984-04), Emanuel Vardi (from 1984-02 until 1984-04) and Marilyn Wright (from 1984-02 until 1984-04)
- guest vocals:
- Roberta Flack (from 1984-02 until 1984-04)
- conductor:
- William Eaton (from 1984-02 until 1984-04)
- remixer:
- Elliot Scheiner
- strings arranger:
- William Eaton
- arranger:
- Ralph MacDonald
- phonographic copyright (℗) by:
- Warner-Pioneer Corporation
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1984-02 until 1984-04) and Rosebud Recording Studio in New York, New York, United States (from 1984-02 until 1984-04)
| | 4:25 |
4 | Cool Breeze | | 4:46 |
5 | Here’s to Love- assistant recording engineer:
- Mike Allaire
- recording engineer:
- Ed Rak
- assistant engineer:
- Eddie Heath, Jr.
- engineer:
- Kendall Brown
- co-producer:
- William Eaton and William Salter
- producer:
- Ralph MacDonald
- alto saxophone:
- Sadao Watanabe (from 1984-02 until 1984-04)
- drums (drum set):
- Steve Gadd (from 1984-02 until 1984-04)
- electric piano:
- Richard Tee (from 1984-02 until 1984-04)
- guitar:
- Eric Gale (from 1984-02 until 1984-04)
- percussion:
- Ralph MacDonald (from 1984-02 until 1984-04)
- strings:
- Jonathan Abramowitz (from 1984-02 until 1984-04), Sanford Allen (from 1984-02 until 1984-04), Julien Barber (from 1984-02 until 1984-04), Sandra Billingslea (from 1984-02 until 1984-04), Alfred Brown (from 1984-02 until 1984-04), Noel DaCosta (from 1984-02 until 1984-04), Winterton Garvey (from 1984-02 until 1984-04), Kenneth Gordon (from 1984-02 until 1984-04), Louann Montesi (from 1984-02 until 1984-04), Kermit Moore (from 1984-02 until 1984-04), Matthew Raimondi (from 1984-02 until 1984-04), Maxine Roach (from 1984-02 until 1984-04), Beverly Schroeder (from 1984-02 until 1984-04), Emanuel Vardi (from 1984-02 until 1984-04) and Marilyn Wright (from 1984-02 until 1984-04)
- synthesizer:
- Barry Eastmond (from 1984-02 until 1984-04)
- guest vocals:
- Roberta Flack (from 1984-02 until 1984-04)
- conductor:
- William Eaton (from 1984-02 until 1984-04)
- remixer:
- Elliot Scheiner
- strings arranger:
- William Eaton
- arranger:
- Ralph MacDonald
- phonographic copyright (℗) by:
- Warner-Pioneer Corporation
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1984-02 until 1984-04) and Rosebud Recording Studio in New York, New York, United States (from 1984-02 until 1984-04)
| | 4:40 |
6 | Maraval | | 4:33 |
7 | Love Me as I Am | | 5:00 |
8 | I’m Yours | | 4:44 |