Sensitive to the Touch - The Music of Harold Arlen

~ Release by Jay Leonhart, Ken Peplowski, Ted Rosenthal, Grady Tate (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Ding Dong the Wicked Witch Is Dead
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Ding‐Dong! The Witch Is Dead (on 1996-03-04)
lyricist:
Yip Harburg (in 1939)
composer:
Harold Arlen (in 1939)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
4:02
2Accentuate the Positive
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive (on 1996-03-04)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 18th Academy Award for Best Original Song (number: 2)
7:48
3Come Rain or Come Shine
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Ted Rosenthal
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Come Rain or Come Shine (on 1996-03-04)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
8:17
4My Shining Hour
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Ted Rosenthal
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
My Shining Hour (The Sky’s the Limit) (on 1996-03-04)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
8:47
5Let's Fall in Love
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Let’s Fall in Love (on 1996-03-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
5:40
6Devil & The Deep Blue Sea
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1996-03-04)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
5:11
7Get Happy
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Ted Rosenthal
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Get Happy (on 1996-03-04)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:30
8I've Got the World on a String
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
I’ve Got the World on a String (on 1996-03-04)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
7:38
9Ill Wind
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
vocals:
Grady Tate (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
Ill Wind (on 1996-03-04)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
5:30
10If I Only Had a Brain
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Ted Rosenthal
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
If I Only Had a Brain (on 1996-03-04)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Leo Feist, Inc.
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
8:50
11As Long as I Live
engineer:
Ed Rak
producer:
Dan Lester (producer)
bass:
Jay Leonhart (on 1996-03-04)
drums (drum set):
Grady Tate (on 1996-03-04)
piano:
Ted Rosenthal (on 1996-03-04)
reeds:
Ken Peplowski (on 1996-03-04)
arranger:
Jay Leonhart
phonographic copyright (℗) by:
Groove Jams
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States (on 1996-03-04)
instrumental recording of:
As Long as I Live (on 1996-03-04)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
3:54

Credits

Release

art direction:Jeff Litzler
executive producer:Sonny Lester
vocals:Jay Leonhart
Discogs:https://www.discogs.com/release/11827991 [info]