Broadway: The Music of Richard Rodgers

~ Release by Julie Andrews (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Sound of Music
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
The Sound of Music (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) and Williamson Music Company
part of:
The Sound of Music (Rodgers & Hammerstein musical)
5:09
2I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
4:38
3I Wish I Were in Love Again
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
3:34
4Where or When
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
5:09
5A Waltz Carousel
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Waltz Carousel (medley)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Stephen Sondheim
composer:
Richard Rodgers (composer)
medley of:
Out of My Dreams
medley of:
This Nearly Was Mine (South Pacific)
medley of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
medley of:
I’m in Love With a Wonderful Guy (South Pacific)
medley of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
medley of:
It’s a Grand Night for Singing (State Fair)
medley of:
The Carousel Waltz (Carousel)
medley including a recording of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
lyricist:
Stephen Sondheim
composer:
Richard Rodgers (composer)
part of:
Do I Hear a Waltz? (Rodgers/Sondheim musical)
medley including a recording of:
I’m in Love With a Wonderful Guy (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
medley including a recording of:
It’s a Grand Night for Singing (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
medley including a recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Out of My Dreams
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
The Carousel Waltz (Carousel)
composer:
Richard Rodgers (composer)
part of:
Carousel (Rodgers & Hammerstein musical)
medley including a recording of:
This Nearly Was Mine (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
15:00
6Nobody Told Me
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Nobody Told Me
lyricist and composer:
Richard Rodgers (composer)
4:12
7This Can't Be Love / Thou Swell
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bob Florence
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
medley including a recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
2:34
8My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger and orchestrator:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:34
9It Never Entered My Mind / Spring Is Here
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
medley including a recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:39
10Bewitched
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:59
11If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
cover recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
4:01
12Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:54
13A Cock-Eyed Optimist
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Cockeyed Optimist (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:29

Credits

Release

manufactured by and marketed by:PolyGram Classics & Jazz (a division of PolyGram Records, Inc., US)
copyrighted (©) by:Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1994 to present)
ASIN:US: B0000041AM [info]