Forrest Gump: The Soundtrack

~ Release by Various Artists (see all versions of this release, 11 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Hound Dog
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
cover recording of:
Hound Dog
writer:
Jerry Leiber and Mike Stoller
Elvis Presley3.82:18
2Rebel Rouser
recording of:
Rebel‐’Rouser
composer:
Duane Eddy and Lee Hazlewood
Duane Eddy3.52:25
3(I Don’t Know Why) But I Do
recording of:
But I Do
writer:
Paul Gayton and Robert Guidry
publisher:
Chappell Music (UK)
Clarence “Frogman” Henry3.252:22
4Walk Right In
recording of:
Walk Right In
composer:
Gus Cannon and Hosea Woods
The Rooftop Singers42:35
5Land of 1000 Dances
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music and Tune-Kel
Wilson Pickett42:26
6Blowin’ in the Wind
cover recording of:
Blowin’ in the Wind (in 1967)
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1962 until 1990) and Special Rider Music (from 1990 to present)
Joan Baez2.652:39
7Fortunate Son
recording engineer and mixer:
Russ Gary
producer:
John Fogerty
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
background vocals:
Doug Clifford, Stu Cook and Tom Fogerty
lead vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recorded at and mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 99) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 227)
recording of:
Fortunate Son (in 1969-08)
lyricist and composer:
Keith Clark (drummer), John Fogerty, Greg Hetson, Keith Morris (American singer/songwriter) and Zander Schloss
publisher:
Cody River Music Company, Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.52:21
8I Can’t Help Myself (Sugar Pie Honey Bunch)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1965)
strings:
Detroit Symphony Orchestra (in 1965)
background vocals:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul "Duke" Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
lead vocals:
Levi Stubbs (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 30), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 415) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.52:44
9Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:29
10Rainy Day Women #12 & 35
producer:
Bob Johnston (US record producer and early rockebilly singer)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-09)
recording of:
Rainy Day Women #12 & 35 (on 1966-03-10)
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Bob Dylan3.654:38
11Sloop John B
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
lead vocals:
Mike Love (Beach Boys) (from 1965-12-22 until 1965-12-29) and Brian Wilson (Beach Boys co‐founder) (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI United Partnership Ltd. and New Executive Music
version of:
The John B. Sails
The Beach Boys42:58
12California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.452:42
13For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.452:41
14What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部, フジパシフィックミュージック 第2事業部, BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use!) (in 1993)
Jackie DeShannon3.63:14
15Break On Through (to the Other Side)
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
drums (drum set):
John Densmore (in 1966-09)
guitar:
Robby Krieger (American guitarist, member of The Doors) (in 1966-09)
keyboard:
Ray Manzarek (in 1966-09)
vocals:
Jim Morrison (lead vocalist of the Doors) (in 1966-09)
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1967) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1967, in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
edit of:
Break On Through (to the Other Side) (original stereo studio mix, with “she gets high”) by The Doors
recording of:
Break On Through (in 1966-09)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
sub-publisher:
日音 Synch事業部
The Doors4.552:30
16Mrs. Robinson
recording engineer:
Roy Halee
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1968)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel4.33:51
▼ CD 2
#TitleArtistRatingLength
1Volunteers
recording of:
Volunteers
writer:
Marty Balin and Paul Kantner
Jefferson Airplane42:08
2Let’s Get Together
recorded in:
New York, New York, United States (in 1966-11)
producer:
Felix Pappalardi
bass and lead vocals:
Jesse Colin Young (in 1966-11)
drums (drum set):
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
guitar and background vocals:
Jerry Corbitt (in 1966-11) and Lowell Levinger (in 1966-11)
keyboard:
Lowell Levinger (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
The Youngbloods3.754:39
3San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie43:02
4Turn! Turn! Turn! (To Everything There Is a Season)
producer:
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (on 1965-09-10)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
The Byrds4.653:57
5Aquarius / Let the Sunshine In
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension (1960’s group)
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar and Bones Howe
publisher:
United Artists Music Co., Inc.
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The 5th Dimension4.44:50
6Everybody’s Talkin’
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation and Third Palm Music
Nilsson42:46
7Joy to the World
recording of:
Joy to the World
lyricist and composer:
Hoyt Axton
Three Dog Night4.23:19
8Stoned Love
producer:
Frank Wilson (Motown singer/songwriter)
lead vocals:
Jean Terrell
arranger:
David Van dePitte
recording of:
Stoned Love
lyricist and composer:
Ken Thomas (British producer and engineer) and Frank Wilson (Motown singer/songwriter)
writer:
Yennek Samoht and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd.
The Supremes3.353:02
9Raindrops Keep Falling on My Head
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), フジパシフィックミュージック and フジパシフィックミュージック 第2事業部
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 42)
B.J. Thomas43:03
10Mr. President (Have Pity on the Working Man)
additional engineer:
Donn Landee
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
recorded at and mixed at:
Warner Bros. Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Mr. President (Have Pity on the Working Man)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman3.752:48
11Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Lynyrd Skynyrd4.34:45
12It Keeps You Runnin’
producer:
Ted Templeman
recording of:
It Keeps You Runnin’
lyricist and composer:
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
The Doobie Brothers3.654:22
13I’ve Got to Use My Imagination
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 9)
recording of:
I’ve Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:32
14On the Road Again
recorded in:
Austin, Texas, United States (in 1979)
engineer and mixer:
Bradley Hartman
producer:
Willie Nelson
bass:
Bee Spears (in 1979)
drums (drum set):
Paul English (US drummer for Willie Nelson) (in 1979) and Rex Ludwick (US drummer) (in 1979)
guitar:
Johnny Gimble (in 1979), Willie Nelson (in 1979) and Jody Payne (in 1979)
harmonica:
Mickey Raphael (in 1979)
percussion:
Paul English (US drummer for Willie Nelson) (in 1979)
piano:
Bobbie Nelson (in 1979)
vocals:
Willie Nelson (in 1979)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 2003)
engineered at:
The Enactron Truck in Los Angeles, California, United States (in 1979)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 471)
live recording of:
On the Road Again (in 1979)
lyricist and composer:
Willie Nelson
publisher:
EMI Full Nelson Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Willie Nelson4.152:33
15Against the Wind
recording engineer, engineer, producer and mixer:
Bill Szymczyk
acoustic guitar, guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
electric guitar and solo guitar:
Drew Abbott
guest organ, organ, piano and solo piano:
Paul Harris (American keyboardist/pianist session player)
saxophone:
Alto Reed
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Bob Seger
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Against the Wind
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1980)
Bob Seger & the Silver Bullet Band3.55:36
16Forrest Gump Suite
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean, Bill Smith (US recording engineer) and Bill Talbott
executive producer:
Glen Brunman, Joel Sill and Robert Zemeckis
producer:
Alan Silvestri (American score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
conductor:
Alan Silvestri (American score composer)
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
recording of:
Forrest Gump
composer:
Alan Silvestri (American score composer)
part of:
Forrest Gump
Alan Silvestri3.258:50