Encore!

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Star Wars (Main Theme)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
5:41
2Star Wars (Princess Leia's Theme)
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:08
3E.T. (Flying Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:46
4Superman (March)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
4:27
5Superman (Love Theme)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
4:50
6Raiders of the Lost Ark (March)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:30
7Chariots of Fire (Main Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Joseph Reisman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Chariots of Fire (title theme of the 1981 film) (in 1982)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!)
4:12
8Gone With the Wind (Tara's Theme)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Tara’s Theme (Gone With the Wind, main theme) (in 1982)
composer:
Max Steiner
publisher:
Warner Olive Music LLC
part of:
Gone With the Wind (soundtrack from the 1939 film)
4:42
9A Summer Place (Love Theme)
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
2:40
10The Pink Panther (Main Theme)
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Henry Mancini (US composer, conductor & arranger)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Pink Panther Theme (in 1987-06)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI United Partnership Ltd. and Northridge Music, Inc.
3:13
11Never on Sunday
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Never on Sunday (in 1987-06)
lyricist:
Manos Hadjidakis (Greek composer) and Billy Towne (movie/musical composer)
composer:
Manos Hadjidakis (Greek composer)
translator:
Billy Towne (movie/musical composer)
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
The 33rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 33)
arrangement of:
Τα παιδιά του Πειραιά
translated version of:
Τα παιδιά του Πειραιά
2:51
12The Trolley Song (Meet Me in St. Louis)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1982)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
3:29
13Singin' in the Rain
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
Singin’ in the Rain (stage musical)
part of:
The Hollywood Revue (1929 MGM musical film)
3:39
14Pops Salutes the Oscars
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
medley including a recording of:
The Shadow of Your Smile (on 1988-05-18)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
medley including a recording of:
Moon River (from 1988-05-18 until 1988-06-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
medley including a recording of:
Raindrops Keep Fallin’ on My Head (from 1988-05-18 until 1988-06-04)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), フジパシフィックミュージック and フジパシフィックミュージック 第2事業部
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 42)
medley including a recording of:
Swinging on a Star (from 1988-05-18 until 1988-06-04)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 17)
medley including a recording of:
The Way We Were (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 46)
part of:
The Way We Were
medley including a recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (from 1988-05-18 until 1988-06-04)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
10:50
15Close Encounters of the Third Kind (Suite)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer)
10:11
▼ CD 2
#TitleRatingLength
1Candide (Overture)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer) (in 1981-06)
recording of:
Candide: Overture (in 1981-06)
composer:
Leonard Bernstein
part of:
Candide
4:19
2New York, New York: Main Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John McClure (recording engineer and record producer) and Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
instrumental recording of:
Theme From “New York, New York”
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
3:22
3Night Waltz / Send in the Clowns
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Jonathan Tunick
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
instrumental recording of:
Send In the Clowns (A Little Night Music) (in 1981)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
8:56
4Memory (from Cats)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Eric Knight
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
Memory (Cats) (in 1983)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Cats (Andrew Lloyd Webber musical)
4:37
5There's No Business Like Show Business
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell
part of:
Annie Get Your Gun
3:27
6Gigi (Selections)
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Robert Russell Bennett
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
instrumental recording of:
Gigi (Gigi) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd. and Warner/Chappell
part of:
The 31st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 31)
part of:
Gigi (full musical)
instrumental recording of:
I’m Glad I’m Not Young Anymore (from “Gigi”) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Say a Prayer for Me Tonight (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Thank Heaven for Little Girls (Gigi) (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Gigi (full musical)
instrumental recording of:
The Night They Invented Champagne (from "Gigi") (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
The Parisians (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell Music Ltd.
part of:
Gigi (full musical)
instrumental recording of:
Waltz at Maxim's (in 1981)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Gigi (full musical)
9:00
7By the Sleepy Lagoon
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (in 1984-05)
writer:
Jack Lawrence (US songwriter) and Eric Coates (composer) (in 1930)
2:45
8Moonlight Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
3:50
9Satin Doll
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo piano:
Robert Winter (pianist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Satin Doll (in 1984-05)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
2:25
10In the Mood
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
In the Mood (in 1984-05)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
3:29
11Sing, Sing, Sing
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Sing, Sing, Sing (With a Swing) (in 1984-05)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
4:01
12A Chorus Line: Overture
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Marvin Hamlisch
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
recording of:
A Chorus Line: Overture (in 1983)
composer:
Marvin Hamlisch
9:15
1376 Trombones
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
Seventy-Six Trombones (The Music Man) (in 1980-06)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
3:05
14Unchained Melody
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Unchained Melody (in 1987-06)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:43
15America (medley)
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
recording of:
America (medley)
arranger:
John Williams (American score composer)
7:44

Credits

Release

ASIN:US: B000294RO4 [info]