The Complete Riverside Recordings

~ Release by Thelonious Monk (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1It Don’t Mean a Thing (If It Ain’t Got That Swing)
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:41
2Sophisticated Lady
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Sophisticated Lady (from 1955-07-21 until 1955-07-27)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:31
3I Got It Bad (and That Ain’t Good)
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Got It Bad (and That Ain’t Good) (from 1955-07-21 until 1955-07-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:56
4Black and Tan Fantasy
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Black and Tan Fantasy (from 1955-07-21 until 1955-07-27)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
recording of:
Black and Tan Fantasy
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
3:29
5Mood Indigo
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:16
6I Let a Song Go Out of My Heart
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
I Let a Song Go Out of My Heart (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:43
7Solitude
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
(In My) Solitude (from 1955-07-21 until 1955-07-27)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:46
8Caravan
double bass:
Oscar Pettiford (from 1955-07-21 until 1955-07-27)
drums (drum set):
Kenny Clarke (from 1955-07-21 until 1955-07-27)
piano:
Thelonious Monk (from 1955-07-21 until 1955-07-27)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (from 1955-07-21 until 1955-07-27)
instrumental cover recording of:
Caravan (from 1955-07-21 until 1955-07-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
5:59
9Liza, All the Clouds’ll Roll Away
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (on 1956-03-17)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
3:14
10Memories of You
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Memories of You (on 1956-03-17)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
4:19
11Honeysuckle Rose
recorded in:
New York, New York, United States (on 1956-04-03)
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental cover recording of:
Honeysuckle Rose (on 1956-04-03)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
5:35
12Darn That Dream
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Darn That Dream (on 1956-04-03)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
6:33
13Tea for Two
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1956-04-03)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
5:56
▼ CD 2
#TitleRatingLength
1You Are Too Beautiful
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
You Are Too Beautiful (on 1956-03-17)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
4:58
2Just You, Just Me
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-03-17)
drums (drum set):
Art Blakey (on 1956-03-17)
piano:
Thelonious Monk (on 1956-03-17)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-03-17)
instrumental recording of:
Just You, Just Me (on 1956-03-17)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
8:02
3Ba-lue Bolivar Ba-lues-are
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
piano:
Thelonious Monk (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
recording of:
Ba‐lue Bolivar Ba‐lues‐are (on 1956-10-09)
composer:
Thelonious Monk
13:28
4Pannonica (opening)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry
celesta and piano:
Thelonious Monk (on 1956-10-09)
double bass:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
tenor saxophone:
Sonny Rollins
recorded at:
Reeves Sound Studios in New York, New York, United States
recording of:
Pannonica
composer:
Thelonious Monk
2:39
5Pannonica
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-09)
celesta and piano:
Thelonious Monk (on 1956-10-09)
double bass:
Oscar Pettiford (on 1956-10-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-09)
tenor saxophone:
Sonny Rollins (on 1956-10-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-09)
recording of:
Pannonica (on 1956-10-09)
composer:
Thelonious Monk
8:54
6Brilliant Corners
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Ernie Henry (on 1956-10-15)
double bass:
Oscar Pettiford (on 1956-10-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-10-15)
piano:
Thelonious Monk (on 1956-10-15)
tenor saxophone:
Sonny Rollins (on 1956-10-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-10-15)
recording of:
Brilliant Corners (on 1956-10-15)
composer:
Thelonious Monk
7:51
7Bemsha Swing
recording of:
Bemsha Swing (instrumental)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
7:55
8I Surrender, Dear
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1956-12-07)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-07)
instrumental recording of:
I Surrender Dear (on 1956-12-07)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
5:32
▼ CD 3
#TitleRatingLength
1I Don't Stand a Ghost of a Chance With You (take 5)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
4:16
2I Don't Stand a Ghost of a Chance With You (take 7)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
4:25
3I Should Care (take 1)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:33
4I Should Care (take 2)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:24
5I Should Care (take 3)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
instrumental recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:18
6’Round Midnight (in progress)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States
edit of:
’Round Midnight (in progress) by Thelonious Monk
recording of:
’Round Midnight (on 1957-04-05)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
21:59
7’Round Midnight (take 7)
recorded in:
New York, New York, United States (on 1957-04-05)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-05)
recording of:
’Round Midnight (on 1957-04-05)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:45
8April in Paris
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:55
9I’m Getting Sentimental Over You
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States
recording of:
I’m Getting Sentimental Over You
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:08
10Monk’s Mood (false start)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States
partial recording of:
Monk’s Mood
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
1:02
11Monk’s Mood
recorded in:
New York, New York, United States (on 1957-04-16)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Wilbur Ware (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
tenor saxophone:
John Coltrane (on 1957-04-16)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-16)
recording of:
Monk’s Mood (on 1957-04-16)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
7:53
▼ CD 4
#TitleRatingLength
1Functional (alternate take 1)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-16)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-16)
recording of:
Functional (on 1957-04-16)
composer:
Thelonious Monk
9:44
2Functional (take 2)
recorded in:
New York, New York, United States (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
recording of:
Functional (on 1957-04-16)
composer:
Thelonious Monk
9:20
3All Alone
recorded in:
New York, New York, United States (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
instrumental recording of:
All Alone
lyricist and composer:
Irving Berlin (in 1924)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
4:53
4Crepuscule With Nellie (take 1)
alto saxophone:
Gigi Gryce (on 1957-06-25)
double bass:
Wilbur Ware (on 1957-06-25)
drums (drum set):
Art Blakey (on 1957-06-25)
piano:
Thelonious Monk (on 1957-06-25)
tenor saxophone:
John Coltrane (on 1957-06-25) and Coleman Hawkins (on 1957-06-25)
trumpet:
Ray Copeland (on 1957-06-25)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-25)
recording of:
Crepuscule With Nellie (on 1957-06-25)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:35
5Crepuscule With Nellie (breakdown)
recording of:
Crepuscule With Nellie
composer:
Thelonious Monk
publisher:
Thelonious Music
1:03
6Blues for Tomorrow
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Gigi Gryce (on 1957-06-25)
double bass:
Wilbur Ware (on 1957-06-25)
drums (drum set):
Art Blakey (on 1957-06-25)
tenor saxophone:
John Coltrane (on 1957-06-25) and Coleman Hawkins (on 1957-06-25)
trumpet:
Ray Copeland (on 1957-06-25)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-25)
recording of:
Blues for Tomorrow (on 1957-06-25)
composer:
Gigi Gryce
publisher:
Twenty-Eighth Street Music
13:34
7Off Minor (alternate take 4)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass and double bass [bass]:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:16
8Off Minor (take 5)
recorded in:
New York, New York, United States
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trombone:
Ray Copeland
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Off Minor (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
5:10
9Abide With Me
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
arranger:
Thelonious Monk
publisher:
Thelonious Music
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
instrumental recording of:
Abide With Me (Set to tune ‘Eventide’) (on 1957-06-26)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
0:55
10Crepuscule With Nellie (takes 4/5)
recorded in:
New York, New York, United States (on 1957-06-26)
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recording of:
Crepuscule With Nellie (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:48
11Crepuscule With Nellie (take 6)
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass and double bass [bass]:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recording of:
Crepuscule With Nellie (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Thelonious Music
4:40
▼ CD 5
#TitleRatingLength
1Epistrophy (fragment)
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass [bass]:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
1:48
2Epistrophy
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
10:48
3Well, You Needn’t (opening)
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
partial instrumental recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
1:28
4Well, You Needn’t
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Well, You Needn’t (on 1957-06-26)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
11:27
5Ruby, My Dear
recorded in:
New York, New York, United States (on 1957-06-26)
bass and double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
Coleman Hawkins (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Ruby, My Dear (on 1957-06-26)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:29
6Ruby, My Dear
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
performer:
John Coltrane
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Ruby, My Dear (in 1957-07)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
6:22
7Nutty
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Nutty (in 1957-07)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
6:41
8Trinkle, Tinkle
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass and double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Trinkle Tinkle (in 1957-07)
composer:
Thelonious Monk (in 1952)
publisher:
Thelonious Music
6:41
9Straight, No Chaser (alternate take 1)
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
Straight, No Chaser (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music
5:31
10Straight, No Chaser (take 3)
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
Straight, No Chaser (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music
7:02
11Rhythm-a-ning
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
Rhythm-a-ning (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
5:20
▼ CD 6
#TitleRatingLength
1I Mean You (alternate take 1)
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-12, on 1957-08-13)
double bass:
Wilbur Ware (on 1957-08-12)
double bass [bass]:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-12, on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-12, on 1957-08-13)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-08-12)
recording of:
I Mean You (on 1957-08-12)
composer:
Coleman Hawkins and Thelonious Monk
recording of:
I Mean You (on 1957-08-13)
composer:
Coleman Hawkins and Thelonious Monk
6:24
2I Mean You (alternate take 2)
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass and double bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-08-12)
recording of:
I Mean You (on 1957-08-12)
composer:
Coleman Hawkins and Thelonious Monk
6:35
3I Mean You (take 4)
recorded in:
New York, New York, United States (on 1957-08-12)
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recording of:
I Mean You (on 1957-08-12)
composer:
Coleman Hawkins and Thelonious Monk
6:56
4’Round Midnight
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
recording of:
’Round Midnight (on 1957-08-13)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
8:32
5Decidedly (stereo take 4)
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
5:56
6Decidedly (monaural take 5)
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
6:40
7Sweet and Lovely
recorded in:
New York, New York, United States (on 1957-08-13)
baritone saxophone:
Gerry Mulligan (on 1957-08-13)
bass:
Wilbur Ware (on 1957-08-13)
drums (drum set):
Shadow Wilson (on 1957-08-13)
piano:
Thelonious Monk (on 1957-08-13)
instrumental recording of:
Sweet and Lovely (on 1957-08-13)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
7:18
8Coming on the Hudson
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1958-02-25)
double bass [bass]:
Wilbur Ware (on 1958-02-25)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-25)
piano:
Thelonious Monk (on 1958-02-25)
tenor saxophone:
Johnny Griffin (on 1958-02-25)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1958-02-25)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-02-25)
recording of:
Coming on the Hudson (on 1958-02-25)
composer:
Thelonious Monk
6:07
9In Orbit
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
4:45
10One Foot in the Gutter
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
performer:
Clark Terry (American swing trumpeter)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
7:21
▼ CD 7
#TitleRatingLength
1Trust in Me
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
4:34
2Let’s Cool One
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
recording of:
Let’s Cool One (from 1958-05-07 until 1958-05-12)
composer:
Thelonious Monk
4:59
3Pea Eye
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
4:32
4Argentia
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
6:16
5Moonlight Fiesta
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
2:38
6Buck's Business
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
3:26
7Flugelin’ the Blues
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
7:05
8Very Near Blue
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (from 1958-05-07 until 1958-05-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-05-07 until 1958-05-12)
flugelhorn:
Clark Terry (American swing trumpeter) (from 1958-05-07 until 1958-05-12)
piano:
Thelonious Monk (from 1958-05-07 until 1958-05-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1958-05-07 until 1958-05-12)
3:08
9Evidence
double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-07-09)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-07-09)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin (on 1958-07-09)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live recording of:
Evidence (on 1958-07-09)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
10:18
10Blues Five Spot
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-07-09)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-07-09)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin (on 1958-07-09)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live recording of:
Blues Five Spot (on 1958-07-09)
composer:
Thelonious Monk
9:58
11In Walked Bud / Epistrophy (theme)
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-07-09)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-07-09)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin (on 1958-07-09)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live partial recording of:
Epistrophy (on 1958-07-09)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
live recording of:
In Walked Bud (on 1958-07-09)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
10:57
▼ CD 8
#TitleRatingLength
1[unidentified solo piano]
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live recording of:
Dreamland (on 1958-07-09)
composer:
Thelonious Monk
1:56
2’Round Midnight
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-07-09)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-07-09)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin (on 1958-07-09)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live recording of:
’Round Midnight (on 1958-07-09)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:19
3Bye-Ya / Epistrophy (theme)
double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-07-09)
drums (drum set):
Art Blakey (on 1958-07-09)
piano:
Thelonious Monk (on 1958-07-09)
tenor saxophone:
Johnny Griffin (on 1958-07-09)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-07-09)
live recording of:
Bye-Ya (on 1958-07-09)
composer:
Thelonious Monk
live partial recording of:
Epistrophy (on 1958-07-09)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
11:57
4Light Blue
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Light Blue (on 1958-08-07)
composer:
Thelonious Monk
5:15
5Coming on the Hudson
bass and double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Coming on the Hudson (on 1958-08-07)
composer:
Thelonious Monk
recording of:
Coming on the Hudson
composer:
Thelonious Monk
5:24
6Rhythm-a-ning
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Rhythm-a-ning (on 1958-08-07)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
9:28
7Just a Gigolo
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live instrumental cover recording of:
Just a Gigolo (English version) (on 1958-08-07)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
2:10
8Blue Monk
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Blue Monk (on 1958-08-07)
publisher:
Thelonious Monk
composer:
Thelonious Monk
8:30
9Evidence
bass and double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Evidence (on 1958-08-07)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (Publisher, affiliated to BMI.)
8:46
10Epistrophy (theme)
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live partial recording of:
Epistrophy (on 1958-08-07)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
1:08
▼ CD 9
#TitleRatingLength
1Nutty
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Nutty (on 1958-08-07)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
5:23
2Blues Five Spot
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass and double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Blues Five Spot (on 1958-08-07)
composer:
Thelonious Monk
8:12
3Let’s Cool One
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass and double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
Let’s Cool One (on 1958-08-07)
composer:
Thelonious Monk
9:15
4In Walked Bud
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live recording of:
In Walked Bud (on 1958-08-07)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
11:20
5Misterioso
double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
phonographic copyright (℗) by:
Phoenix Records (Spanish jazz reissue label)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
recording of:
Misterioso (on 1958-08-07)
composer:
Thelonious Monk
10:48
6Epistrophy (theme #2)
double bass [bass]:
Ahmed Abdul‐Malik (US jazz double bassist and oud player) (on 1958-08-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-08-07)
piano:
Thelonious Monk (on 1958-08-07)
tenor saxophone:
Johnny Griffin (on 1958-08-07)
recorded at:
Five Spot (original location) in Manhattan, New York, New York, United States (on 1958-08-07)
live partial recording of:
Epistrophy (on 1958-08-07)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
1:04
7In Walked Bud
bass:
Sam Jones (US jazz bassist) (on 1959-02-28)
drums (drum set):
Art Taylor (on 1959-02-28)
piano:
Thelonious Monk (on 1959-02-28)
tenor saxophone:
Charlie Rouse (on 1959-02-28)
recorded at:
The Town Hall (Town Hall, New York City) in New York, New York, United States (on 1959-02-28)
live recording of:
In Walked Bud (on 1959-02-28)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
7:09
8Blue Monk
bass:
Sam Jones (US jazz bassist) (on 1959-02-28)
drums (drum set):
Art Taylor (on 1959-02-28)
piano:
Thelonious Monk (on 1959-02-28)
tenor saxophone:
Charlie Rouse (on 1959-02-28)
recorded at:
The Town Hall (Town Hall, New York City) in New York, New York, United States (on 1959-02-28)
live recording of:
Blue Monk (on 1959-02-28)
publisher:
Thelonious Monk
composer:
Thelonious Monk
recording of:
Blue Monk
publisher:
Thelonious Monk
composer:
Thelonious Monk
8:20
▶ CD 10
▶ CD 11
▶ CD 12
▶ CD 13
▶ CD 14
▶ CD 15