From Left to Right

~ Release by Bill Evans (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1What Are You Doing the Rest of Your Life?
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1970-04 until 1970-05)
drums (drum set):
Marty Morell (drums) (from 1970-04 until 1970-05)
guitar:
Sam Brown (jazz guitarist) (from 1970-04 until 1970-05)
piano:
Bill Evans (pianist) (from 1970-04-14 until 1970-05-20)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1970-04 until 1970-05)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1970-04 until 1970-05)
instrumental recording of:
What Are You Doing the Rest of Your Life? (from 1970-04 until 1970-05)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
4:09
2I'm All Smiles
recorded in:
San Francisco, California, United States (from 1969-10-14 until 1970-05-01)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1969-10-14 until 1970-05-01)
drums (drum set):
Marty Morell (drums) (from 1969-10-14 until 1970-05-01)
guitar:
Sam Brown (jazz guitarist) (from 1969-10-14 until 1970-05-01)
piano:
Bill Evans (pianist) (from 1969-10-14 until 1970-05-01)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1969-10-14 until 1970-05-01)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
instrumental recording of:
I’m All Smiles (The Yearling) (from 1969-10-14 until 1970-05-01)
lyricist:
Herbert Martin (lyricist)
composer:
Michael Leonard (composer, collaborated with Herbert Martin)
publisher:
BJS Music Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
5:47
3Why Did I Choose You?
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1970-04 until 1970-05)
drums (drum set):
Marty Morell (drums) (from 1970-04 until 1970-05)
guitar:
Sam Brown (jazz guitarist) (from 1970-04 until 1970-05)
piano:
Bill Evans (pianist) (from 1970-04 until 1970-05)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1970-04 until 1970-05)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1970-04 until 1970-05)
instrumental recording of:
Why Did I Choose You? (The Yearling) (from 1970-04 until 1970-05)
lyricist and composer:
Michael Leonard (composer, collaborated with Herbert Martin) and Herbert Martin (lyricist)
publisher:
Mayfair Music Corp. (ended), BJS Music Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
5:09
4Soirée
recorded in:
San Francisco, California, United States (on 1970-03-26)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-03-26)
drums (drum set):
Marty Morell (drums) (on 1970-03-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-26)
piano:
Bill Evans (pianist) (on 1970-03-26)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (on 1970-03-26)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
cover recording of:
Soirée (on 1970-03-26)
writer:
Earl Zindars
3:29
5The Dolphin - Before
recorded in:
San Francisco, California, United States (on 1970-03-28)
producer:
Helen Keane
drums (drum set):
Marty Morell (drums) (on 1970-03-28)
electric bass guitar:
John Beal (American Broadway bassist) (on 1970-05-27)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-28)
piano:
Bill Evans (pianist) (on 1970-03-28)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1970-03-28 until 1970-05-27)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1970-05-27)
recording of:
The Dolphin (from 1970-03-28 until 1970-05-27)
lyricist:
Reuben Fisher
composer:
Luiz Eça
3:10
6The Dolphin - After
recorded in:
San Francisco, California, United States (on 1970-03-28)
producer:
Helen Keane
cello:
Seymour Barab (on 1970-04-23)
drums (drum set):
Marty Morell (drums) (on 1970-03-28) and Gary Chester (studio drummer and educator) (on 1970-04-23)
electric bass guitar:
John Beal (American Broadway bassist) (on 1970-05-27)
flute:
Harvey Estrin (on 1970-04-23)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-28)
piano:
Bill Evans (pianist) (on 1970-03-28)
reeds:
Donald Ashworth (on 1970-04-23), Harvey Estrin (on 1970-04-23), Romeo Penque (on 1970-04-23) and Joe Soldo (on 1970-04-23)
viola:
Norman Forrest (on 1970-04-23) and David Schwartz (violist) (on 1970-04-23)
violin:
Leo Kahn (on 1970-04-23), Karen Jones (Violinist) (on 1970-04-23), David Nadien (on 1970-04-23), George Ockner (on 1970-04-23), Raoul Polikian (on 1970-04-23), Tosha Samaroff (on 1970-04-23) and David Schwartz (violist) (on 1970-04-23)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1970-03-28 until 1970-05-27)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1970-05-27)
recording of:
The Dolphin (from 1970-03-28 until 1970-05-27)
lyricist:
Reuben Fisher
composer:
Luiz Eça
3:11
7Lullaby for Helene
recorded in:
San Francisco, California, United States (on 1970-03-28)
producer:
Helen Keane
cello:
Seymour Barab (on 1970-04-23)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-04-23)
drums (drum set):
Marty Morell (drums) (on 1970-03-28)
flute:
Harvey Estrin (on 1970-04-23)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-28)
percussion:
Gary Chester (studio drummer and educator) (on 1970-04-23)
piano:
Bill Evans (pianist) (on 1970-03-28)
reeds:
Donald Ashworth (on 1970-04-23), Harvey Estrin (on 1970-04-23), Romeo Penque (on 1970-04-23) and Joe Soldo (on 1970-04-23)
viola:
Norman Forrest (on 1970-04-23) and David Schwartz (violist) (on 1970-04-23)
violin:
Leo Kahn (on 1970-04-23), Karen Jones (Violinist) (on 1970-04-23), David Nadien (on 1970-04-23), George Ockner (on 1970-04-23), Tosha Samaroff (on 1970-04-23) and David Schwartz (violist) (on 1970-04-23)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1970-03-28 until 1970-05-27)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1970-04-23) and RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1970-05-27)
recording of:
Lullaby for Helene (from 1970-03-28 until 1970-05-27)
composer:
Earl Zindars
2:55
8Like Someone in Love
recorded in:
San Francisco, California, United States (from 1969-10-14 until 1970-05-01)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1969-10-14 until 1970-05-01)
drums (drum set):
Marty Morell (drums) (from 1969-10-14 until 1970-05-01)
guitar:
Sam Brown (jazz guitarist) (from 1969-10-14 until 1970-05-01)
piano:
Bill Evans (pianist) (from 1969-10-14 until 1970-05-01)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1969-10-14 until 1970-05-01)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
instrumental recording of:
Like Someone in Love (from 1969-10-14 until 1970-05-01)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:43
9Children's Play Song
recorded in:
San Francisco, California, United States (from 1969-10-14 until 1970-05-01)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1969-10-14 until 1970-05-01)
drums (drum set):
Marty Morell (drums) (from 1969-10-14 until 1970-05-01)
guitar:
Sam Brown (jazz guitarist) (from 1969-10-14 until 1970-05-01)
piano:
Bill Evans (pianist) (from 1969-10-14 until 1970-05-01)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (from 1969-10-14 until 1970-05-01)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recording of:
Children's Play Song (from 1969-10-14 until 1970-05-01)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music
4:21
10What Are You Doing the Rest of Your Life? [Quartet]
recorded in:
San Francisco, California, United States (on 1970-03-26)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-03-26)
drums (drum set):
Marty Morell (drums) (on 1970-03-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-26)
piano:
Bill Evans (pianist) (on 1970-03-26)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (on 1970-03-26)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
instrumental recording of:
What Are You Doing the Rest of Your Life? (on 1970-03-26)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
4:49
11Why Did I Choose You? [Quartet]
recorded in:
San Francisco, California, United States (on 1970-03-26)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-03-26)
drums (drum set):
Marty Morell (drums) (on 1970-03-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-26)
piano:
Bill Evans (pianist) (on 1970-03-26)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (on 1970-03-26)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
instrumental recording of:
Why Did I Choose You? (The Yearling) (on 1970-03-26)
lyricist and composer:
Michael Leonard (composer, collaborated with Herbert Martin) and Herbert Martin (lyricist)
publisher:
Mayfair Music Corp. (ended), BJS Music Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
4:20
12Soirée (alternate take)
recorded in:
San Francisco, California, United States (on 1970-03-26)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-03-26)
drums (drum set):
Marty Morell (drums) (on 1970-03-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-26)
piano:
Bill Evans (pianist) (on 1970-03-26)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (on 1970-03-26)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
cover recording of:
Soirée (on 1970-03-26)
writer:
Earl Zindars
3:31
13Lullaby for Helene [Quartet]
recorded in:
San Francisco, California, United States (on 1970-03-26)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-03-26)
drums (drum set):
Marty Morell (drums) (on 1970-03-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-03-26)
piano:
Bill Evans (pianist) (on 1970-03-26)
conductor:
Michael Leonard (composer, collaborated with Herbert Martin) (on 1970-03-26)
arranger:
Michael Leonard (composer, collaborated with Herbert Martin)
recording of:
Lullaby for Helene (on 1970-03-26)
composer:
Earl Zindars
2:40

Credits

Release

art direction and design:Sung Lee-Crawforth
photography:Sy Johnson
liner notes:Helen Keane
Michael Leonard (composer, collaborated with Herbert Martin)
Harold Rhodes
executive producer:Richard Seidel
mastering:Suha Gur
bass trombone:Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1969-10-21, on 1970-05-01)
cello:Seymour Barab (on 1969-11-13, on 1970-04-23, on 1970-05-01)
George Ricci (on 1969-11-13, on 1970-05-01)
double bass:Eddie Gomez (jazz double bassist) (on 1969-10-14, on 1969-10-21)
drums (drum set):Gary Chester (studio drummer and educator) (on 1970-04-23)
Sol Gubin (on 1970-05-01)
flugelhorn:George Triffon (on 1969-10-21)
flute:Harvey Estrin (on 1969-10-21, on 1970-04-23, on 1970-05-01)
French horn:Ray Alonge (french horn) (on 1969-10-21, on 1970-05-01)
Joseph DeAngelis (on 1970-05-01)
guitar:Sam Brown (jazz guitarist) (on 1969-10-14, on 1969-10-21, on 1970-05-01)
reeds:Romeo Penque (on 1969-10-21, on 1970-04-23)
Donald Ashworth (on 1970-04-23)
Harvey Estrin (on 1970-04-23)
Joseph Soldo (on 1970-04-23)
William Slapin (on 1970-05-01)
trombone:John D. Messner (trombone) (on 1969-10-21)
Wayne Andre (on 1970-05-01)
Mickey Gravine (on 1970-05-01)
trumpet:Jerome Kail (on 1969-10-14)
George Triffon (on 1969-10-21)
viola:Alfred V. Brown (viola) (on 1969-11-13, on 1970-05-01)
Norman Forrest (on 1969-11-13, on 1970-04-23)
David Schwartz (violist) (on 1970-04-23, on 1970-05-01)
violin:Leo Kahn (on 1969-11-13, on 1970-04-23, on 1970-05-01)
George Ockner (on 1969-11-13, on 1970-04-23, on 1970-05-01)
Raoul Polikian (on 1969-11-13, on 1970-04-23, on 1970-05-01)
Aaron Rosand (violinist) (on 1969-11-13)
Karen Jones (Violinist) (on 1970-04-23, on 1970-05-01)
David Nadien (on 1970-04-23)
Tosha Samaroff (on 1970-04-23, on 1970-05-01)
David Schwartz (violist) (on 1970-04-23, on 1970-05-01)
Norman Forrest (on 1970-05-01)
conductor:Michael Leonard (composer, collaborated with Herbert Martin) (on 1969-10-21, on 1969-11-13, on 1970-04-23, on 1970-05-01)
arranger:Michael Leonard (composer, collaborated with Herbert Martin)
copyrighted (©) by and phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1998)
recorded at:Media Sound studios in New York, New York, United States (on 1969-10-14)
Media Sound Studios in New York, New York, United States (on 1969-10-21)
Century Sound in New York, New York, United States (on 1969-11-13)
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1970-04-23, on 1970-04-29)
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1970-05-01)
mastered at:PolyGram Studios (Tape master storage facility and mastering studio in Edison, NJ) in Edison, New Jersey, United States
Discogs:https://www.discogs.com/release/7124289 [info]
ASIN:US: B00000DLUO [info]
Allmusic:https://www.allmusic.com/album/release/mr0000011654 [info]