| # | Title | Artist | Rating | Length |
|---|
| 1 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:35 |
| 2 | Celebration- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and The Island Def Jam Music Group (in 1980)
- recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kool & the Gang | 4.4 | 3:44 |
| 3 | Keep On Loving You | REO Speedwagon | 3.75 | 3:20 |
| 4 | Bette Davis Eyes | Kim Carnes | | 3:44 |
| 5 | Tainted Love | Soft Cell | 3.9 | 2:40 |
| 6 | Arthurs Theme- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
| Christopher Cross | | 3:54 |
| 7 | Centerfold | The J. Geils Band | 4.1 | 3:38 |
| 8 | The Model | Kraftwerk | 4.15 | 3:40 |
| 9 | Town Called Malice | The Jam | 4.75 | 2:55 |
| 10 | Fame | Irene Cara | | 3:50 |
| 11 | Come On Eileen | Dexys Midnight Runners | 5 | 4:07 |
| 12 | Down Under | Men at Work | 4.05 | 3:44 |
| 13 | Africa | Toto | | 3:58 |
| 14 | Baby Come to Me | Patti Austin | | 3:37 |
| 15 | Too Shy | Kajagoogoo | | 3:44 |
| 16 | Total Eclipse of the Heart | Bonnie Tyler | 4.05 | 4:30 |
| 17 | True | Spandau Ballet | | 5:31 |
| 18 | Wherever I Lay My Hat | Paul Young | | 4:12 |
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