Handel: The Great Oratorios

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

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CD 1: La Resurrezione - Parte prima
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1La Resurrezione (1708), HWV 47, Parte Prima: Sonata
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
3:18
2La Resurrezione (1708), HWV 47, Parte Prima: No. 3 Aria: "Disserratevi, o porte d'Averno" (Angelo)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
5:33
3La Resurrezione (1708), HWV 47, Parte Prima: No. 2b Recitativo accompagnato: "Qual'insolita luce" (Lucifero) / No. 1 Aria: "Caddi, è ver (Lucifero)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
4:49
4La Resurrezione (1708), HWV 47, Parte Prima: No. 4 Recitativo accompagnato: "Ma, che veggio?" (Lucifero, Angelo) / Recitativo: "Chi sei?" (Lucifero, Angelo)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
1:32
5La Resurrezione (1708), HWV 47, Parte Prima: No. 5 Aria: "D'amor fu consiglio" (Angelo) / Recitativo: "E ben, questio tuo Nume" (Lucifero, Angelo)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
3:59
6La Resurrezione (1708), HWV 47, Parte Prima: No. 6 Aria: "O voi, dell'Erebo" (Lucifero)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
3:28
7La Resurrezione (1708), HWV 47, Parte Prima: No. 7 Recitativo accompagnato: "Notte, notte funesta" (Maddalena) / No. 8 Aria: "Ferma l'ali" (Maddalena) / Recitativo: "Concedi, o Maddalena, quale tregua al martire" (Cleofe, Maddalena)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
6:56
8La Resurrezione (1708), HWV 47, Parte Prima: No. 9 Aria: "Piangete, sì, piangete" (Cleofe) / Recitativo: "Ahi, dolce mio Signore" (Maddalena, Cleofe)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
4:31
9La Resurrezione (1708), HWV 47, Parte Prima: No. 10 Duetto: "Dolci chiodi, amate spine" (Maddalena, Cleofe) / Recitativo: "O Cleofe, o Maddalena" (S. Giovanni, Maddalena)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
5:22
10La Resurrezione (1708), HWV 47, Parte Prima: No. 11 Aria: "Quando è parto dell'affetto" (S. Giovanni) / Recitativo: "Ma dimmi, e sarà vero che risorga Gesù" (Cleofe, S. Giovanni, Maddalena)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
4:43
11La Resurrezione (1708), HWV 47, Parte Prima: No. 12 Aria: "Naufragando va per l'onde" (Cleofe) / Recitativo: "Itene pure, o fide amiche donne" (S. Giovanni, Maddalena)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
6:05
12La Resurrezione (1708), HWV 47, Parte Prima: No. 13 Aria: "Così la tortorella" (S. Giovanni) / Recitativo: "Se Maria dunque spera" (Maddalena)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
4:34
13La Resurrezione (1708), HWV 47, Parte Prima: No. 14 Aria: "Ho un non so che nel cor" (Maddalena) / Recitativo: "Uscite pure, uscite dall'oscura prigione" (Angelo)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
4:10
14La Resurrezione (1708), HWV 47, Parte Prima: No. 15 Coro: "Il Nume vincitor" (Angelo, Coro di Angeli)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
2:22
CD 2: La Resurrezione - Parte seconda
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1La Resurrezione (1708), HWV 47, Parte Seconda: No. 16 Introduction / Recitativo: "Di quai nuovi portenti ha la terra oggi ancora il sen fecondo?" (S. Giovanni)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Introduction - Einleitung
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
2:25
2La Resurrezione (1708), HWV 47, Parte Seconda: No. 17 Aria: "Ecco il sol, ch'esce dal mare" (S. Giovanni) / Recitativo: "Ma ove Maria dimora" (S. Giovanni)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
5:13
3La Resurrezione (1708), HWV 47, Parte Seconda: No. 18 Aria: "Risorga il mondo" (Angelo)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
2:34
4La Resurrezione (1708), HWV 47, Parte Seconda: No. 19 Recitativo accompagnato: "Di rabbia indarno freme" (Angelo) / "Misero! ho pure udito?" (Lucifero, Angelo)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:46
5La Resurrezione (1708), HWV 47, Parte Seconda: No. 20 Aria: "Per celare il nuovo scorno" (Lucifero) / Recitativo: "O come cieco il tuo furor delira!" (Angelo)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
2:28
6La Resurrezione (1708), HWV 47, Parte Seconda: No. 21 Duetto: "Impedirlo io saprò" (Lucifero, Angelo) / Recitativo: "Amica, troppo tardo fu il nostro piè" (Maddalena, Cleofe)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:22
7La Resurrezione (1708), HWV 47, Parte Seconda: No. 22 Aria: "Per me già di morire" (Maddalena) / Recitativo: "Ahi, abborrito nome!" (Lucifero)
bass vocals [Lucifero]:
David Thomas (British operatic bass)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
5:34
8La Resurrezione (1708), HWV 47, Parte Seconda: No. 23 Aria: "Vedo il Ciel che più sereno" (Cleofe) / Recitativo: "Cleofe, siam giunte al luogo" (Maddalena, Cleofe)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
5:36
9La Resurrezione (1708), HWV 47, Parte Seconda: No. 24 Aria: "Se per colpa di donna infelice" (Angelo) / Recitativo: "Mio Gesù, mio Signore, già che risorto sei" (Maddalena)
soprano vocals [Angelo]:
Emma Kirkby (soprano)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
3:04
10La Resurrezione (1708), HWV 47, Parte Seconda: No. 25 Aria: "Del ciglio dolente" (Maddalena) / Recitativo: "Sì, sì, cerchiamo pure l'orme del nostro amor" (Cleofe)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
2:51
11La Resurrezione (1708), HWV 47, Parte Seconda: No. 26 Aria: "Augelletti, ruscelletti" (Cleofe) / Recitativo: "Dove sì frettolosi, Cleofe, rivolgi i passi?" (Giovanni, Cleofe)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
4:04
12La Resurrezione (1708), HWV 47, Parte Seconda: No. 27 Aria: "Caro Figlio!" (S. Giovanni) / Recitativo: "Cleofe, Giovanni, udite" (Maddalena, S. Giovanni, Cleofe)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
5:42
13La Resurrezione (1708), HWV 47, Parte Seconda: No. 28 Aria: "Se impassibile, immortale" (Maddalena): Recitativo: "Sì, sì, col Redentore sorga il mondo redento!" (S. Giovanni, Cleofe, Maddalena)
contralto vocals [Cleofe]:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals [Maddalena]:
Patrizia Kwella (soprano)
tenor vocals [San Giovanni]:
Ian Partridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
4:10
14La Resurrezione (1708), HWV 47, Parte Seconda: No. 29 Coro: "Diasi lode in Cielo, in terra" (Coro)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:28
CD 3: Acis & Galatea - Act I
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1Acis and Galatea, HWV 49 (First Version): Act One. No. 1 Sinfonia
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:27
2Acis and Galatea, HWV 49 (First Version): Act One. No. 2 Chorus: "Oh, the pleasure of the plains!"
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
5:56
3Acis and Galatea, HWV 49 (First Version): Act One. No. 3 Accompagnato: "Ye verdant plains and woody mountains" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:57
4Acis and Galatea, HWV 49 (First Version): Act One. No. 4 Air: "Hush, ye pretty warbling quire!" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
6:20
5Acis and Galatea, HWV 49 (First Version): Act One. No. 5 Air: "Where shall I seek the charming fair?" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:23
6Acis and Galatea, HWV 49 (First Version): Act One. Recitative: "Stay, shepherd, stay!" (Damon)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:26
7Acis and Galatea, HWV 49 (First Version): Act One. No. 6 Air: "Shepherd, what art thou pursuing?" (Damon)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
4:28
8Acis and Galatea, HWV 49 (First Version): Act One. Recitative: "Lo! Here my love" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:31
9Acis and Galatea, HWV 49 (First Version): Act One. No. 7 Air: "Love in her eyes sits playing" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
6:53
10Acis and Galatea, HWV 49 (First Version): Act One. Recitative: "Oh! Didst thou know the pains of absent love" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:22
11Acis and Galatea, HWV 49 (First Version): Act One. No. 8 Air: "As when the dove laments her love" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
6:32
12Acis and Galatea, HWV 49 (First Version): Act One. No. 9 Duet: "Happy we! What joys I feel!" (Acis, Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
2:35
CD 4: Acis & Galatea - Act II
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1Acis and Galatea, HWV 49 (First Version): Act Two. No. 10 Chorus: "Wretched lovers! Fate has passed this sad decree"
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
5:06
2Acis and Galatea, HWV 49 (First Version): Act Two. No. 11 Accompagnato: "I rage, I melt, I burn!" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
1:24
3Acis and Galatea, HWV 49 (First Version): Act Two. No. 12 Air: "O ruddier than the cherry" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:08
4Acis and Galatea, HWV 49 (First Version): Act Two. Recitative: "Whither, fairest, art thou running" (Polyphemus, Galatea)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
1:06
5Acis and Galatea, HWV 49 (First Version): Act Two. No. 13 Air: "Cease to beauty to be suing" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
5:39
6Acis and Galatea, HWV 49 (First Version): Act Two. No. 14 Air: "Would you gain the tender creature, softly, gently, kindly treat her" (Damon)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
5:43
7Acis and Galatea, HWV 49 (First Version): Act Two. Recitative: "His hideous love provokes me rage" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:27
8Acis and Galatea, HWV 49 (First Version): Act Two. No. 15 Air: "Love sounds th'alarm, and fear is a-flying" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
5:26
9Acis and Galatea, HWV 49 (First Version): Act Two. No. 16 Air: "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
6:34
10Acis and Galatea, HWV 49 (First Version): Act Two. Recitative: "Cease, oh cease, thou gentle youth" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:32
11Acis and Galatea, HWV 49 (First Version): Act Two. No. 17 Trio: "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
2:31
12Acis and Galatea, HWV 49 (First Version): Act Two. No. 18 Accompagnato: "Help, Galatea! Help, ye parent gods!" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
1:05
13Acis and Galatea, HWV 49 (First Version): Act Two. No. 19 Chorus: "Mourn, all ye Muses! Weep, all ye swains!"
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:16
14Acis and Galatea, HWV 49 (First Version): Act Two. No. 20a Solo and Chorus: "Must I my Acis still bemoan, inglorious crush'd beneath that stone?" (Galatea)
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:56
15Acis and Galatea, HWV 49 (First Version): Act Two. Recitative: "'Tis done: thus I exert pow'r divine; be thou immortal" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
0:24
16Acis and Galatea, HWV 49 (First Version): Act Two. No. 21 Air: "Heart, the seat of soft delight, be thou now a fountain bright!" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
4:09
17Acis and Galatea, HWV 49 (First Version): Act Two. No. 22 Chrous: "Galatea, dry thy tears, Acis now a god appears!"
bass vocals [Polyphemus]:
Willard White (bass-baritone)
soprano vocals [Galatea]:
Norma Burrowes (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
tenor vocals [Acis]:
Anthony Rolfe Johnson (tenor)
tenor vocals [Damon]:
Martyn Hill (tenor)
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-02)
3:12
CD 5: Esther - Scenes 1-4
#TitleRatingLength
1Esther, HWV 50: Scene 1. Ouverture / Recitative: "'Tis greater far to spare" (Habdonah, Haman)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
7:46
2Esther, HWV 50: Scene 1. No. 1 Air: "Pluck root and branch from out the land" (Haman)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
2:10
3Esther, HWV 50: Scene 1. No. 2 Chorus: "Shall we the God of Israel fear?"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
1:55
4Esther, HWV 50: Scene 2. No. 3 Air: "Tune your harps to cheerful strains" (1st Israelite)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
3:56
5Esther, HWV 50: Scene 2. No. 4 Chorus: "Shall we of servitude complain"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
1:26
6Esther, HWV 50: Scene 2. No. 5 Air: "Praise the Lord with cheerful noise" (Israelite woman)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
soprano vocals [Israelite woman]:
Lynne Dawson (soprano) (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
6:08
7Esther, HWV 50: Scene 2. No. 6 Air: "Sing songs of praise, bow down the knee" (2nd Israelite) / Scene 3. Recitative: "How have our sins provoked the Lord!" (Priest)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
6:12
8Esther, HWV 50: Scene 3. No. 8 Chorus: "Ye sons of Israel mourn"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
2:06
9Esther, HWV 50: Scene 3. No. 9 Air: "O Jordan, Jordan, sacred tide" (Priest) / Scene 4. Recitative: "Why sits that sorrow on thy brow?" (Esther)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
9:35
10Esther, HWV 50: Scene 4. No. 10 Air: "Dread not, righteous Queen, the danger" (Mordecai)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
3:46
11Esther, HWV 50: Scene 4. No. 11 Air: "Tears assist me, pity moving" (Esther)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
3:01
12Esther, HWV 50: Scene 4. No. 12 Chorus: "Save us, O Lord"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
1:32
CD 6: Esther - Scenes 5 & 6
#TitleRatingLength
1Esther, HWV 50: Scene 5. Recitative: "Who dares intrude into our presence" (Ahasuerus)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
1:08
2Esther, HWV 50: Scene 5. No. 13 Duet: "Who calls my parting soul from death?" / "Awake, my soul, my life, my breath!" (Esther, Ahasuerus)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
2:35
3Esther, HWV 50: Scene 5. No. 14 Air: "O beauteous Queen" (Ahasuerus) / Recitative:"If I find favour in thy sight" (Esther)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
7:39
4Esther, HWV 50: Scene 5. No. 15 Air: "How can I stay when love invites" (Ahasuerus)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
3:54
5Esther, HWV 50: Scene 5. No. 16 Chorus: "Virtue, truth and innocence"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
2:34
6Esther, HWV 50: Scene 5. No. 17 Arioso: "Jehovah, crown'd with glory bright" (Priest) / Scene 5. No. 18 Chorus: "He comes, he comes to end our woes" / Scene 6. Recitative: "Now, o Queen, thy suit declare (Ahasuerus)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
6:59
7Esther, HWV 50: Scene 6. No. 19 Arioso: "Turn not, O Queen, thy face away" (Haman)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
2:11
8Esther, HWV 50: Scene 6. No. 20 Air: "Flatt'ring tongue, no more I hear thee!" (Esther) / Scene 6. Recitative: "Guards, seize the traitor" (Ahasuerus)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
5:12
9Esther, HWV 50: Scene 6. No. 21 Air: "How art thou fall'n from thy height!" (Haman)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
4:16
10Esther, HWV 50: Scene 6. No. 22 Chorus: "The Lord our enemy has slain" / Chorus: "For ever blessed be thy holy name" / Solo: "Let Israel soings of joy repeat" (Priest) / Chorus: "For ever be thy holy name" / Duet: "The Lord his people shall restore (Esther, Mordecai) / Chorus: "For ever blessed by thy holy name" / Duet: "Mount Lebanon his firs resigns" / Chorus: "For ever blessed be thy holy name"
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23)
10:46
CD 7: Athalia - Part I
#TitleRatingLength
1Athalia, HWV 52: Part One, Scene 1. Symphony
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
5:23
2Athalia, HWV 52: Part One, Scene 1. No. 1 Air: "Blooming virgins, spotless train" (Josabeth)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
4:48
3Athalia, HWV 52: Part One, Scene 1. No. 2 Chorus: "The rising world Jehovah crown'd" (Young Virgins)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
3:13
4Athalia, HWV 52: Part One, Scene 1. No. 3 Solo & Chorus: "Tyrants would in impious throngs" (Josabeth)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
3:19
5Athalia, HWV 52: Part One, Scene 1. Recitative: "When he is in his wrath reveal'd" (Abner)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
3:41
6Athalia, HWV 52: Part One, Scene 2. Recitative: "Your sacred songs awhile forbear" (Joad)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
6:41
7Athalia, HWV 52: Part One, Scene 3. No. 7 Accompagnato: "What scenes of horror round me rise!" (Athalia)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
2:21
8Athalia, HWV 52: Part One, Scene 3. No. 9a Chorus: "The gods, who chosen blessings shed" (Attendants)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
2:29
9Athalia, HWV 52: Part One, Scene 3. No. 10 Chorus: "Cheer her, O Baal" (Attendants)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
3:10
10Athalia, HWV 52: Part One, Scene 3. No. 11 Air: "Gentle airs, melodious strains!" (Mathan)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
3:38
11Athalia, HWV 52: Part One, Scene 3. No. 12 Air: "Softest sounds no more can ease me" (Athalia)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
4:31
12Athalia, HWV 52: Part One, Scene 3. No. 13 Chorus: "The traitor if you there descry" (Attendants) / Part One, Scene 4. Recitative: "My Josabeth! the grateful time appears" (Joad)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
1:57
13Athalia, HWV 52: Part One, Scene 4. No. 14 Air: "Faithful cares in vain extended" (Josabeth)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
5:52
14Athalia, HWV 52: Part One, Scene 4. No. 15 Air: "Gloomy tyrants, we disdain" (Joad)
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01)
4:49
CD 8: Athalia - Part II, Part III
CD 9: Alexander's Feast - Part I
CD 10: Alexander's Feast - Concerto grosso in C major, Part II
CD 11: Saul - Symfonia, Act I
CD 12: Saul - Act II
CD 13: Saul - Act III
CD 14: Israel in Egypt - Part I
CD 15: Israel in Egypt - Part II / Coronation Anthems
CD 16: Messiah - Part I, Part II (beginning)
CD 17: Messiah - Part II (conclusion), Part III
CD 18: Samson - Act I
CD 19: Samson - Act II
CD 20: Samson - Act III
CD 21: Semele - Act I
CD 22: Semele - Act II
CD 23: Semele - Act III
CD 24: Hercules - Act I
CD 25: Hercules - Act II
CD 26: Hercules - Act III
CD 27: Belshazzar - Act I (beginning)
CD 28: Belshazzar - Act I (conclusion), Act II (beginning)
CD 29: Belshazzar - Act II (conclusion), Act III
CD 30: Judas Maccabaeus - Act I
CD 31: Judas Maccabaeus - Act II
CD 32: Judas Maccabaeus - Act III
CD 33: Solomon - Act I
CD 34: Solomon - Act II
CD 35: Solomon - Act III
CD 36: Theodora - Part I
CD 37: Theodora - Part II (& alternative scene 2)
CD 38: Theodora - Part III
CD 39: Jephtha - Act I
CD 40: Jephtha - Act II
CD 41: Jephtha - Act III

Credits