Now That’s What I Call Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Drenched
producer:
Winston Hauschild
vocals:
Wanting Qu (曲婉婷)
recording of:
Drenched
lyricist and composer:
Wanting Qu (曲婉婷)
曲婉婷4:04
2How Long Will I Love You
engineer:
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski and Richard Kayvan
producer:
John Fortis
mixer:
Richard Kayvan
bass and keyboard [keyboards]:
John Fortis
guitar:
Nick Cornu
percussion:
Ashley Krajewski
music videos:
How Long Will I Love You by Ellie Goulding
cover recording of:
How Long Will I Love You
lyricist and composer:
Mike Scott (The Waterboys)
Ellie Goulding22:40
3Lovin’ You
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:28
4Back At One
assistant recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri and Chris Wood (recording engineer)
drum machine programming:
Brian McKnight
executive producer:
Bruce Carbone, Kedar Massenburg and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
bass, keyboard, percussion, background vocals and lead vocals:
Brian McKnight
arranger:
Brian McKnight
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
recorded at:
Capital Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor in Mount Kisco, New York, United States
recording of:
Back at One
lyricist, writer and composer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:27
5Baby Can I Hold You
cover recording of:
Baby Can I Hold You
lyricist and composer:
Tracy Chapman (American singer-songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Ronan Keating3:13
6Out Of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs
Gabrielle2.653:22
72 Become 1
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
additional programming:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) and Paul Waller
programming and producer:
Richard Stannard and Matt Rowe
additional producer:
Andy Bradfield
mixer:
Andy Bradfield
guitar:
Greg Lester
keyboard:
Richard Stannard and Matt Rowe
strings arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths and Perry Montague‐Mason (violinist)
recording of:
2 Become 1
writer:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls4.54:06
8She
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:12
9One Love
engineer:
Neil Tucker
producer:
StarGate (Norwegian production/songwriting team)
instruments:
Tor Erik Hermansen, Mikkel SE and Hallgeir Rustan (norwegian producer)
vocals:
Blue (UK boy band)
performer:
Ant (English singer-songwriter & actor), Duncan (English singer and actor, member of “Blue”), Lee (Blue) and Simon
phonographic copyright (℗) by:
Virgin Records Limited (not for release label use! for company relationships only) (in 2002)
produced for:
Blacksmith Management Ltd. and Delirious
additionally recorded at:
Sony Music Studios (London) in London (Greater London), England, United Kingdom
recorded at:
Metropolis Studios (London) in London (Greater London), England, United Kingdom and StarGate Studios in Trondheim, Sør-Trøndelag, Norway
mixed at:
StarGate Studios in Trondheim, Sør-Trøndelag, Norway
recording of:
One Love
writer:
Antony Costa (English singer-songwriter & actor), Mikkel Storleer Eriksen, Tor Erik Hermansen, Duncan James (English singer and actor, member of “Blue”), Hallgeir Rustan (norwegian producer), Lee Ryan (Blue) and Simon Webbe
publisher:
EMI Music Publishing Ltd (PRS‐affiliated), Sony ATV Music Publishing (UK) Ltd and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Blue3.23:29
10Have You Met Miss Jones?
recording engineer and mixer:
Al Schmitt
additional engineer:
Jim Brumby (UK engineer) and Tom Jenkins (English sound engineer)
engineer:
Jim Brumby (UK engineer) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer:
Guy Chambers (English songwriter and record producer)
assistant mixer:
Steve Genewick
alto saxophone [alto saxophones]:
Iain Dixon and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Phil Todd (UK flautist/saxophonist)
bass trombone:
Dave Stewart (trombonist)
double bass:
Sam Burgess
drums (drum set) [drums]:
Ralph Salmins
electric guitar:
Mitch Dalton
piano:
Dave Arch (pianist, conductor, arranger and composer)
tenor saxophone [tenor saxophones]:
Dave Bishop and Chris White (UK jazz saxophonist)
trombone [trombones]:
Gordon Campbell (trombone), Richard Edwards (trombonist) and Neil Sidwell
trumpet [trumpets]:
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner and Paul Spong (trumpetist)
vibraphone:
Anthony Kerr
vocals:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Steve Sidwell3.42:39
11Moment By Moment
Yvonne Elliman3:16
12Now And Forever
engineer and mixer:
Bill Drescher (Producer and sound engineer)
producer:
Richard Marx
acoustic guitar [acoustic guitars], mandolin and solo guitar [guitars]:
Bruce Gaitsch (american guitarist, producer, engineer and arranger)
bass:
Nathan East
strings:
Israel Baker (violinist), Farhad Behroozi, Charlie Bisharat, Henry Corbett, Gail Cruz, Pavel Farkas, James Getzoff (American concertmaster and violinist), Jerry Goodman and Sid Page
lead vocals:
Richard Marx
strings arranger:
Dick Marx
recording of:
Now and Forever
lyricist and composer:
Richard Marx
Richard Marx33:37
13When You Say Nothing At All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:19
14The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Maroon 53:28
15You’re Still The One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.83:36
16I Just Fall In Love Again
cover recording of:
I Just Fall in Love Again
lyricist:
Harry Lloyd (songwriter) and Gloria Sklerov
composer:
Steve Dorff (composer) and Larry Herbstritt
publisher:
Cotton Pickin' Songs, Hobby Horse Music, Peso Music (publisher), Universal Music Careers and Universal Music–MGB Songs
Anne Murray52:53
17Kiss Me Honey, Honey
vocals:
Shirley Bassey (Welsh singer) (in 1958)
orchestra:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
writer:
Michael Julien (British songwriter) and Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:31
▼ CD 2
#TitleArtistRatingLength
1Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
Norah Jones3.453:09
2Sometimes Love Just Ain’t Enough
performer:
Don Henley
recording of:
Sometimes Love Just Ain’t Enough
writer:
Glen Burtnik and Patty Smyth
publisher:
Universal Music–MGB Songs and WB Music Corp. (1929–2019)
Patty Smyth44:29
3Hear Me Cry
Cagnet3:53
4Save The Best For Last
producer:
Keith Thomas (US producer & songwriter)
arranger:
Keith Thomas (US producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:44
5I’ll Never Fall In Love Again
producer:
Burt Bacharach and Phil Ramone
conductor:
Burt Bacharach
arranger:
Burt Bacharach
recording of:
I’ll Never Fall in Love Again (Promises, Promises) (in 1968)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music Ltd., Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
cover recording of:
I’ll Never Fall in Love Again (Promises, Promises) (in 1968)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music Ltd., Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Burt Bacharach3:17
6Young And Beautiful
phonographic copyright (℗) by:
Lana Del Rey (in 2013)
music videos:
Young and Beautiful (music video) by Lana Del Rey
recording of:
Young and Beautiful
lyricist and composer:
Elizabeth Grant and Rick Nowels
Lana Del Rey54:00
7Lady
recording of:
Lady
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Lionel Richie54:30
8Fixing A Broken Heart
recording of:
Fixing a Broken Heart
writer:
Mark Duffy, Richard Hennassey, Don Kirkpatrick (guitarist/songwriter), Neil McDiarmid and Michael Jay (producer/engineer)
publisher:
Bravo and Encore Music, Letterbox Music (US work publisher), Music Publishing Company of America, Rhythm Addiction, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Indecent Obsession3:35
9We’ve Got Tonight
lead vocals:
Sheena Easton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
performer:
Sheena Easton
cover recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 and Gear Publishing Co (in 1976)
Sheena Easton33:58
10Too Lost In You
recording of:
Too Lost in You
lyricist and composer:
Diane Warren (US songwriter)
Sugababes4:16
11Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:40
12Sweetest Goodbye
assistant engineer:
Posie Muliadi and Danny Wright (US engineer)
engineer:
Mike Landolt
producer and mixer:
Matt Wallace (US producer & engineer)
background vocals:
Jesse Carmichael
recording of:
Sweetest Goodbye
lyricist and composer:
Adam Levine (Maroon 5’s lead vocalist)
Maroon 53.254:33
13Secret Lovers
recording of:
Secret Lovers
writer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr5:34
14Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc. and Universal/MCA Music Ltd. (not for release label use!)
Don McLean4.254:04
15All By Myself
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Round Hill Works, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Jamie O’Neal4:41
16I Honestly Love You
Olivia Newton‐John4:07
17I’m Not In Love
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1975)
recording of:
I’m Not in Love
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), Schubert Music Publishing, St. Anne's Music, St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1975)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
10cc6:02
▼ CD 3
#TitleArtistRatingLength
1Right Here Waiting
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) and Richard Marx
guitar:
Bruce Gaitsch (american guitarist, producer, engineer and arranger)
keyboard:
Jeffery (C. J.) Vanston
lead vocals:
Richard Marx
arranger:
Jeffery CJ Vanston and Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
music videos:
Right Here Waiting by Richard Marx
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (american guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部
Richard Marx3.754:28
2Make It Real
recording of:
Make It Real
writer:
The Jets (1980s pop band)
The Jets4:23
3Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:03
4Sea Of Love
recording of:
Sea of Love
lyricist:
Philip Baptiste (US singer and songwriter, author of "Sea of Love")
composer:
George Khoury and Philip Baptiste (US singer and songwriter, author of "Sea of Love")
Marty Wilde2:32
5The Lady In Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (in 1986)
Chris de Burgh3.654:21
6My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.453:00
7Tiny Dancer
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
acoustic guitar:
Davey Johnstone (on 1971-08-09)
bass guitar:
David Glover (bass guitarist) (on 1971-08-09)
drums (drum set):
Roger Pope (on 1971-08-09)
electric guitar:
Caleb Quaye (on 1971-08-09)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (on 1971-08-09)
steel guitar:
BJ Cole (on 1971-08-09)
background vocals:
Tony Burrows (on 1971-08-09), Roger Cook (singer, songwriter, producer) (on 1971-08-09), Lesley Duncan (on 1971-08-09), Dee Murray (on 1971-08-09), Nigel Olsson (on 1971-08-09), Barry St. John (on 1971-08-09), Terry Steele (on 1971-08-09), Liza Strike (on 1971-08-09) and Sue Glover & Sunny Leslie (on 1971-08-09)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1971-08-09)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 47) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 387)
recording of:
Tiny Dancer (on 1971-08-09)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.56:21
8Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker3.23:58
9A Winter’s Tale
producer:
Mike Batt and David Essex
lead vocals:
David Essex
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
A Winter’s Tale
lyricist:
Tim Rice
composer and arranger:
Mike Batt
publisher:
Phonogram, Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
David Essex1.54:17
10Stuck In The Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel4.053:27
11Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:48
12On The Wings Of Love
recording of:
On the Wings of Love
writer:
Peter Schless (keyboardist and composer) and Jeffrey Osborne (in 1982)
Jeffrey Osborne4:03
13Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Lionel Richie3.54:31
14La La (Means I Love You)
recording engineer and mixer:
Mark McGuire (UK producer/engineer)
producer:
Swing Out Sister
cover recording of:
La La (Means I Love You) (in 1994)
writer:
Thom Bell (keyboards, songwriter, producer) and William Hart (of The Delfonics)
Swing Out Sister4:49
15Do That To Me One More Time
recording of:
Do That to Me One More Time
lyricist and composer:
Toni Tennille
publisher:
Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille54:16
16You Needed Me
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Anne Murray53:43
17More Than Words
assistant engineer:
Craig Doubet (recording engineer)
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt, Gary Cerone and Gary Cherone
publisher:
Funky Metal Publishing
Extreme3.65:38
18Close To Me
Cagnet3:25