From the Original Master Tapes

~ Release by Buddy Holly (see all versions of this release, 7 available)

Tracklist

▼ CD 1
#TitleRatingLength
1That'll Be the Day
producer:
Norman Petty
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
42:19
2Oh, Boy!
producer:
Norman Petty
recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
32:12
3Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-27)
drums (drum set):
Jerry Allison (on 1957-05-27)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (publishing and company credits), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited and Wren Music
4.52:25
4Tell Me How
producer:
Norman Petty
recording of:
Tell Me How
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
32:03
5Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:04
6Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:11
7Rock Around With Ollie Vee
producer:
Norman Petty
cover recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
32:16
8It's So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
3.52:13
9I'm Lookin' for Someone to Love
producer:
Norman Petty
recording of:
I'm Lookin' for Someone to Love
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
32:00
10Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
4.52:32
11I'm Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:17
12Words of Love
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (on 1957-04-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
4.51:57
13Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
recording of:
Rave On (on 1958-01-25)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.251:52
14Well.. All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
42:19
15Listen to Me
producer:
Norman Petty
recording of:
Listen to Me
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
32:25
16Think It Over
producer:
Norman Petty
bass:
Joe B. Mauldin (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Think It Over (in 1958-02)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
41:48
17Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc.
4.652:11
18Reminiscing
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
performer:
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-09-10)
recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
42:02
19It Doesn't Matter Any More
producer:
Dick Jacobs and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
2.752:06
20True Love Ways
producer:
Norman Petty
recording of:
True Love Ways (on 1958-10-20)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
33:01